When Life Is the Occupation with Technology And Financial Rivalry – From “Sisters, Or The Balance Of Happiness” (1979) By Margarethe Von Trotta
01 Mar 2018
Posted by Victor-Katia as Discussion and Mind-Probing, Examples of Semantic Richness of Cinematic narrations, When Life Is the Occupation with Technology And Financial Rivalry – From “Sisters, Or The Balance Of Happiness” (1979) By Margarethe Von Trotta
When Humanistic Sciences and Serious Art Are Underfunded For The Sake Of One-dimensional Technological Development and Financial Calculations When Social Conformism Is Rewarded While Creative And Critical Worldviews Are Discouraged Images left by Anna in her diary after her suicide Maria and Anna are sisters – one is of a pragmatic orientation, while the other […]
Topics
- Examples of Semantic Richness of Cinematic narrations
- Films (and stills from the films) analyzed
- Installation art-works analyzed
- Obituaries
- Paintings, sculptures and drawings analyzed
- Photographic art and posters analyzed
- Poetry analyzed
- Psychology of religious belief
- Reviews of Films
- Sociological essays
- Theatrical productions analyzed
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- Categories
- Discussion and Mind-Probing (807)
- Examples of Semantic Richness of Cinematic narrations (37)
- A Shot about A Suspicious Spot – How Staining Your Identity Can Make You a Hero – From Bernardo Bertolucci’s “Spider’s Stratagem” (1970) (1)
- An Odd Ode to The Human Goddess Camille (Who, It Seems, Needs A Camel for A Husband) – From Jean-Luc Godard’s “Contempt/Le mepris” (1964) (1)
- “Wise Young Girl” (Julie Delpy) In “Detective” (1985) by Jean-Luc Godard (1)
- Being Victimized By Socio-economic Anomie Under The Banner Of Profit-making Energetically Moved By Entrepreneurial Wind – From Michelangelo Antonioni’s “Il Grido/The Cry” (1957) (1)
- Blending Of Identities Refreshes A Monotonous Life – From Akira Kurosawa’s “Dodes’kaden” (1970) (1)
- Buddha-like Head Of The Family: The Keeper Of The Hearth’s Fire Alive – From Akira Kurosawa’s “Dodeskaden” (1970) (1)
- Childishness And Cowardice Of A Macho Personality – Macho Sissies In Life, In Politics And In History From Tennessee Williams/Elia Kazan’s “Streetcar Named Desire” (1951) (1)
- Duchesse de Guermantes And Charles Swann Feel Themselves Before Death – From Volker Schlondorff’s “Un Amour de Swann/Swann In Love” (1984) (1)
- For Abel Rosenberg, Hero of Ingmar Bergman’s “Serpent’s Egg” (1977), To Insert A Billion Mark Banknote Into the Mouth of a Barman Is Just a Healthy Joke (1)
- Glauce (King Creon’s daughter) Is A Victim Of Medea’s Violent Magic – Pier Paolo Pasolini’s “Medea” (1969) (1)
- How A Sublime World of Metaphors And Symbols Crowns And By This Transubstantiates The Earthly Love – Volker Schlondorff’s “Swann in Love” (1984) (1)
- Imagination vs. Being (The Spiritually Pauperized Architect And His Doomed Son) – From Akira Kurosawa’s “Dodes’kaden” (1970) (1)
- Jean-Luc Godard and Audrey Klebaner’s Psychological Etude of a Young Woman’s Encounter With Love. – From “In Praise of Love” (2001) (1)
- Laius, Jocasta (Silvana Mangano) And Their Son Oedipus – From “Oedipus Rex” (1967) By Pier Paolo Pasolini (1)
- Little Johan Meets The Hotel Room Service Attendant (Hakan Jahnberg) – From Ingmar Bergman’s “The Silence” (1963) (1)
- Marcel-the Writer And Marcel-the Boy During WWI – From Raul Ruiz’s “Time Regained” (1999) (1)
- Petra and Karin – Their Creative Enterprise, their Love And Inequality – From “The Bitter Tears Of Petra Von Kant” (1972) By Rainer Werner Fassbinder (1)
