26 Sep 2019
Posted by Victor-Katia as Discussion and Mind-Probing, Examples of Semantic Richness of Cinematic narrations, Fascist Pedagogy Of Self-Overcoming: Training Young People To Do Things Which Are Unbearable For Human Beings To Do - From “Salo” (1976) By Pier Paolo Pasolini
When we humans eat something tasty we don’t want the food to fall from the mouth. Conversely, we want to swallow it. But when we have to eat something disgusting we don’t want, we could prefer the food to fall out of our mouths and dream to open them as wide as possible. We see […]
20 Sep 2019
Posted by Victor-Katia as Discussion and Mind-Probing, Examples of Semantic Richness of Cinematic narrations, Visual Poem About Existentially Spiritual Transformation of Human Beings - “Teorema/Theorem” By Pier Paolo Pasolini (1968)
An ascetic poster of Pasolini’s film (in a style reflecting the essence of human history according to Pasolini) The wealthy family of the owner of the factory Paolo before the start of their ordeal The existentially spiritual ordeal of the family has begun. The family members are already no longer what these people were before […]
13 Sep 2019
Posted by Victor-Katia as Discussion and Mind-Probing, Emil Nolde, Paintings, sculptures and drawings analyzed
Emil Nolde, “Courtship”, 1919 According to the Nolde’s painting there are at least three keys to earthly happiness – two of them belong to the seductively behaving young man and one to the woman in the moment of being seduced. The first opener of earthly happiness is the man’s eyes shining with blueness brighter than […]
03 Sep 2019
Posted by Victor-Katia as Democracy’s Conservative and the Conservative Democrat (Natural Rivals and Calculating Collaborators – Profit-makers, From “Pigsty” by Pier Paolo Pasolini (1969), Discussion and Mind-Probing, Examples of Semantic Richness of Cinematic narrations
This face can be human if not its facial expression that is completely wiped clean from any sensitivity, not already mentioning compassion for what these eyes see. This face is like the front part of a missile on its way to destroy or like an armored car with an electronic choice of targets. This person […]
01 Sep 2019
Posted by Victor-Katia as Discussion and Mind-Probing, Examples of Semantic Richness of Cinematic narrations, The Woman With The Sky In Her Eyes - From Ingmar Bergman “The Passion of Anna” (1969)
Of course, we are talking here about blue eyes not in a decorative (romantic) and not in a factual (prosaic) sense, but how some religious believers or people with unconscious superstitious needs can be prone to feel even without the blue eyes but through other symbols of megalomaniacal sensitivity – this imaginary support of the […]
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