Max Beckmann’s “Football Players” (1929) – Representation of Professional Sport In Serious Art
21 Sep 2011
Posted by Victor-Katia as Discussion and Mind-Probing, Max Beckmann, Paintings, sculptures and drawings analyzed
Beckmann Psychologically Locates 20th Century Sport between Athletic Industrialization and Not Less Athletic Commercial Advertisement “Competitive principle of victory-defeat engraves itself in sport fans’ perception of the world.” Representation of Professional Sport in Serious Art – George Grosz’ “Sportsman” (1922), Acting-Out Politics Weblog, Feb.3, 1910 Max Beckmann, “Football Players”, 1929 Bodies (exaggerated by endless exercises […]
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Topics
- Examples of Semantic Richness of Cinematic narrations
- Films (and stills from the films) analyzed
- Installation art-works analyzed
- Obituaries
- Paintings, sculptures and drawings analyzed
- Photographic art and posters analyzed
- Poetry analyzed
- Psychology of religious belief
- Reviews of Films
- Sociological essays
- Theatrical productions analyzed
Categories
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- Discussion and Mind-Probing (947)
- Examples of Semantic Richness of Cinematic narrations (55)
- "The Devil, Probably” By Robert Bresson, 1977 – Bresson’s Incredible Cinematic Art Talks For Itself (1)
- A Shot about A Suspicious Spot – How Staining Your Identity Can Make You a Hero – From Bernardo Bertolucci’s “Spider’s Stratagem” (1970) (1)
- An Odd Ode to The Human Goddess Camille (Who, It Seems, Needs A Camel for A Husband) – From Jean-Luc Godard’s “Contempt/Le mepris” (1964) (1)
- Anne Marie Mieville’s “The Book of Mary” – Mary’s Improvised Dance- Pantomime Under the Music of Gustav Mahler (1)
- “The Third Generation” By Rainer Werner Fassbinder (1)
- “Wise Young Girl” (Julie Delpy) In “Detective” (1985) by Jean-Luc Godard (1)
- Being Victimized By Socio-economic Anomie Under The Banner Of Profit-making Energetically Moved By Entrepreneurial Wind – From Michelangelo Antonioni’s “Il Grido/The Cry” (1957) (1)
- Blending Of Identities Refreshes A Monotonous Life – From Akira Kurosawa’s “Dodes’kaden” (1970) (1)
- Buddha-like Head Of The Family: The Keeper Of The Hearth’s Fire Alive – From Akira Kurosawa’s “Dodeskaden” (1970) (1)
- Chantal Akerman’s “Night And Day” (1991) – Immortal Femininity and Mortal Masculinity (1)
- Childishness And Cowardice Of A Macho Personality – Macho Sissies In Life, In Politics And In History From Tennessee Williams/Elia Kazan’s “Streetcar Named Desire” (1951) (1)
- Democracy’s Conservative and the Conservative Democrat (Natural Rivals and Calculating Collaborators – Profit-makers, From “Pigsty” by Pier Paolo Pasolini (1969) (1)
- Duchesse de Guermantes And Charles Swann Feel Themselves Before Death – From Volker Schlondorff’s “Un Amour de Swann/Swann In Love” (1984) (1)
- Fabrizio And Agostino – From “Before the Revolution” (1962) By Bernardo Bertolucci (1)
- Fascist Pedagogy Of Self-Overcoming: Training Young People To Do Things Which Are Unbearable For Human Beings To Do – From “Salo” (1976) By Pier Paolo Pasolini (1)
- For Abel Rosenberg, Hero of Ingmar Bergman’s “Serpent’s Egg” (1977), To Insert A Billion Mark Banknote Into the Mouth of a Barman Is Just a Healthy Joke (1)
- Glauce (King Creon’s daughter) Is A Victim Of Medea’s Violent Magic – Pier Paolo Pasolini’s “Medea” (1969) (1)
- How A Sublime World of Metaphors And Symbols Crowns And By This Transubstantiates The Earthly Love – Volker Schlondorff’s “Swann in Love” (1984) (1)
- Imagination vs. Being (The Spiritually Pauperized Architect And His Doomed Son) – From Akira Kurosawa’s “Dodes’kaden” (1970) (1)