- Preparation For War: Vicious (In All Too Human Way) Battle For Domination – From Ronald Neame’s “Tunes of Glory” (1960) (1)
- Retarded Boy Rokkuchan As A Demiurge Of Technological Civilization – From “Dodes’Kaden” (1970) by Akira Kurosawa (1)
- Right-wingers Today and Judaist Clergy In Christ’s Times On The One Hand, And Liberal Democrats Today And Pontius Pilate In Christ’s Time , “The Messiah”, By Rossellini (1)
- Sugar-taste, Sugar-dream, Sugar-dreaming, Sugar-excitement, Sugar-prosperity, Sugar-destructiveness – From Dušan Makavejev’s “Sweet Movie” (1974) (1)
- Surrealist Imagery As The Film-director’s Expressive Tool – The Shot Is From “Chinese Roulette” (1976) By Rainer Werner Fassbinder (1)
- The Art Of Meaningful Composition Of A Shot – From “Lili Marleen” (1981) By Rainer Werner Fassbinder (1)
- The Body Of Truth And The Body Of Glamour – From “Hour of the Wolf” (1968) By Ingmar Bergman (1)
- The Film-director Is Challenging the Deceitful Narratives Of Historical Events – From Bernardo Bertolucci’s “The Spider’s Stratagem” (1970) (1)
- The Internal Power To Resist Abusive Treatment Grows Together With The Very Experience Of Resistance From Ingmar Bergman’s “Fanny and Alexander” (1981) (1)
- The Knight Of Love – From Akira Kurosawa’s “Dodeskaden” (1970) – Is Betrayal Of Love A Spiritual Betrayal? (1)
- The Role Of “Bizarre” Visual Images As An Intellectual Stimulation Of The Film-viewers – From Bernardo Bertolucci’s “The Dreamers” (2003) (1)
- The Use Of “Gaze Aside Without Verbalization” In Cinema – Examples From “Medea” (1969) And “Oedipus Rex” (1967) By Pier Paolo Pasolini (1)
- Three Phases Of Human Relationship With Death – From “Time Regained” (1999) By Raul Ruiz (Film Based On Marcel Proust’s Novel) (1)
- Three Positions Towards Death (Of Those Who Personally Feell Distant From Death’s Touch) – From Maurice Pialat’s “The Mouth Agape/The Slack-Jawed Mug” (1974) (1)
- To Become Ontologically Authentic Personality (Complex Of Sublime Selfhood) Or To Share Life With Others – Jean-Luc Godard’s “Vivre sa vie/My Life To Live” (1962) (1)
- Trivial Sex As A Gift From Destiny – From Maurice Pialat “The Mouth Agape” (1974) (1)
- When Intense Idealistic Belief “Massively” Collapses – From “Salome’s Last Dance” (1988) By Ken Russell (1)
- When Life Is the Occupation with Technology And Financial Rivalry – From “Sisters, Or The Balance Of Happiness” (1979) By Margarethe Von Trotta (1)
- When Youthful Intelligent Vitality Becomes Incompatible With the Conditions of Spiritual and Physical Survival – Robert Bresson’s “Devil Probably” (1977) (1)
- Young People’s Psychological Condition according To Akira Kurosawa’s “Sanjuro” (1962) (1)
- Films (and stills from the films) analyzed (130)
- Akira Kurosawa (9)
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- Raul Ruiz (1)
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- Robert Bresson (4)
- Roberto Rossellini (3)
- Ronald Neame (1)
- Stanley Kramer (1)
- Strong Males’ Four Basic Tasks (1)
- Sydney Lumet (1)
- Volker Schlondorff’ (2)
- Werner Herzog (3)
- Wim Wenders (2)
- Yasujiro Ozu (1)
- Installation art-works analyzed (10)
- Obituaries (14)
- Alain Resnais (1)
- Alice Miller (1)
- Bruno Cremer (1)
- Bruno S. (1932 – 2010) (1)
- Claude Miller (1)
- Erland Josephson (1)
- Günther Kaufmann (1)
- Howard Zinn (1)
- Jean Laplanche (1)
- Leo Steinberg (1)
- Michael Jackson (1)
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- Theodore Roszak (1)
