The Internal Power To Resist Abusive Treatment By A Family Member, A Stranger Or An Anti-Democratic Society Grows Together With The Very Experience Of Resistance – From Ingmar Bergman’s “Fanny and Alexander” (1981)
06 Jul 2018
Posted by Victor-Katia as Discussion and Mind-Probing, Examples of Semantic Richness of Cinematic narrations, Films (and stills from the films) analyzed, Ingmar Bergman, The Internal Power To Resist Abusive Treatment Grows Together With The Very Experience Of Resistance From Ingmar Bergman’s “Fanny and Alexander” (1981)
The Psychological Dynamics of A Young Or Even An Older Person’s Resistance To A Repressive Or An Oppressive Society Is Similar To That Of A Child’s Resistance To The Despotism Of An Adult Family Member Alexander (Bertil Guve) (in the part of the film, dedicated to his confrontation with the Bishop Edvard Vergerus – Jan […]
Ingmar Bergman’s “From the Life of Marionettes” (1979/1980) – When Beloveds Cannot Handle Their Love Because Their Intelligence Is Kidnapped by The Feverish Demands of Social “Survival”/Success
23 May 2018
Posted by Victor-Katia as Discussion and Mind-Probing, Films (and stills from the films) analyzed, Ingmar Bergman
The Unexpected Similarity between The Characters Of “From the Life of the Marionettes” And Bergman’s Conclusions About Human Condition Registered In His “The Serpent’s Eggs” (1976) During my second year in Munich (in 1977) I had begun writing a story I called “Love with No Lovers”. It was heavy and formally fragmented… Ingmar Bergman, “Images […]
Ingmar Bergman’s “The Silence” (1963) – Silence of the Human Soul and Noise of Technology Versus Meaningful Communication: The Last Part of Bergman’s Religious Trilogy (“Through Glass Darkly” – 1960, “Winter Light” – 1961-1962, And “The Silence” – 1962)
26 May 2016
Posted by Victor-Katia as Discussion and Mind-Probing, Films (and stills from the films) analyzed, Ingmar Bergman
The Body, the Soul and Child amid Collapse of Civilization into Everyday Survival and War Marginalizing and Minimizing Life The silence of human soul as a political problem is the last version of and, at the same time, a radical shift from the issue of the “silence of God”, which Bergman developed earlier in his […]
Ingmar Bergman’s “The Touch/Beroringen” (1971) – Personal Love as Inexhaustible Emotional (But in No Way a Sentimental) Generosity
24 Jan 2016
Posted by Victor-Katia as Discussion and Mind-Probing, Films (and stills from the films) analyzed, Ingmar Bergman
When Sexuality Is Not A Tool For Gaining Social Status, And Not An Obsession Trying To Dominate The Human Soul – But Love As A Pedagogy Of Ontological Equality When sexuality is completely ontologically rooted and for this reason sublime without losing its vitality When Eros is not contradicting Agape but is triggered by it […]
Ingmar Bergman’s “Hour of the Wolf/Vargtimmen” (1968) – When People Cannot Differentiate Between Internal and External Worlds And Then Take One For Another
23 Sep 2015
Posted by Victor-Katia as Discussion and Mind-Probing, Films (and stills from the films) analyzed, Ingmar Bergman
