The Reflective Strategy Of Assimilating The Viewers (of the Painting) Into The Painting Giovanni Battista Moroni, “A Gentleman in Adoration before the Baptism of Christ” (1555–1560) Moroni’s bold division of the intra-painting space suggests not only the ontological difference between secular realm where Moroni’s “gentleman” is located, and sacred realm where baptism of Christ by […]