- Walter Schmidinger (1)
- Paintings, sculptures and drawings analyzed (199)
- Alberto Giacometti (5)
- Albrecht Durer (2)
- Amedeo Modigliani (2)
- Andre Derain (1)
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- Arno Braker (1)
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- Emil Nolde (17)
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- Francisco Goya (2)
- Frantisek Janousek (1)
- George Grosz (6)
- Giorgio de Chirico (5)
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- Giovanni Battista Moroni (1)
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- Hans Bellmer (2)
- Henri Rousseau (1)
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- Joan Miro (4)
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- Marcel Janco (2)
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- Wolfgang Paalen (1)
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- Psychology of religious belief (19)
- Alfred de Vigny (1)
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- “The Messiah” (1975) by Roberto Rossellini (review) (1)
- “Through Glass Darkly” (1961) By Ingmar Bergman (1)
- “Winter Light” (1962) by Ingmar Bergman (1)
- “Winter Light” by Ingmar Bergman (1)
- Belief – Its Versatile Contents and its Psychological “Form” (1)
- Belief in God as a Psychological Defense (1)
- Contempt by Jean-Luc Godard (1)
- Emil Nolde’s “Resurrection” – Nolde’s Interpretation of Christ’s Resurrection Contradicts The Ideas Of Early Christians (1)
- Giovanni Angelo del Maino’s (1470-1536) “Saint John The Evangelist” (1520-30) (1)
- Giovanni Battista Moroni’s (1520–1579 ) “A Gentleman in Adoration Before the Baptism of Christ” (1555–1560) (1)
- In Vain, With My Eyes As With Nail (1)
- Proud Sinners As Good Christians (1)
- Roberto Matta (1)
- The Magic Helpers (1)
- The Religious Sin of Pious Complacency (1)
- Why Catholic Bishops Attend A Nazi Public Event (1)
- Reviews of Films (150)
- "Bitter Tears of Petra von Kant” (1972) by Rainer Werner Fassbinder (1)
- "Einstein" (2008) by Liliana Cavani (1)
- "Nazarin" (1959) by Luis Bunuel (1)
- "Sanjuro" (1962), by Akira Kurosawa (1)
- "Time Regained" (TR) by Raoul Ruiz (1999) (1)
- ”Il Grido/The Cry” (1957) By Michelangelo Antonioni (1)
- “35 Shots of Rum” (2008) By Claire Denis (1)
- “A Flame in My Heart” (1987) By Alain Tanner (1)
- “A Streetcar Named Desire” (1951) by Elia Kazan/Tennessee Williams (1)
- “Ali: Fear Eats the Soul” (1973) by Rainer Werner Fassbinder (1)
- “Alice in the Cities” (1974) By Wim Wenders (1)
- “And the Ship Sails On” (1983) By Federico Fellini (1)
- “Au Hazard Balthazar” (1966) And “Devil Probably” (1977) By Robert Bresson (1)
- “Autumn Sonata” (1978) By Ingmar Bergman (1)
- “Baxter, Vera Baxter” by Marguerite Duras (1977) (1)
- “Berlin Affair” (1985) by Liliana Cavani (2)
- “Berlin Alexanderplatz” (1980) By Rainer Werner Fassbinder (1)
- “Bless the Beast and Children” by Stanley Kramer (1971) (1)
- “Burmese Harp” (1957) by Kon Ichikawa (1)
- “Casanova” (1976) by Federico Fellini (1)
- “Chinese Roulette” (1976) by R.W. Fassbinder (1)
- “Clara Schumann” (2008), by Helma Sanders-Brahms (1)
- “Confessions of Police Captain to the District Attorney” (1971) by Damiano Damiani (1)
- “CONFORMIST” (1971) By Bernardo Bertolucci (1)
- “Contempt/Le mepris” (1963) by Jean-Luc Godard (1)
- “Cuentame Como Paso” (“Tell Me How it Happened”) by Miguel Angel Bernardeau (1)
- “Death in Venice” (1971) by Luchino Visconti (1)
- “Dersu Uzala” (1975) by Akira Kurosawa (1)
