Emil Nolde’s “Maskenstilleben” (1911) – Three Archetypal Motifs Of Entertainment, Its Consumer And Its Creator Settled In And Filled With A Melting Cheerful Blue As A Wasteful Air of Vanity The Artificial Skies of Mass-cultural Entertainment Nolde’s “Maskenstillleben 1911” is not his creative (festive) reaction on the reality of human life, but rather his skeptical […]