- Jason-the Child And the Adult, And Centaurus Chiron – Pier Paolo Pasolini’s “Medea” (1970) (1)
- Jean Luc Godard ’s “Every Man For Himself” (1980) – Life Under Digitally Ordered Human Chaos (1)
- Jean-Luc Godard and Audrey Klebaner’s Psychological Etude of a Young Woman’s Encounter With Love. – From “In Praise of Love” (2001) (1)
- Laius, Jocasta (Silvana Mangano) And Their Son Oedipus – From “Oedipus Rex” (1967) By Pier Paolo Pasolini (1)
- Little Johan Meets The Hotel Room Service Attendant (Hakan Jahnberg) – From Ingmar Bergman’s “The Silence” (1963) (1)
- Luchino Visconti’s “Terra Trema – The Earth Is Trembling” (1948) – The Hero an Italian Fisherman Who Is Not Only the Savior of His Family and the Moral Dignity of Other Workers, but of Life (1)
- Luis Bunuel’s “That Obscure Object of Desire” (1977) – The Eternal Duel-Duo Between Its Majesty-Money and Human Nature (1)
- Marcel-the Writer And Marcel-the Boy During WWI – From Raul Ruiz’s “Time Regained” (1999) (1)
- Maurice Pialat’s “Van Gogh” (1991) – Vincent and Marguerite’s Brief Eternity (1)
- Michelangelo Antonioni’s “Blow Up”, 1966 – Pure Sexual Desire As Infantile Sexuality, While Love Starts as An Existential Drive Towards Another Person (1)
- Nana As A Scandalous Human Uniqueness, Damned, Condemned And Doomed – “Vivre Sa Vie”, (1962) By Jean Luc Godard (The 4th Etude About Godard’s Nana) (1)
- Petra and Karin – Their Creative Enterprise, their Love And Inequality – From “The Bitter Tears Of Petra Von Kant” (1972) By Rainer Werner Fassbinder (1)
- Preparation For War: Vicious (In All Too Human Way) Battle For Domination – From Ronald Neame’s “Tunes of Glory” (1960) (1)
- Retarded Boy Rokkuchan As A Demiurge Of Technological Civilization – From “Dodes’Kaden” (1970) by Akira Kurosawa (1)
- Right-wingers Today and Judaist Clergy In Christ’s Times On The One Hand, And Liberal Democrats Today And Pontius Pilate In Christ’s Time , “The Messiah”, By Rossellini (1)
- Sugar-taste, Sugar-dream, Sugar-dreaming, Sugar-excitement, Sugar-prosperity, Sugar-destructiveness – From Dušan Makavejev’s “Sweet Movie” (1974) (1)
- Surrealist Imagery As The Film-director’s Expressive Tool – The Shot Is From “Chinese Roulette” (1976) By Rainer Werner Fassbinder (1)
- The Art Of Meaningful Composition Of A Shot – From “Lili Marleen” (1981) By Rainer Werner Fassbinder (1)
- The Body Of Truth And The Body Of Glamour – From “Hour of the Wolf” (1968) By Ingmar Bergman (1)
- The Film-director Is Challenging the Deceitful Narratives Of Historical Events – From Bernardo Bertolucci’s “The Spider’s Stratagem” (1970) (1)
- The Internal Power To Resist Abusive Treatment Grows Together With The Very Experience Of Resistance From Ingmar Bergman’s “Fanny and Alexander” (1981) (1)
- The Knight Of Love – From Akira Kurosawa’s “Dodeskaden” (1970) – Is Betrayal Of Love A Spiritual Betrayal? (1)
- The Role Of “Bizarre” Visual Images As An Intellectual Stimulation Of The Film-viewers – From Bernardo Bertolucci’s “The Dreamers” (2003) (1)
- The Tiny Space of Civilization – Jean-Luc Godard’s “Film-Socialisme” (2010) (1)
- The Use Of “Gaze Aside Without Verbalization” In Cinema – Examples From “Medea” (1969) And “Oedipus Rex” (1967) By Pier Paolo Pasolini (1)
- The Woman With The Sky In Her Eyes – From Ingmar Bergman “The Passion of Anna” (1969) (1)
- Three Phases Of Human Relationship With Death – From “Time Regained” (1999) By Raul Ruiz (Film Based On Marcel Proust’s Novel) (1)
- Three Positions Towards Death (Of Those Who Personally Feell Distant From Death’s Touch) – From Maurice Pialat’s “The Mouth Agape/The Slack-Jawed Mug” (1974) (1)
- To Become Ontologically Authentic Personality (Complex Of Sublime Selfhood) Or To Share Life With Others – Jean-Luc Godard’s “Vivre sa vie/My Life To Live” (1962) (1)