- “Despair/Journey Into Light” (1978) by Rainer-Werner Fassbinder (1)
- “Destroy, She Said” (1968) by Marguerite Duras (1)
- “Detective” (1985) by Jean-Luc Godard (1)
- “Diary of the Country Priest” (1951) By Robert Bresson (1)
- “Dodes’kaden” (1970) by Akira Kurosawa (1)
- “Elysium” by Neill Blomkamp (2013) (1)
- “Faithless” by Liv Ullmann (1)
- “Fear of Fear” (1975) by R.W. Fassbinder (2)
- “Film Socialisme” (2010) By Jean-Luc Godard (JLG) (1)
- “Fire Within” (1963) By Louis Malle (1)
- “First Name Carmen/Prenom Carmen” (1983) by Jean-Luc Godard (1)
- “Foyle’s War” by Anthony Horowitz (1)
- “From The Life Of The Marionettes” By Ingmar Bergman (1980) (1)
- “Germany in autumn” By Rainer Werner Fassbinder (1)
- “Germany, Pale Mother” (1980) by Helma Sanders-Brahms (1)
- “Golden Age/L'Age d'Or ” (1930) By Luis Bunuel (1)
- “Goodbye Language/Adieu au langage ” (2014) by Jean-Luc Godard (1)
- “Hidden Fortress” (1958) by Akira Kurosawa (1)
- “Hiroshima mon amour” (1957) By Alain Resnais (1)
- “Hour Of The Wolf” (1968) By Ingmar Bergman (1)
- “I Want To Go Home” (1989) by Alain Resnais (1)
- “Ich Bin die Andere” (“I am the Other Woman”) by Margarethe von Trotta (2006) (1)
- “Ikiru/To Live” by Akira Kurosawa (1952) (1)
- “In a Year of 13 Moons” (1978) By R.W. Fassbinder (1)
- “In the Electric Mist” (2010) by Bernard Tavernier (1)
- “Kind Hearted Woman” by David Sutherland (1)
- “La guerre est finie/The War Is Over” (1966) By Alain Resnais (1)
- “La Terra Trema/The Earth Is Trembling/The Earth Trembles/Will Tremble” (1948) By Luchino Visconti (1)
- “Lacombe Lucien” (1974), By Louis Malle (1)
- “Lancelot of the Lake” (1974) By Robert Bresson (1)
- “Last Year in Marienbad” (1960) By Alain Resnais (1)
- “L’Enfance Nue” (1968) By Maurice Pialat (1)
- “Le Petit Soldat/The Little Soldier” (1960–1963) By Jean-Luc Godard (1)
- “Letter to America”, (1999) by Kira Muratova (1)
- “Life and Nothing But/La vie at rien d’autre” (1989) by Bertrand Tavernier (1)
- “Lili Marleen” by Rainer Werner Fassbinder (1981) (1)
- “Lola” by Jacques Demy (1961) (1)
- “Lola” by Rainer Werner Fassbinder (1981) (1)
- “Long Day’s Journey into the Night” (1962) By Sidney Lumet (1)
- “Love Unto Death” (1984) by Alain Resnais (1)
- “Madame Rosa” By Moshe Mizrahi (1)
- “Made in USA (1966) by Jean-Luc Godard (2)
- “Man Like Eva/Ein mann wie Eva” (1983) by Radu Gabrea (1)
- “Medea” (1969) by Pier Paolo Pasolini (1)
- “Melo” (1986) by Alain Resnais (1)
- “Milarepa” by Liliana Cavani (1974) (1)
- “Muriel, Or The Time Of Return” By Alain Resnais (1964) (1)
- “My life and Times with Antonin Artaud” (1993) by Gerard Mordillat (1)
- “Nathalie Granger” (1972) by Marguerite Duras (1)
- “Nazarin” (1959) by Luis Bunuel (1)
- “Nelly and Mr. Arnaud” (1995) by Claude Sautet (1)
- “Night and Day” (1991) by Chantal Akerman (1)
- “Oedipus Rex” (1967) By Pier Paolo Pasolini (1)
- “Oh, Woe Is Me” by Jean-Luc Godard (1)
- “Our Lady of the Assassins” (2000) by Barbet Schroeder (1)
- “Our Music” by Jean-Luc Godard (2004) (1)
- “Peter Pan” (2003) by P.J. Hogan (1)
- “Pickpocket” (1959) by Robert Bresson (1)
- “Pigpen/Pigsty/La Porcile” (1969) By Pier Paolo Pasolini (1)
- “Salome’s Last Dance” (1988) by Ken Russell (1)
- “Sanjuro” (1962), by Akira Kurosawa (1)
- “Sansho the Bailiff” (1954) by Kenji Mizoguchi (1)
- “Sisters or the Balance of Happiness” (1979) By Margarethe von Trotta (1)
- “Socrates” (1971) By Roberto Rossellini (1)
- “Spider’s Stratagem” (1970) By Bernardo Bertolucci (1)
- “Strongman Ferdinand” (1977) by Alexander Kluge (1)