Creative Artist, Regular People And Culture In A State Of Semantic Disintegration (And Illusion-creating Projective Identification) When “democratic” pluralization of realities, “paradoxically” is a facet (and a farther stimulation) of totalitarian reactions on multiplied otherness Behind the credits of the “Hour of the Wolf” we hear noises of a set being made ready for the […]
Ingmar Bergman’s “Winter Light” (1962) – When Existential Spirituality is Retreated (Became Aggrandized) to the Heavens
22 Jun 2013
Posted by victor as “Winter Light” by Ingmar Bergman, Discussion and Mind-Probing, Films (and stills from the films) analyzed, Ingmar Bergman, Psychology of religious belief
When “God” Is Locked Above Life … Every church nods to doubt but has little to say to despair. Churches speak of joy but make no room for its expression… Despair is Christ on the cross. Joy is the Holy Spirit, disfiguring every form that purports to know God. The Christian Century, June 12, 2013, […]
Ingmar Bergman’s “Autumn Sonata” (1978) – A Session of Existential Psychotherapy (Psychotherapy without Psychotherapist)
23 Feb 2013
Posted by victor as Discussion and Mind-Probing, Films (and stills from the films) analyzed, Ingmar Bergman, Uncategorized
To Be a Victim of Art? – No, To Be a Partner of Art. Love vs. Art? – No, Love As Lover of Art. One must learn to live. I practice every day. My biggest obstacle is I don’t know who I am. I grope blindly. If anyone loves me as I am I may […]
Ingmar Bergman’s “The Rite”/“The Ritual” (1969) – Punitive Morals of the Barbarians and Spiritual People Who Don’t Need It
26 Nov 2011
Posted by Victor-Katia as Discussion and Mind-Probing, Films (and stills from the films) analyzed, Ingmar Bergman
Authoritarian Behavioral Norms and Sublime Souls Who Are Targeted By It and Rebel against It The sacred ritual depicted at the end of “The Rite” is like pure semantics in relation to the film’s plot, like the code of love in relation to the story of love, like a motto in relation to the characters’ […]
Topics
- Examples of Semantic Richness of Cinematic narrations
- Films (and stills from the films) analyzed
- Installation art-works analyzed
- Obituaries
- Paintings, sculptures and drawings analyzed
- Photographic art and posters analyzed
- Poetry analyzed
- Psychology of religious belief
- Reviews of Films
- Sociological essays
- Theatrical productions analyzed
Categories
- Categories
- Discussion and Mind-Probing (911)
- Examples of Semantic Richness of Cinematic narrations (52)
- A Shot about A Suspicious Spot – How Staining Your Identity Can Make You a Hero – From Bernardo Bertolucci’s “Spider’s Stratagem” (1970) (1)
- An Odd Ode to The Human Goddess Camille (Who, It Seems, Needs A Camel for A Husband) – From Jean-Luc Godard’s “Contempt/Le mepris” (1964) (1)
- Anne Marie Mieville’s “The Book of Mary” – Mary’s Improvised Dance- Pantomime Under the Music of Gustav Mahler (1)
- “The Third Generation” By Rainer Werner Fassbinder (1)
- “Wise Young Girl” (Julie Delpy) In “Detective” (1985) by Jean-Luc Godard (1)
- Being Victimized By Socio-economic Anomie Under The Banner Of Profit-making Energetically Moved By Entrepreneurial Wind – From Michelangelo Antonioni’s “Il Grido/The Cry” (1957) (1)
- Blending Of Identities Refreshes A Monotonous Life – From Akira Kurosawa’s “Dodes’kaden” (1970) (1)