- Trivial Sex As A Gift From Destiny – From Maurice Pialat “The Mouth Agape” (1974) (1)
- Visual Poem About Existentially Spiritual Transformation of Human Beings – “Teorema/Theorem” By Pier Paolo Pasolini (1968) (1)
- When Intense Idealistic Belief “Massively” Collapses – From “Salome’s Last Dance” (1988) By Ken Russell (1)
- When Life Is the Occupation with Technology And Financial Rivalry – From “Sisters, Or The Balance Of Happiness” (1979) By Margarethe Von Trotta (1)
- When People On Tops Of Social Hierarchy Stopped To Be Reliable/Respectable – From “The Discreet Charm Of Bourgeoisie” (1972) By Luis Bunuel (1)
- When Youthful Intelligent Vitality Becomes Incompatible With the Conditions of Spiritual and Physical Survival – Robert Bresson’s “Devil Probably” (1977) (1)
- Young People’s Psychological Condition according To Akira Kurosawa’s “Sanjuro” (1962) (1)
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- "Bitter Tears of Petra von Kant” (1972) by Rainer Werner Fassbinder (1)
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- "Nazarin" (1959) by Luis Bunuel (1)
- "Sanjuro" (1962), by Akira Kurosawa (1)
- "Time Regained" (TR) by Raoul Ruiz (1999) (1)
- ”Il Grido/The Cry” (1957) By Michelangelo Antonioni (1)
- “35 Shots of Rum” (2008) By Claire Denis (1)
- “A Flame in My Heart” (1987) By Alain Tanner (1)
- “A Streetcar Named Desire” (1951) by Elia Kazan/Tennessee Williams (1)
- “Ali: Fear Eats the Soul” (1973) by Rainer Werner Fassbinder (1)
- “Alice in the Cities” (1974) By Wim Wenders (1)
- “And the Ship Sails On” (1983) By Federico Fellini (1)
- “Au Hazard Balthazar” (1966) And “Devil Probably” (1977) By Robert Bresson (1)
- “Autumn Sonata” (1978) By Ingmar Bergman (1)
- “Baxter, Vera Baxter” by Marguerite Duras (1977) (1)
- “Berlin Affair” (1985) by Liliana Cavani (2)
- “Berlin Alexanderplatz” (1980) By Rainer Werner Fassbinder (1)
- “Bless the Beast and Children” by Stanley Kramer (1971) (1)
- “Burmese Harp” (1957) by Kon Ichikawa (1)
- “Casanova” (1976) by Federico Fellini (1)
- “Chinese Roulette” (1976) by R.W. Fassbinder (1)
- “Clara Schumann” (2008), by Helma Sanders-Brahms (1)
- “Confessions of Police Captain to the District Attorney” (1971) by Damiano Damiani (1)
- “CONFORMIST” (1971) By Bernardo Bertolucci (1)
- “Contempt/Le mepris” (1963) by Jean-Luc Godard (1)
- “Cuentame Como Paso” (“Tell Me How it Happened”) by Miguel Angel Bernardeau (1)
- “Death in Venice” (1971) by Luchino Visconti (1)
- “Dersu Uzala” (1975) by Akira Kurosawa (1)
- “Despair/Journey Into Light” (1978) by Rainer-Werner Fassbinder (1)
- “Destroy, She Said” (1968) by Marguerite Duras (1)
- “Detective” (1985) by Jean-Luc Godard (1)
- “Diary of the Country Priest” (1951) By Robert Bresson (1)
- “Dodes’kaden” (1970) by Akira Kurosawa (1)
- “Elysium” by Neill Blomkamp (2013) (1)
- “Faithless” by Liv Ullmann (1)
- “Fear of Fear” (1975) by R.W. Fassbinder (2)
- “Film Socialisme” (2010) By Jean-Luc Godard (JLG) (1)
- “Fire Within” (1963) By Louis Malle (1)
- “First Name Carmen/Prenom Carmen” (1983) by Jean-Luc Godard (1)
- “Foyle’s War” by Anthony Horowitz (1)
- “From The Life Of The Marionettes” By Ingmar Bergman (1980) (1)
- “Germany in autumn” By Rainer Werner Fassbinder (1)
- “Germany, Pale Mother” (1980) by Helma Sanders-Brahms (1)
- “Golden Age/L'Age d'Or ” (1930) By Luis Bunuel (1)
- “Goodbye Language/Adieu au langage ” (2014) by Jean-Luc Godard (1)
- “Hidden Fortress” (1958) by Akira Kurosawa (1)
- “Hiroshima mon amour” (1957) By Alain Resnais (1)
- “Hour Of The Wolf” (1968) By Ingmar Bergman (1)
- “I Want To Go Home” (1989) by Alain Resnais (1)
- “Ich Bin die Andere” (“I am the Other Woman”) by Margarethe von Trotta (2006) (1)
