14 Dec 2017
Posted by Victor-Katia as Discussion and Mind-Probing, Giovanni Angelo del Maino’s (1470-1536) “Saint John The Evangelist” (1520-30), Giovanni Angelo del Maino’s (1470-1536) “Saint John The Evangelist” (1520-30), Paintings, sculptures and drawings analyzed, Psychology of religious belief
Giovanni Angelo del Maino, “Saint John The Evangelist” (1520-30), Lime wood, ht. 143cm. Whom we’re seeing in front of us is a person right from the 16th century, stretching out his hand as if asking for a handout. His facial expression supports the meaning of his extended arm and open palm – it’s an appeal […]
05 Dec 2017
Posted by Victor-Katia as Discussion and Mind-Probing, Examples of Semantic Richness of Cinematic narrations, Jean-Luc Godard and Audrey Klebaner’s Psychological Etude of a Young Woman’s Encounter With Love. - From “In Praise of Love” (2001)
To Love the Feeling Of Being In Love Or To Love Another Person When Audrey Klebaner met Jeremia Lippmann for the audition for the roles of Eglantine and Perceval for the future film by Edgar (Bruno Pudzulu) – a gifted and independently thinking young man trying out himself as a film director – all as […]
03 Dec 2017
Posted by Victor-Katia as Discussion and Mind-Probing, Examples of Semantic Richness of Cinematic narrations, Trivial Sex As A Gift From Destiny – From Maurice Pialat “The Mouth Agape” (1974)
One More Example Of A Puzzling Surrealistic Images By Which Film Directors Characterize The Events In The Characters’ Internal World An unexpected gift for Philippe – the son of a dying woman is like a refreshing pill helping him to consume the world and continue to exist for the sake of existing. He likes only […]
02 Dec 2017
Posted by Victor-Katia as Discussion and Mind-Probing, Examples of Semantic Richness of Cinematic narrations, Three Positions Towards Death (Of Those Who Personally Feell Distant From Death’s Touch) – From Maurice Pialat’s “The Mouth Agape/The Slack-Jawed Mug” (1974)
The first position is personified by Philippe – the son of the woman afflicted with terminal illness (he is with his back to us). His indifferent posture with hands in his pockets tells us that he thinks he is beyond everything connected with death (not beyond his mother’s dying, of course, but death as an […]
01 Dec 2017
Posted by Victor-Katia as Discussion and Mind-Probing, Examples of Semantic Richness of Cinematic narrations, The Use Of “Gaze Aside Without Verbalization” In Cinema – Examples From “Medea” (1969) And “Oedipus Rex” (1967) By Pier Paolo Pasolini
Maria Callas (Medea) and Giuseppe Gentile (Jason) in “Medea” by Pier Paolo Pasolini Jason is very proud to get a princess Medea as a spouse. Besides, it was no easy task to kidnap her from her family and make her an accomplice in this adventure. And now he’s in full possession of this incredible woman. […]
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