- Buddha-like Head Of The Family: The Keeper Of The Hearth’s Fire Alive – From Akira Kurosawa’s “Dodeskaden” (1970) (1)
- Chantal Akerman’s “Night And Day” (1991) – Immortal Femininity and Mortal Masculinity (1)
- Childishness And Cowardice Of A Macho Personality – Macho Sissies In Life, In Politics And In History From Tennessee Williams/Elia Kazan’s “Streetcar Named Desire” (1951) (1)
- Democracy’s Conservative and the Conservative Democrat (Natural Rivals and Calculating Collaborators – Profit-makers, From “Pigsty” by Pier Paolo Pasolini (1969) (1)
- Duchesse de Guermantes And Charles Swann Feel Themselves Before Death – From Volker Schlondorff’s “Un Amour de Swann/Swann In Love” (1984) (1)
- Fabrizio And Agostino – From “Before the Revolution” (1962) By Bernardo Bertolucci (1)
- Fascist Pedagogy Of Self-Overcoming: Training Young People To Do Things Which Are Unbearable For Human Beings To Do – From “Salo” (1976) By Pier Paolo Pasolini (1)
- For Abel Rosenberg, Hero of Ingmar Bergman’s “Serpent’s Egg” (1977), To Insert A Billion Mark Banknote Into the Mouth of a Barman Is Just a Healthy Joke (1)
- Glauce (King Creon’s daughter) Is A Victim Of Medea’s Violent Magic – Pier Paolo Pasolini’s “Medea” (1969) (1)
- How A Sublime World of Metaphors And Symbols Crowns And By This Transubstantiates The Earthly Love – Volker Schlondorff’s “Swann in Love” (1984) (1)
- Imagination vs. Being (The Spiritually Pauperized Architect And His Doomed Son) – From Akira Kurosawa’s “Dodes’kaden” (1970) (1)
- Jason-the Child And the Adult, And Centaurus Chiron – Pier Paolo Pasolini’s “Medea” (1970) (1)
- Jean Luc Godard ’s “Every Man For Himself” (1980) – Life Under Digitally Ordered Human Chaos (1)
- Jean-Luc Godard and Audrey Klebaner’s Psychological Etude of a Young Woman’s Encounter With Love. – From “In Praise of Love” (2001) (1)
- Laius, Jocasta (Silvana Mangano) And Their Son Oedipus – From “Oedipus Rex” (1967) By Pier Paolo Pasolini (1)
- Little Johan Meets The Hotel Room Service Attendant (Hakan Jahnberg) – From Ingmar Bergman’s “The Silence” (1963) (1)
- Luis Bunuel’s “That Obscure Object of Desire” (1977) – The Eternal Duel-Duo Between Its Majesty-Money and Human Nature (1)
- Marcel-the Writer And Marcel-the Boy During WWI – From Raul Ruiz’s “Time Regained” (1999) (1)
- Maurice Pialat’s “Van Gogh” (1991) – Vincent and Marguerite’s Brief Eternity (1)
- Michelangelo Antonioni’s “Blow Up”, 1966 – Pure Sexual Desire As Infantile Sexuality, While Love Starts as An Existential Drive Towards Another Person (1)
- Nana As A Scandalous Human Uniqueness, Damned, Condemned And Doomed – “Vivre Sa Vie”, (1962) By Jean Luc Godard (The 4th Etude About Godard’s Nana) (1)
- Petra and Karin – Their Creative Enterprise, their Love And Inequality – From “The Bitter Tears Of Petra Von Kant” (1972) By Rainer Werner Fassbinder (1)
- Preparation For War: Vicious (In All Too Human Way) Battle For Domination – From Ronald Neame’s “Tunes of Glory” (1960) (1)
- Retarded Boy Rokkuchan As A Demiurge Of Technological Civilization – From “Dodes’Kaden” (1970) by Akira Kurosawa (1)
- Right-wingers Today and Judaist Clergy In Christ’s Times On The One Hand, And Liberal Democrats Today And Pontius Pilate In Christ’s Time , “The Messiah”, By Rossellini (1)