- “Ikiru/To Live” by Akira Kurosawa (1952) (1)
- “In a Year of 13 Moons” (1978) By R.W. Fassbinder (1)
- “In the Electric Mist” (2010) by Bernard Tavernier (1)
- “Kind Hearted Woman” by David Sutherland (1)
- “La guerre est finie/The War Is Over” (1966) By Alain Resnais (1)
- “La Terra Trema/The Earth Is Trembling/The Earth Trembles/Will Tremble” (1948) By Luchino Visconti (1)
- “Lacombe Lucien” (1974), By Louis Malle (1)
- “Lancelot of the Lake” (1974) By Robert Bresson (1)
- “Last Year in Marienbad” (1960) By Alain Resnais (1)
- “L’Enfance Nue” (1968) By Maurice Pialat (1)
- “Le Petit Soldat/The Little Soldier” (1960–1963) By Jean-Luc Godard (1)
- “Letter to America”, (1999) by Kira Muratova (1)
- “Life and Nothing But/La vie at rien d’autre” (1989) by Bertrand Tavernier (1)
- “Lili Marleen” by Rainer Werner Fassbinder (1981) (1)
- “Lola” by Jacques Demy (1961) (1)
- “Lola” by Rainer Werner Fassbinder (1981) (1)
- “Long Day’s Journey into the Night” (1962) By Sidney Lumet (1)
- “Love Unto Death” (1984) by Alain Resnais (1)
- “Madame Rosa” By Moshe Mizrahi (1)
- “Made in USA (1966) by Jean-Luc Godard (2)
- “Man Like Eva/Ein mann wie Eva” (1983) by Radu Gabrea (1)
- “Medea” (1969) by Pier Paolo Pasolini (1)
- “Melo” (1986) by Alain Resnais (1)
- “Milarepa” by Liliana Cavani (1974) (1)
- “Muriel, Or The Time Of Return” By Alain Resnais (1964) (1)
- “My life and Times with Antonin Artaud” (1993) by Gerard Mordillat (1)
- “Nathalie Granger” (1972) by Marguerite Duras (1)
- “Nazarin” (1959) by Luis Bunuel (1)
- “Nelly and Mr. Arnaud” (1995) by Claude Sautet (1)
- “Night and Day” (1991) by Chantal Akerman (1)
- “Oedipus Rex” (1967) By Pier Paolo Pasolini (1)
- “Oh, Woe Is Me” by Jean-Luc Godard (1)
- “Our Lady of the Assassins” (2000) by Barbet Schroeder (1)
- “Our Music” by Jean-Luc Godard (2004) (1)
- “Peter Pan” (2003) by P.J. Hogan (1)
- “Pickpocket” (1959) by Robert Bresson (1)
- “Pigpen/Pigsty/La Porcile” (1969) By Pier Paolo Pasolini (1)
- “Salome’s Last Dance” (1988) by Ken Russell (1)
- “Sanjuro” (1962), by Akira Kurosawa (1)
- “Sansho the Bailiff” (1954) by Kenji Mizoguchi (1)
- “Sisters or the Balance of Happiness” (1979) By Margarethe von Trotta (1)
- “Socrates” (1971) By Roberto Rossellini (1)
- “Spider’s Stratagem” (1970) By Bernardo Bertolucci (1)
- “Strongman Ferdinand” (1977) by Alexander Kluge (1)
- “Stroszek” (1977) By Werner Herzog (1)
- “Swan In Love” (1984) By Volker Schlöndorff' (1)
- “Sweet Movie” (1976) By Dusan Makavejev (1)
- “The Bitter Tears of Petra von Kant” (1972) by Rainer Werner Fassbinder (RWF) (1)
- “The Cannibals” by Liliana Cavani (1969) (1)
- “The Chronicle of Anna Magdalena Bach” by Jean Marie Straub and Daniele Huillet (1968) (1)
- “The Discreet Charm of Bourgeoisie” (1972) by Luis Bunuel (1)
- “The Dreamers” (2003) By Bernardo Bertolucci (1)
- “The Men Who Tread on the Tiger’s Tail” (1945) by Akira Kurosawa (1)
- “The Merchant of Four Seasons” (1971) by Rainer Werner Fassbinder (1)
- “The Messiah” (1975) by Roberto Rossellini (1)
- “The Mouth Agape/The Slack-Jawed Mug” (1974) by Maurice Pialat (1)
- “The Night of Iguana” (1964) by John Huston – based on Tennessee Williams’ play (1)
- “The Rise of Louis XIV” by Roberto Rossellini (1966) (1)
- “The Rite” (1969) by Ingmar Bergman (1)
- “The Salamander” (1971) by Alain Tanner (1)
- “The Serpent’s Egg”1976, by Ingmar Bergman (1)
- “The Sheltering Sky” (1990) by Bernardo Bertolucci (1)
- “The Shout” (1978) by Jerzy Skolimowski (1)
- “The Silence” by Ingmar Bergman (1963) (1)
- “The Skin” (“La Pelle” – 1981) by Liliana Cavani (1)
- “The Soft Skin” (1964) By Francois Truffaut (1)
- “The Testament of Orpheus” by Jean Cocteau (1959) (1)
- “The Touch” (1971) by Ingmar Bergman (2)