- “Stroszek” (1977) By Werner Herzog (1)
- “Swan In Love” (1984) By Volker Schlöndorff' (1)
- “Sweet Movie” (1976) By Dusan Makavejev (1)
- “The Bitter Tears of Petra von Kant” (1972) by Rainer Werner Fassbinder (RWF) (1)
- “The Cannibals” by Liliana Cavani (1969) (1)
- “The Chronicle of Anna Magdalena Bach” by Jean Marie Straub and Daniele Huillet (1968) (1)
- “The Discreet Charm of Bourgeoisie” (1972) by Luis Bunuel (1)
- “The Dreamers” (2003) By Bernardo Bertolucci (1)
- “The Men Who Tread on the Tiger’s Tail” (1945) by Akira Kurosawa (1)
- “The Merchant of Four Seasons” (1971) by Rainer Werner Fassbinder (1)
- “The Messiah” (1975) by Roberto Rossellini (1)
- “The Mouth Agape/The Slack-Jawed Mug” (1974) by Maurice Pialat (1)
- “The Night of Iguana” (1964) by John Huston – based on Tennessee Williams’ play (1)
- “The Rise of Louis XIV” by Roberto Rossellini (1966) (1)
- “The Rite” (1969) by Ingmar Bergman (1)
- “The Salamander” (1971) by Alain Tanner (1)
- “The Serpent’s Egg”1976, by Ingmar Bergman (1)
- “The Sheltering Sky” (1990) by Bernardo Bertolucci (1)
- “The Shout” (1978) by Jerzy Skolimowski (1)
- “The Silence” by Ingmar Bergman (1963) (1)
- “The Skin” (“La Pelle” – 1981) by Liliana Cavani (1)
- “The Soft Skin” (1964) By Francois Truffaut (1)
- “The Testament of Orpheus” by Jean Cocteau (1959) (1)
- “The Touch” (1971) by Ingmar Bergman (2)
- “The Virgin’s Bed” (“Le lit de la vierge”), 1969, by Philip Garrel (1)
- “Theorem” (1968) By Pier Paolo Pasolini (1)
- “Through Glass Darkly” (1961) By Ingmar Bergman (1)
- “Tokyo Twilight”, 1957, by Yasujiro Ozu (2)
- “Trophy Wife” (“Potiche”), 2010, by Francois Ozon (1)
- “Tunes of Glory” by Ronald Neame (1)
- “Uranus” by Claude Berri (1)
- “Van Gogh” (1991) by Maurice Pialat (1)
- “Vivre Sa Vie/My Life to Live” (1962) by Jean-Luc Godard (1)
- “What are Clouds?” (1968) by Pier Paolo Pasolini (2)
- “Whity” By Rainer Werner Fassbinder (1970) (1)
- “Who's Afraid of Virginia Woolf?”(1966) By Mike Nichols (Based on the Play of Edward Albee) (1)
- “Winter Light” (1962) by Ingmar Bergman (1)
- “Yojimbo” (1961) and “Sanjuro” (1963) by Akira Kurosawa (1)
- “Yojimbo” (1961) by Akira Kurosawa (1)
- “You ain’t Seen Nothin’ Yet” by Alain Resnais (1)
- “Zabriskie Point”/ZP, (1970) By Michelangelo Antonioni (1)
- Bernardo Bertolucci’s “Me and You/Io e Te” (2)
- In Praise of Love/Éloge de l'amour (2001) By Jean-Luc Godard (1)
- Margarethe Von Trotta's “Hannah Arendt” (1)
- Review #2 of “What are Clouds?” (1968) by Pier Paolo Pasolini (1)
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- Adult Victims of (Childish) Toys (1)
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- Belief – Its Versatile Contents and its Psychological “Form” (1)
- Brief Notes on “Fascist”* Psycho-social Regression in Seemingly Normal People (1)
- Brief Notes On Joseph Stalin Complex In Many Americans Today (1)
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- Democracy As A (Democratic) Pluralism Of Mythological Narrations (1)
- Destroying the Middle Class and Fabricating Enemies (1)
- Destruction of the Humane Concept of Human Happiness (1)
- Donald Rumsfeld’s “Imaginary Thinking” (1)
- Emotional Attractiveness of Totalitarianism (2)
- Few Examples of Political Theft Of Utopian Promises (1)
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- Four Delusions of Grandeur (1)
- Fragmentation of Psychological Wholeness (1)
- Free Riders and Freaky Haters (1)
- From (Democratic) Pluralism to Totalitarian Social Hierarchy (1)