- Sugar-taste, Sugar-dream, Sugar-dreaming, Sugar-excitement, Sugar-prosperity, Sugar-destructiveness – From Dušan Makavejev’s “Sweet Movie” (1974) (1)
- Surrealist Imagery As The Film-director’s Expressive Tool – The Shot Is From “Chinese Roulette” (1976) By Rainer Werner Fassbinder (1)
- The Art Of Meaningful Composition Of A Shot – From “Lili Marleen” (1981) By Rainer Werner Fassbinder (1)
- The Body Of Truth And The Body Of Glamour – From “Hour of the Wolf” (1968) By Ingmar Bergman (1)
- The Film-director Is Challenging the Deceitful Narratives Of Historical Events – From Bernardo Bertolucci’s “The Spider’s Stratagem” (1970) (1)
- The Internal Power To Resist Abusive Treatment Grows Together With The Very Experience Of Resistance From Ingmar Bergman’s “Fanny and Alexander” (1981) (1)
- The Knight Of Love – From Akira Kurosawa’s “Dodeskaden” (1970) – Is Betrayal Of Love A Spiritual Betrayal? (1)
- The Role Of “Bizarre” Visual Images As An Intellectual Stimulation Of The Film-viewers – From Bernardo Bertolucci’s “The Dreamers” (2003) (1)
- The Use Of “Gaze Aside Without Verbalization” In Cinema – Examples From “Medea” (1969) And “Oedipus Rex” (1967) By Pier Paolo Pasolini (1)
- The Woman With The Sky In Her Eyes – From Ingmar Bergman “The Passion of Anna” (1969) (1)
- Three Phases Of Human Relationship With Death – From “Time Regained” (1999) By Raul Ruiz (Film Based On Marcel Proust’s Novel) (1)
- Three Positions Towards Death (Of Those Who Personally Feell Distant From Death’s Touch) – From Maurice Pialat’s “The Mouth Agape/The Slack-Jawed Mug” (1974) (1)
- To Become Ontologically Authentic Personality (Complex Of Sublime Selfhood) Or To Share Life With Others – Jean-Luc Godard’s “Vivre sa vie/My Life To Live” (1962) (1)
- Trivial Sex As A Gift From Destiny – From Maurice Pialat “The Mouth Agape” (1974) (1)
- Visual Poem About Existentially Spiritual Transformation of Human Beings – “Teorema/Theorem” By Pier Paolo Pasolini (1968) (1)
- When Intense Idealistic Belief “Massively” Collapses – From “Salome’s Last Dance” (1988) By Ken Russell (1)
- When Life Is the Occupation with Technology And Financial Rivalry – From “Sisters, Or The Balance Of Happiness” (1979) By Margarethe Von Trotta (1)
- When People On Tops Of Social Hierarchy Stopped To Be Reliable/Respectable – From “The Discreet Charm Of Bourgeoisie” (1972) By Luis Bunuel (1)
- When Youthful Intelligent Vitality Becomes Incompatible With the Conditions of Spiritual and Physical Survival – Robert Bresson’s “Devil Probably” (1977) (1)
- Young People’s Psychological Condition according To Akira Kurosawa’s “Sanjuro” (1962) (1)
- Films (and stills from the films) analyzed (138)
- Akira Kurosawa (9)
- Alain Resnais (11)
- Alain Tanner (2)
- Alexander Kluge (1)
- Anne-Marie Mieville (1)
- Barbet Schroeder (1)
- Bernardo Bertolucci (6)
- Bertrand Tavernier (1)
- Chantal Akerman (1)
- Claude Berri (1)
- Claude Miller (1)
- Claude Sautet (1)
- Dušan Makavejev (1)
- Elia Kazan (1)
- Federico Fellini (2)
- Francois Truffaut (1)
- Fred Zinnemann (1)
- Gerard Mordillat (1)
- Helma Sanders-Brahms (1)
- Ingmar Bergman (10)
- Jacques Demy (1)
- Jean Cocteau (1)
- Jean Delannoy (1)
- Jean-Luc Godard (12)