- “The Virgin’s Bed” (“Le lit de la vierge”), 1969, by Philip Garrel (1)
- “Theorem” (1968) By Pier Paolo Pasolini (1)
- “Through Glass Darkly” (1961) By Ingmar Bergman (1)
- “Tokyo Twilight”, 1957, by Yasujiro Ozu (2)
- “Trophy Wife” (“Potiche”), 2010, by Francois Ozon (1)
- “Tunes of Glory” by Ronald Neame (1)
- “Uranus” by Claude Berri (1)
- “Van Gogh” (1991) by Maurice Pialat (1)
- “Vivre Sa Vie/My Life to Live” (1962) by Jean-Luc Godard (1)
- “What are Clouds?” (1968) by Pier Paolo Pasolini (2)
- “Whity” By Rainer Werner Fassbinder (1970) (1)
- “Who's Afraid of Virginia Woolf?”(1966) By Mike Nichols (Based on the Play of Edward Albee) (1)
- “Winter Light” (1962) by Ingmar Bergman (1)
- “Yojimbo” (1961) and “Sanjuro” (1963) by Akira Kurosawa (1)
- “Yojimbo” (1961) by Akira Kurosawa (1)
- “You ain’t Seen Nothin’ Yet” by Alain Resnais (1)
- “Zabriskie Point”/ZP, (1970) By Michelangelo Antonioni (1)
- Bernardo Bertolucci’s “Me and You/Io e Te” (2)
- In Praise of Love/Éloge de l'amour (2001) By Jean-Luc Godard (1)
- Margarethe Von Trotta's “Hannah Arendt” (1)
- Review #2 of “What are Clouds?” (1968) by Pier Paolo Pasolini (1)
- Star Trek (1)
- The One Who Cried When He Watched James Bond Movie(s) (1)
- Sociological essays (175)
- 21st Century Ideological Mystification – The GOPists And DNCists Instead Of Conservatives And Democrats (1)
- A Radical Change in the Nature of Modern Economy (1)
- About Gay-labeling and Perception of Personal Life In “Technical Terms” (1)
- Adolf Hitler and Joseph Goebbels As One Person (1)
- Adult Victims of (Childish) Toys (1)
- American Neo-conservatives Have Disoriented and Suffocated American Democracy (While Democrats Were Enjoying Their Positions, Salaries and Intelligent Speech) (1)
- American Rich As Personifications of Greatness of Our Nation (1)
- Americans Who Are “hypnotized” By Their Semi-prosperity Routine – Jobs, Careers, Hobbies, Holidays, Pills, Etc. And Habitually Don’t Look Outside (Or Look There Through Their Eyelids) (1)
- Anti-democratic Psychopathology Of The Need To Be Entertained (1)
- Artificially Induced Hunger for Currency (2)
- “Covid-19” or Coronavirus in USA (1)
- “High Noon” By Fred Zinnemann, 1952, Gary Cooper, The Hooligans, Conformist Philistines And How D. Trump Is Striving To Become An American Super-duper President in 2020 (1)
- “Thinking” Through Prejudices – Bush Jr., Trump Sr. and Our Destroyed Future (1)
- “Trump’s Anti-science Era Begins” (1)
- Barack Obama’s Psychological Complex? (1)
- Belief – Its Versatile Contents and its Psychological “Form” (1)
- Brief Notes on “Fascist”* Psycho-social Regression in Seemingly Normal People (1)
- Brief Notes On Joseph Stalin Complex In Many Americans Today (1)
- Camels with Strong Canine Teeth and with Hunches of Wealth (1)
- Ch. 2 – The American Story (1)
- Ch. 7. SRussian Marxism’s Boiling and Bullying – “Laws of Historical Development are on our Side” (1)
- Ch. 7. SRussian Marxism’s Boiling and Bullying -“Inevitable Laws of Historical Development are on our Side” Part 2 (1)
- Ch. 9. We-are-the-richest: from Monking (Money-making) to Buysumption (Consumption of Money) (1)
- Ch. 9. We-are-the-richest: from Monking (Money-making) to Buysumption (Consumption of Money), Last pp. 9-10 (1)
- Children of Money (1)
- Clinton and Trump: Where Do They Stand On Science? (1)
- Complicated Views As A Democratic Value (1)
- Conservatives (Who Rely on Beliefs) and Technical Sciences (1)
- Creation or Initiation of Wars as a Mental Disorder (1)
- Cultural Illiteracy Leads To Psychological Totalitarization (1)
- Daimonic As Energy of Cultural Creativity (1)
- Democracy And Anti-democracy Inside Democracy (1)
- Democracy As A (Democratic) Pluralism Of Mythological Narrations (1)
