04 Nov 2017
Posted by Victor-Katia as Discussion and Mind-Probing, Examples of Semantic Richness of Cinematic narrations, Surrealist Imagery As The Film-director’s Expressive Tool – The Shot Is From “Chinese Roulette” (1976) By Rainer Werner Fassbinder
Here we are witnessing one of the most surrealist composition of a shot in Fassbinder’s “Chinese Roulette”. Fassbinder is not showing in his films (obviously) “bad” or (unambiguously) “good” people, as it’s natural in movies of totalitarian countries where criteria for defining human “badness” or “goodness” of a movie character or a person in real […]
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