- Jean-Marie Straub and Daniele Huillet (2)
- John Huston (1)
- Joseph Mankiewicz (1)
- Ken Russell (2)
- Kenji Mizoguchi (1)
- Liliana Cavani (1)
- Louis Malle (2)
- Luchino Visconti (2)
- Luis Bunuel (3)
- Margarethe von Trotta (2)
- Marguerite Duras (3)
- Maurice Pialat (3)
- Michelangelo Antonioni (3)
- Mike Nichols (1)
- Moshe Mizrahi (1)
- Pier Paolo Pasolini (9)
- R.W. Fassbinder's Films With Gunther Kaufmann (2)
- Radu Gabrea (1)
- Rainer Werner Fassbinder (15)
- Raul Ruiz (1)
- Rene Clement (1)
- Robert Bresson (4)
- Roberto Rossellini (3)
- Ronald Neame (1)
- Stanley Kramer (1)
- Strong Males’ Four Basic Tasks (1)
- Sydney Lumet (1)
- Volker Schlondorff’ (2)
- Werner Herzog (3)
- Wim Wenders (2)
- Yasujiro Ozu (1)
- Installation art-works analyzed (11)
- Obituaries (16)
- Alain Resnais (1)
- Alice Miller (1)
- Audie Murphy – A Bressonian Actor In American Western (!?!) (1)
- Bruno Cremer (1)
- Bruno S. (1932 – 2010) (1)
- Claude Miller (1)
- Erland Josephson (1)
- Günther Kaufmann (1)
- Howard Zinn (1)
- Jean Laplanche (1)
- Leo Steinberg (1)
- Michael Jackson (1)
- Raul Ruiz (1)
- Theodore Roszak (1)
- Walter Schmidinger (1)
- Paintings, sculptures and drawings analyzed (222)
- Alberto Giacometti (5)
- Albrecht Durer (2)
- Amedeo Modigliani (2)
- Andre Derain (1)
- Andy Warhol (1)
- Arno Braker (1)
- Auguste Rodin (1)
- Balthus (Balthasar Klossowski de Rola) (2)
- Barry X Ball (2)
- Bob Trotman (2)
- Caravaggio (1)
- Chaim Soutine (3)
- Claude Monet (1)
- Constantin Brancusi (3)
- Dorothea Tanning (2)
- Edgar Degas (2)
- Edouard Manet (5)
- Edvard Munch (2)
- Edward Hopper (7)
- Egon Schiele (8)
- El Greco’ (1)
- Emil Nolde (20)
- Ernst Barlach (1)
- Ernst Ludwig Kirchner (5)
- Fernando Botero (1)
- Francis Bacon (2)
- Francis Picabia (4)
- Francisco Goya (2)
- Frantisek Janousek (1)
- George Grosz (7)
- Giorgio de Chirico (5)
- Giovanni Angelo del Maino’s (1470-1536) “Saint John The Evangelist” (1520-30) (1)
- Giovanni Battista Moroni (1)
- Gustav Courbet (1)
- Gustav Klimt (3)
- Hans Bellmer (2)
- Henri Rousseau (1)
- Henry Matisse (5)
- Henry Moore (2)
- Honore Daumier (1)
- Jacob Epstein (3)
- Jacques Louis David (1)
- James Enzor (2)
- Jean Dubuffet (1)
- Joan Miro (4)
- John Heartfield (1)
- Joseph Mankiewicz (1)
- Judith Peck (1)
- Jules Bastien-Lepage (1)
- Karl Hubbuch (1)
- Kathe Kollwitz (4)
- Kazimir Malevich (2)
- Leonardo Da Vinci (1)
- Leonora Carrington (1)
- Lucas Cranach (2)
- Lucian Freud (1)
- Man Ray (4)
- Marcel Duchamp (3)
- Marcel Janco (2)
- Marino Marini (1)
- Mary Cassatt (1)
- Max Beckmann (9)
- Max Ernst (15)
- Milein Cosman (1)
- Oscar Dominguez (2)
- OsKar Kokoschka (2)
- Otto Dix (6)
- Pablo Picasso (11)
- Paul Cezanne (1)
- Paul Delvaux (2)
- Paul Gauguin (3)
- paul klee (5)
- Pierre-August Renoir (1)
- Pieter Breughel (1)
- Rembrandt Von Rijns (1)
- Rene Magritte (6)
- Roberto Matta (3)
- Salvador Dali (1)
- Sofonisba Anguissola (1)
- Thomas Hart Benton (3)
- Victor Brauner (4)
- Vincent Van Gogh (eight self-portraits) (1)
- Wifredo Lam (2)
- Willem de Kooning (1)
- William Aiken Walker (1)
- Wolfgang Paalen (2)
- Photographic art and posters analyzed (31)
- A Call Back to Pre-democratic America: (1)