- Destroying the Middle Class and Fabricating Enemies (1)
- Destruction of the Humane Concept of Human Happiness (1)
- Donald Rumsfeld’s “Imaginary Thinking” (1)
- Drum-Trump, Bill-Mills* And Their Passionate and Poor Supporters (1)
- Emotional Attractiveness of Totalitarianism (2)
- Exchange of the Eternal Life for Fabricated Free Market (1)
- Few Examples of Political Theft Of Utopian Promises (1)
- Financial Stalinism (1)
- Four Delusions of Grandeur (1)
- Fragmentation of Psychological Wholeness (1)
- Free Riders and Freaky Haters (1)
- From (Democratic) Pluralism to Totalitarian Social Hierarchy (1)
- From Fake Prosperity To Fake Reasons For Austerity (1)
- From Prestige of Religious/Political Beliefs to Prestige of Social Elites (1)
- From Traditional (Existentially Mass-cultural) To High-tech Entertainment (1)
- Genocidal Gene In Many Of The Neocons And Neoliberals Today Who Are Afraid That People Will Deprive Them Of Their Power and Wealth (1)
- Good News and New Goods For The One Percent Of American Population (1)
- Hollywood Stars’ Socio-morphic Acting – When Movie-matic Medium Is Sensitive Only To Social Layer Of The World (1)
- How Americans Failed Obama Challenge (1)
- How Mass Culture Prepares Population for Austerity Measures (1)
- How Money Hired Consumerism and Entertainment (1)
- How Stalin Hardliners* Type Of Soviet Communists Have Resurfaced Under A New Ideological Skin Inside The American Democracy (1)
- How to Handle the Beast (1)
- Human Health And Longevity Are Linked To Socio-economic Status (1)
- Human Illness As A Precious Natural Resource for Making Profit (1)
- Humanity of the Psychological Frankensteins (1)
- Hypothetical Notes On – Idealistic Bubbles In Political Calculations As Part Of Human Psychological Makeup (1)
- Identification As A Psychological Mechanism Creating (Imaginary) Identity Of A People With Miserable Social Status And Those Whose Status Is Respectable (1)
- Identification Based On Difference and Margarethe Von Trotta's Search For a Joint-gender Perspective (1)
- Identification Of Viewers With Star/Character In Commercial Movies As An Example Of Totalitarian Symbiotic Togetherness (1)
- Ideology in SRussia (Soviet Russia) and Bushmerica (1)
- Inevitable Metaphoricity of Humanistic Science (1)
- Infuriated Philistine’s Happy Hate (1)
- It Happens Like This… (1)
- Jean-Luc Godard – The Exceptional Film-director (1)
- Legacy Of Psychological Retardation – Westerns As Our Tragic Mass-cultural Inheritance (1)
- Liberal Psyche and Destiny of Liberalism in U.S. (1)
- Logic of Fascization (1)
- Lucian Freud (1)
- Luxuriously Euphoric Times (1)
- Macho Men and Battered Women (1)
- Manipulative Thinking As Rooted In Infantilism And Psychologically Regressive Behavior (1)
- Mark Twain as a Cultural Authority (1)
- Menacing Lessons of Junta (1)
- Militarism’s Totalitarian Flavor (1)
- Misinformation On Social Media (1)
- Money-archy as a New Monarchy (1)
- Moneysturbators – Trouble Tribe of Not Omnivorous And Not Carnivorous, But Moneyvorous Profit-makers (1)
- Murderers Inside Us (1)
- Murderous Concatenation – When Anomie Gradually Takes the Place of Pluralism (1)
- Nancy Paralyzi as a Licensed Scapegoat (1)
- Narcissistic Bubble (1)
- Neo-Conservative’s Rhetoric of “Free Market” (1)
- Notes On Involution of Post-modernity (1)
- Notes on Mass-cultural Americans (The Ones Who Have Mass-cultural Souls) (1)
- Notes On The Amazing Post-WW2 Experiment Of Designing Human Behavior (1)
- Notes on The Psychological Essence of “Conservative” Socio-political Posture (1)
- Notes On The Toughers And The Gentlers – Two Halves Of The Majority of American Population In The 21st Century (1)
- Pedagogy of Cultural Illiteracy (1)
