Even Stylistically Sophisticated Art Can Be Deployed As Social Criticism Kazimir Malevich, “Sportsmen”, 1913 It’s impressive how “suprematically” simplified bodies of Malevich’s sportsmen and multi-colors of their clothes and heads (with intentionally undifferentiated front and back, faces with occipitals) combined versatility and uniformity, plurality and monotony. We know a similar “miracle” in our own country […]