- From Fake Prosperity To Fake Reasons For Austerity (1)
- From Prestige of Religious/Political Beliefs to Prestige of Social Elites (1)
- Genocidal Gene In Many Of The Neocons And Neoliberals Today Who Are Afraid That People Will Deprive Them Of Their Power and Wealth (1)
- Good News and New Goods For The One Percent Of American Population (1)
- Hollywood Stars’ Socio-morphic Acting – When Movie-matic Medium Is Sensitive Only To Social Layer Of The World (1)
- How Americans Failed Obama Challenge (1)
- How Mass Culture Prepares Population for Austerity Measures (1)
- How Money Hired Consumerism and Entertainment (1)
- How to Handle the Beast (1)
- Human Health And Longevity Are Linked To Socio-economic Status (1)
- Human Illness As A Precious Natural Resource for Making Profit (1)
- Humanity of the Psychological Frankensteins (1)
- Hypothetical Notes On – Idealistic Bubbles In Political Calculations As Part Of Human Psychological Makeup (1)
- Identification As A Psychological Mechanism Creating (Imaginary) Identity Of A People With Miserable Social Status And Those Whose Status Is Respectable (1)
- Identification Based On Difference and Margarethe Von Trotta's Search For a Joint-gender Perspective (1)
- Identification Of Viewers With Star/Character In Commercial Movies As An Example Of Totalitarian Symbiotic Togetherness (1)
- Ideology in SRussia (Soviet Russia) and Bushmerica (1)
- Infuriated Philistine’s Happy Hate (1)
- It Happens Like This… (1)
- Jean-Luc Godard – The Exceptional Film-director (1)
- Legacy Of Psychological Retardation – Westerns As Our Tragic Mass-cultural Inheritance (1)
- Liberal Psyche and Destiny of Liberalism in U.S. (1)
- Logic of Fascization (1)
- Lucian Freud (1)
- Luxuriously Euphoric Times (1)
- Macho Men and Battered Women (1)
- Manipulative Thinking As Rooted In Infantilism And Psychologically Regressive Behavior (1)
- Mark Twain as a Cultural Authority (1)
- Menacing Lessons of Junta (1)
- Militarism’s Totalitarian Flavor (1)
- Misinformation On Social Media (1)
- Money-archy as a New Monarchy (1)
- Moneysturbators – Trouble Tribe of Not Omnivorous And Not Carnivorous, But Moneyvorous Profit-makers (1)
- Murderers Inside Us (1)
- Nancy Paralyzi as a Licensed Scapegoat (1)
- Narcissistic Bubble (1)
- Neo-Conservative’s Rhetoric of “Free Market” (1)
- Notes on Mass-cultural Americans (The Ones Who Have Mass-cultural Souls) (1)
- Notes on The Psychological Essence of “Conservative” Socio-political Posture (1)
- Notes On The Toughers And The Gentlers – Two Halves Of The Majority of American Population In The 21st Century (1)
- Pedagogy of Cultural Illiteracy (1)
- People Who Exist Too Heavily … Drowned In Everyday Existence (1)
- Perverted Alliance between Truth and Salary (1)
- Politicians and Financial Entrepreneurs with Autistic Features (1)
- Poorple and Wealthyple (1)
- Populism as a Smiling Mask of Anti-humanism (1)
- Primal Scenes (Three Demons of Theatricality) (1)
- Private Wealth’s Globally Expanded Predatoriness (1)
- Prosperity Without Consumerism and Education Without Career Calculation (1)
- Prozac Liberalism in U.S. (1)
- Psychological Roots of Political and Financial Misbehvior (1)
- Psychology of Political, Military and Economic Blunders (1)
- Psychopaths Aren’t So Clever After All (1)
- Rich Conquerors and Their (Poor) Servants and Bodyguards (1)
- Rottweilers of Lord Bankfein (1)
- Salivating Lickers of Coins (1)
- Setting Discord Between Groups and Populations (1)
- Shift from “Communism” to “Democracy” in Russia (1)