- People Who Exist Too Heavily … Drowned In Everyday Existence (1)
- Perverted Alliance between Truth and Salary (1)
- Pier Paolo Pasolini’s “Republic of Salo” and His Concept of Post-modern Western Civilization (1945 – 21st Century) (1)
- Plutarch’s Nightingale – An Etude Including Exercise In Lyrical Dystopia (1)
- Political Hooliganism – A President's Verbally Uncivil And Rude Communications (1)
- Politicians and Financial Entrepreneurs with Autistic Features (1)
- Poorple and Wealthyple (1)
- Populism as a Smiling Mask of Anti-humanism (1)
- Post-WWII Radical Divorce Between American Generations (1)
- Primal Scenes (Three Demons of Theatricality) (1)
- Private Wealth’s Globally Expanded Predatoriness (1)
- Problem of Love In Politics (1)
- Prosperity Without Consumerism and Education Without Career Calculation (1)
- Prozac Liberalism in U.S. (1)
- Psychological Roots of Political and Financial Misbehvior (1)
- Psychology of Political, Military and Economic Blunders (1)
- Psychopaths Aren’t So Clever After All (1)
- Rich Conquerors and Their (Poor) Servants and Bodyguards (1)
- Rottweilers of Lord Bankfein (1)
- Salivating Lickers of Coins (1)
- Scientific Research Becomes Incompatible With The Predatory Mind Of Conservatism And Neo-Conservatism (1)
- Setting Discord Between Groups and Populations (1)
- Shift from “Communism” to “Democracy” in Russia (1)
- Sissy Heroism or the Logic of an Abused Child (1)
- Socio-political Dreams In Relation To Socio-political Realities (The Russian Communist Future And Totalitarian Present, German Aryan Superiority and The Third Reich,…) (1)
- Socio-Psychological Essence of the Emotion of Hate (1)
- Some Psychological Reasons For GOP’s Victory In Midterm Congressional Elections (1)
- Stalin’s Political Ordeals (1)
- Star Trek (1)
- Symbolism Of Torture (1)
- The Builders Of American Dystopia – Political Apparatchiks Of Neo-Conservative Cause (1)
- The Destiny Of Soul’s Thinking In The 21st Century’ (1)
- The Difference Between a Democratic and a Conservative Sensibility (1)
- The God’s Humor (1)
- The Magic Helpers (1)
- The Moment That Could Change the History (1)
- The Neck generation of American Leadership (1)
- The One Who Cried When He Watched James Bond Movie(s) (1)
- The Planetary Royalty of 21st Century (1)
- The Political Dance Of A “One-sided Compromise” With A Despotic Money-power – President Obama Faces Future Of A Possible Impeachment (1)
- The Poor People’s Paradise, the Rich’s Hell – Relaxed Existence VS. Over-calculation (1)
- The Psychology of Human Immanent Fear, Sometimes to the Degree of Semi-unconscious Panic (1)
- The Psychology of Pet Owning (1)
- The Ultimate Question Is Not Economic Efficiency, Profit-making Strategies (1)
- The Various Degrees of Intellectual Qualification and Judicial Objectivity in the Participants in President’s Impeachment Hearing (1)
- There are Two Types of People (1)
- There is No Place for Wishful Thinking (1)
- This Sweet Propaganda (1)
- Those Who Sold American Democracy to their Own Pockets (1)
- Three Causes Of American Addiction To Weapons (1)
- Three Historical Betrayals (1)
- To Survive in Order To Live VS. Live Just to Survive (1)
- To those Who are Trapped Iin Mass-cultural Satisfactions (1)
- Today’s Political Conservatism in U.S. (1)
- Two Types Of Human Blunders – One Made By Our Very Humanity And The Other By Our Reliance On Our Instrumental Reasoning (1)
- Unconscious Lying (1)
- Unconscious Need for Appropriation/Possession, for Hate/Fight/Wars, for Victories and Domination (1)
- Victor Brauner’s “Symbolic Mutation I” – Socio-psychological Typology of Human Beings (1)
- Virus Which Is Killing the Economy (1)
- Vitalizing Addiction to Hate and to Fight (1)