- Adolf Hitler and Joseph Goebbels As One Person (1)
- Alfred Eisenstaedt’s Photos of Goebbels (1)
- Disappointed in mortals… (1)
- Dora Maar (10)
- Germany, Pale Mother (1)
- Humanity of the Psychological Frankensteins (1)
- John Heartfield (1)
- Man Ray (1)
- Photo Of A Group Of Schoolboys With Ludwig Wittgenstein And Adolf Hitler In Their Early Adolescence Amongst Them (1)
- Playing Cards With the Young Boys (1)
- Propaganda Posters (2)
- Rag-picker in Paris, 1901 (1)
- The Gaze of a Righteous Murder (1)
- The Mother Of Child Psychoanalysis And A Prolific Author Melanie Klein As An Exemplary Master Of Empathy (1)
- The Psychology of Pet Owning (1)
- What Childhood Photos of Churchill and Hitler Can Teach Us? (1)
- Why Bishops Attend A Nazi Public Event? (1)
- Will Beauty Save the World? (1)
- Poetry analyzed (40)
- Alfred de Vigny (1)
- Allen Ginsberg (1)
- Ezra Pound (2)
- Federico Garcia Lorca (1898 – 1936) (1)
- Harold Pinter’s Poem “American Football” (A Reflection Upon The Gulf War)” (1)
- Henri Michaux (1)
- Jacques Prevert (1)
- Marina Tsvetaeva (17)
- Octavio Paz (2)
- Oscar Wilde (1)
- Pablo Neruda (1)
- Paul Celan (2)
- Paul Eluard (1)
- Paul Valery (1)
- Pier Paolo Pasolini (1)
- Rainer Maria Rilke (1)
- Rene Char (1)
- Robert Frost (1)
- Theodore Roethke (2)
- Wallace Stevens (1)
- Psychology of religious belief (19)
- Alfred de Vigny (1)
- Allen Ginsberg’s Poem “Everyday” (1)
- “The Messiah” (1975) by Roberto Rossellini (review) (1)
- “Through Glass Darkly” (1961) By Ingmar Bergman (1)
- “Winter Light” (1962) by Ingmar Bergman (1)
- “Winter Light” by Ingmar Bergman (1)
- Belief – Its Versatile Contents and its Psychological “Form” (1)
- Belief in God as a Psychological Defense (1)
- Contempt by Jean-Luc Godard (1)
- Emil Nolde’s “Resurrection” – Nolde’s Interpretation of Christ’s Resurrection Contradicts The Ideas Of Early Christians (1)
- Giovanni Angelo del Maino’s (1470-1536) “Saint John The Evangelist” (1520-30) (1)
- Giovanni Battista Moroni’s (1520–1579 ) “A Gentleman in Adoration Before the Baptism of Christ” (1555–1560) (1)
- In Vain, With My Eyes As With Nail (1)
- Proud Sinners As Good Christians (1)
- Roberto Matta (1)
- The Magic Helpers (1)
- The Religious Sin of Pious Complacency (1)
- Why Catholic Bishops Attend A Nazi Public Event (1)
- Reviews of Films (150)
- "Bitter Tears of Petra von Kant” (1972) by Rainer Werner Fassbinder (1)
- "Einstein" (2008) by Liliana Cavani (1)
- "Nazarin" (1959) by Luis Bunuel (1)
- "Sanjuro" (1962), by Akira Kurosawa (1)
- "Time Regained" (TR) by Raoul Ruiz (1999) (1)
- ”Il Grido/The Cry” (1957) By Michelangelo Antonioni (1)
- “35 Shots of Rum” (2008) By Claire Denis (1)
- “A Flame in My Heart” (1987) By Alain Tanner (1)
- “A Streetcar Named Desire” (1951) by Elia Kazan/Tennessee Williams (1)
- “Ali: Fear Eats the Soul” (1973) by Rainer Werner Fassbinder (1)
- “Alice in the Cities” (1974) By Wim Wenders (1)
- “And the Ship Sails On” (1983) By Federico Fellini (1)
- “Au Hazard Balthazar” (1966) And “Devil Probably” (1977) By Robert Bresson (1)
- “Autumn Sonata” (1978) By Ingmar Bergman (1)
- “Baxter, Vera Baxter” by Marguerite Duras (1977) (1)
- “Berlin Affair” (1985) by Liliana Cavani (2)
- “Berlin Alexanderplatz” (1980) By Rainer Werner Fassbinder (1)