- Sissy Heroism or the Logic of an Abused Child (1)
- Socio-political Dreams In Relation To Socio-political Realities (The Russian Communist Future And Totalitarian Present, German Aryan Superiority and The Third Reich,…) (1)
- Socio-Psychological Essence of the Emotion of Hate (1)
- Some Psychological Reasons For GOP’s Victory In Midterm Congressional Elections (1)
- Stalin’s Political Ordeals (1)
- Star Trek (1)
- Symbolism Of Torture (1)
- The Builders Of American Dystopia – Political Apparatchiks Of Neo-Conservative Cause (1)
- The Destiny Of Soul’s Thinking In The 21st Century’ (1)
- The Difference Between a Democratic and a Conservative Sensibility (1)
- The Magic Helpers (1)
- The Moment That Could Change the History (1)
- The Neck generation of American Leadership (1)
- The One Who Cried When He Watched James Bond Movie(s) (1)
- The Planetary Royalty of 21st Century (1)
- The Political Dance Of A “One-sided Compromise” With A Despotic Money-power – President Obama Faces Future Of A Possible Impeachment (1)
- The Poor People’s Paradise, the Rich’s Hell – Relaxed Existence VS. Over-calculation (1)
- The Psychology of Pet Owning (1)
- The Ultimate Question Is Not Economic Efficiency, Profit-making Strategies (1)
- There are Two Types of People (1)
- There is No Place for Wishful Thinking (1)
- This Sweet Propaganda (1)
- Those Who Sold American Democracy to their Own Pockets (1)
- Three Causes Of American Addiction To Weapons (1)
- Three Historical Betrayals (1)
- To Survive in Order To Live VS. Live Just to Survive (1)
- To those Who are Trapped Iin Mass-cultural Satisfactions (1)
- Today’s Political Conservatism in U.S. (1)
- Two Types Of Human Blunders – One Made By Our Very Humanity And The Other By Our Reliance On Our Instrumental Reasoning (1)
- Unconscious Lying (1)
- Victor Brauner’s “Symbolic Mutation I” – Socio-psychological Typology of Human Beings (1)
- Vitalizing Addiction to Hate and to Fight (1)
- What Communist party was for the Soviet (Totalitarian) Government, Corporations are for (Neo-conservative) American Government (1)
- What Is the American Equivalent of What Communist Party Was for The Soviet Union? (1)
- When Infantilization of Human Psyche… (1)
- Why Americans with Conservative Sensibility vote against Their Own Interests and are Addicted to Hate-Talk Shows? (1)
- Why Conservative Revolution In US Took Place Right After Soviet “Collapse”? (1)
- Why is there no book Burning in U.S.? (1)
- Why It‘s So Easy to Lie About the Necessity and the Urgency of Wars (1)
- Why Most Heroes of Hollywood Productions And TV Serials Are “Charismatic Everybodies” (1)
- Why the Neo-Republicans Are So Passionate And Democrats So “Cowardly” As Political Fighters (1)
- Why Uneducated People Love to be Fists, Muscles… (1)
- Worshippers of Wealth (1)
- Young Males on the Bottom of the Social Pyramid (1)
- Youth-abuse (1)
- The Grand Slope (1)
- Theatrical productions analyzed (1)
- Robert Wilson (1)
- Uncategorized (39)
- Victor's Poems (86)
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Biography (.doc)
Biography (.pdf)
Letters to Readers
- 1. Obama, Bush and the 'Armoured Self'
- 2. Emotional Attractiveness of Totalitarianism
- 3. Artificially Induced Hunger for Currency and Consumption
- 4. Ideology in SRussia (Soviet Russia) and Bushmerica (America according to Bushmericans)
- 5. To those Who are Trapped into Mass-cultural Satisfactions and Consolations
- 6. Liberal Psyche and the Destiny of Liberalism in U.S.