- Werner Herzog, A German Film Director And Screenwriter*, To America: (1)
- What Communist party was for the Soviet (Totalitarian) Government, Corporations are for (Neo-conservative) American Government (1)
- What Is the American Equivalent of What Communist Party Was for The Soviet Union? (1)
- When Infantilization of Human Psyche… (1)
- Why Americans with Conservative Sensibility vote against Their Own Interests and are Addicted to Hate-Talk Shows? (1)
- Why Conservative Revolution In US Took Place Right After Soviet “Collapse”? (1)
- Why is there no book Burning in U.S.? (1)
- Why It‘s So Easy to Lie About the Necessity and the Urgency of Wars (1)
- Why Most Heroes of Hollywood Productions And TV Serials Are “Charismatic Everybodies” (1)
- Why the Neo-Republicans Are So Passionate And Democrats So “Cowardly” As Political Fighters (1)
- Why Uneducated People Love to be Fists, Muscles… (1)
- Worshippers of Wealth (1)
- Young Males on the Bottom of the Social Pyramid (1)
- Youth-abuse (1)
- The Grand Slope (1)
- Theatrical productions analyzed (1)
- Robert Wilson (1)
- Uncategorized (39)
- Victor's Poems (123)
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Biography (.doc)
Biography (.pdf)
Letters to Readers
- 1. Obama, Bush and the 'Armoured Self'
- 2. Emotional Attractiveness of Totalitarianism
- 3. Artificially Induced Hunger for Currency and Consumption
- 4. Ideology in SRussia (Soviet Russia) and Bushmerica (America according to Bushmericans)
- 5. To those Who are Trapped into Mass-cultural Satisfactions and Consolations
- 6. Liberal Psyche and the Destiny of Liberalism in U.S.
- 7. The Destruction of the Humane Concept of Human Happiness
- 8. Psychological Roots of Political and Financial Misbehvior
- 9. Psychology of Political, Military and Economic Blunders
Recent Entries
- “Thinking” Through Prejudices, Superstitions and Pleasant Imaginary Construction – Bush Jr., Trump Sr. and Our Destroyed Future
- Exchange of the Eternal Life for Fabricated Free Market
- Inevitable Metaphoricity of Humanistic Science
- Fragment From the Book “Ideological Superstitions and Political Misperceptions In the 20-21st Centuries…” Ch. 2 – The American Story
- Jean-Luc Godard – Genius, Master, Virtuoso, Sensitivity, Intelligence, Humility
- “Le Diable probablement/The Devil, Probably” By Robert Bresson, 1977 – Bresson’s Incredible Cinematic Art Talks For Itself
- Georges Rouault - Spiritual And On the Other Hand Philistine Reality - through Painting Style
- Ch. 9. We-are-the-richest: from Monking (Money-making) to Buysumption (Consumption of Money), from Buysumption to Monking
- Ch. 9. We-are-the-richest: from Monking (Money-making) to Buysumption (Consumption of Money), from Buysumption to Monking
- Ch. 7. SRussian Marxism’s Boiling and Bullying - We-are-the-first: “Inevitable Laws of Historical Development are on our Side”
Recent Comments
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Most Commented
- Constantin Brancusi’s Sculptural Series “The Kiss” (1907 – 1925): To Be Stuck in Personal relations to the Neglect of Understanding of the Public Realm (21)
- Pablo Picasso’s Portrait of Joseph Stalin (1953) – Stalin As An Object of the Artist’s Contemplation – Simpler than Any Painting, Flatter than Any Sculpture, Ruder Than Any Kitsch – (4)
- Mary Cassatt‘s Paintings – Mother and Child: The Mystery of the Disappearance of the Mother’s Face (4)
- Marina Tsvetaeva’s “Ophelia – In Defense of the Queen” (1923) – The Value of Existential Paradox: The Logic of Aesthetic Exception (3)
- Max Ernst’s ‘The Horde’ (1927) provides us with the metaphoric space for better understanding of The Invasion of the Bushmerican Adolfics (2)
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