- 7. The Destruction of the Humane Concept of Human Happiness
- 8. Psychological Roots of Political and Financial Misbehvior
- 9. Psychology of Political, Military and Economic Blunders
Recent Entries
- The Destiny Of Soul’s Thinking In The 21st Century’s Political Climate
- Jean-Luc Godard - The Exceptional Film-director and Master Of Semantically Sophisticated Visual Imagery Who Understands Not Only Obvious Human Motivations And Psychological Sensibility Congruent With Them, But The Very Mentality Of Recent Social Leaders Of Post-democracies And Mass People Who Are Influenced By Them
- Dora Maar’s “Pont de L’alma”, (1935) – A Joking Exercise In A Polite Political Interpretation Of The Artist’s Surrealist Humor
- Dora Maar’s Photocomposition “Alberto Giacometti’s Sculpture ‘Hands Holding Void (Invisible Object)’, 1934, In His Own Studio”, Paris, 1934 – Psychological Faculty of Imaginary as Human Savior And Human Destroyer
- Dora Maar’s “Handstand” (1934, Barcelona) And Its Turned-over Version “Hanging On the Ceiling” – Kids Seduced By Rulers Of Economic System Into Athletic Prowess Away From Intellectual Development
- Dora Maar’s Two Photographs “After the Rain” (1933) And “Arcade” (1934)
- Dora Maar (Pablo Picasso’s Beloved, Model And Intellectual Companion) As A Photo-composition And Photomontage Artist With Profound Semantic Intuition – Dora Maar’s Photomontage “Le Pisseur” (1935), Gelatin Silver Print
- Dora Maar’s Photographic Portraits of Paul Eluard (1933-34) And of Jean Cocteau” (1936) – The Portraits Of A Poet And A Multi-Genre (Eclectic) Artist (Poet, Prose Writer, Film-Director, Etc.)
- Dora Maar’s “Portrait of Assia* On A Fur Rug” (1934) And Dora Maar’s “Assia”*, 1934 – Three Assias: The Face, The Body And Her Shadow
- Balthazar Klossovski/Balthus And Girl-Princesses and Girl-Maidens Of His Paintings
Recent Comments
- Venkatesh Chakravarthy on Human Soul of War – Analysis of Two Stills from Akira Kurosawa’s “Kagemusha” (1980)Brilliant. But its not clear who wrote this timely piece.
- Anne Sullivan on Max Ernst’s “The Blessed Virgin Chastising the Christ Child Before Three Witnesses: Andre Breton, Paul Eluard and The Painter” (1926) – When God In Christ Developed Human Sensitivity It Became Incompatible With Human BrutalityHello, Joseph Pedulla. The answer to your question "would not the human side find itself, occasionally, in need of chastisement" is no. Physical punishment is...
- victor on Coffee mixed with sugar as a mixture of sugar and bloodWe today live in a very difficult times, when many laws are in a process of changing, and sometimes in a very radical way. To...
- PoliceEducation on Coffee mixed with sugar as a mixture of sugar and bloodHi there, I read through a few of your articles here. I did have a question though that I hope you could answer. I was wondering, What...
- James Watson on Pablo Picasso’s Portrait of Joseph Stalin (1953) – Stalin As An Object of the Artist’s Contemplation – Simpler than Any Painting, Flatter than Any Sculpture, Ruder Than Any Kitsch –Pablo Picasso was a genius besides just an artist in a time when the world was at War, most of his art was based on...
Most Commented
- Constantin Brancusi’s Sculptural Series “The Kiss” (1907 – 1925): To Be Stuck in Personal relations to the Neglect of Understanding of the Public Realm (21)
- Pablo Picasso’s Portrait of Joseph Stalin (1953) – Stalin As An Object of the Artist’s Contemplation – Simpler than Any Painting, Flatter than Any Sculpture, Ruder Than Any Kitsch – (4)
- Mary Cassatt‘s Paintings – Mother and Child: The Mystery of the Disappearance of the Mother’s Face (4)
- Marina Tsvetaeva’s “Ophelia – In Defense of the Queen” (1923) – The Value of Existential Paradox: The Logic of Aesthetic Exception (3)
- Max Ernst’s ‘The Horde’ (1927) provides us with the metaphoric space for better understanding of The Invasion of the Bushmerican Adolfics (2)
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