- “Bless the Beast and Children” by Stanley Kramer (1971) (1)
- “Burmese Harp” (1957) by Kon Ichikawa (1)
- “Casanova” (1976) by Federico Fellini (1)
- “Chinese Roulette” (1976) by R.W. Fassbinder (1)
- “Clara Schumann” (2008), by Helma Sanders-Brahms (1)
- “Confessions of Police Captain to the District Attorney” (1971) by Damiano Damiani (1)
- “CONFORMIST” (1971) By Bernardo Bertolucci (1)
- “Contempt/Le mepris” (1963) by Jean-Luc Godard (1)
- “Cuentame Como Paso” (“Tell Me How it Happened”) by Miguel Angel Bernardeau (1)
- “Death in Venice” (1971) by Luchino Visconti (1)
- “Dersu Uzala” (1975) by Akira Kurosawa (1)
- “Despair/Journey Into Light” (1978) by Rainer-Werner Fassbinder (1)
- “Destroy, She Said” (1968) by Marguerite Duras (1)
- “Detective” (1985) by Jean-Luc Godard (1)
- “Diary of the Country Priest” (1951) By Robert Bresson (1)
- “Dodes’kaden” (1970) by Akira Kurosawa (1)
- “Elysium” by Neill Blomkamp (2013) (1)
- “Faithless” by Liv Ullmann (1)
- “Fear of Fear” (1975) by R.W. Fassbinder (2)
- “Film Socialisme” (2010) By Jean-Luc Godard (JLG) (1)
- “Fire Within” (1963) By Louis Malle (1)
- “First Name Carmen/Prenom Carmen” (1983) by Jean-Luc Godard (1)
- “Foyle’s War” by Anthony Horowitz (1)
- “From The Life Of The Marionettes” By Ingmar Bergman (1980) (1)
- “Germany in autumn” By Rainer Werner Fassbinder (1)
- “Germany, Pale Mother” (1980) by Helma Sanders-Brahms (1)
- “Golden Age/L'Age d'Or ” (1930) By Luis Bunuel (1)
- “Goodbye Language/Adieu au langage ” (2014) by Jean-Luc Godard (1)
- “Hidden Fortress” (1958) by Akira Kurosawa (1)
- “Hiroshima mon amour” (1957) By Alain Resnais (1)
- “Hour Of The Wolf” (1968) By Ingmar Bergman (1)
- “I Want To Go Home” (1989) by Alain Resnais (1)
- “Ich Bin die Andere” (“I am the Other Woman”) by Margarethe von Trotta (2006) (1)
- “Ikiru/To Live” by Akira Kurosawa (1952) (1)
- “In a Year of 13 Moons” (1978) By R.W. Fassbinder (1)
- “In the Electric Mist” (2010) by Bernard Tavernier (1)
- “Kind Hearted Woman” by David Sutherland (1)
- “La guerre est finie/The War Is Over” (1966) By Alain Resnais (1)
- “La Terra Trema/The Earth Is Trembling/The Earth Trembles/Will Tremble” (1948) By Luchino Visconti (1)
- “Lacombe Lucien” (1974), By Louis Malle (1)
- “Lancelot of the Lake” (1974) By Robert Bresson (1)
- “Last Year in Marienbad” (1960) By Alain Resnais (1)
- “L’Enfance Nue” (1968) By Maurice Pialat (1)
- “Le Petit Soldat/The Little Soldier” (1960–1963) By Jean-Luc Godard (1)
- “Letter to America”, (1999) by Kira Muratova (1)
- “Life and Nothing But/La vie at rien d’autre” (1989) by Bertrand Tavernier (1)
- “Lili Marleen” by Rainer Werner Fassbinder (1981) (1)
- “Lola” by Jacques Demy (1961) (1)
- “Lola” by Rainer Werner Fassbinder (1981) (1)
- “Long Day’s Journey into the Night” (1962) By Sidney Lumet (1)
- “Love Unto Death” (1984) by Alain Resnais (1)
- “Madame Rosa” By Moshe Mizrahi (1)
- “Made in USA (1966) by Jean-Luc Godard (2)
- “Man Like Eva/Ein mann wie Eva” (1983) by Radu Gabrea (1)
- “Medea” (1969) by Pier Paolo Pasolini (1)
- “Melo” (1986) by Alain Resnais (1)
- “Milarepa” by Liliana Cavani (1974) (1)
- “Muriel, Or The Time Of Return” By Alain Resnais (1964) (1)
- “My life and Times with Antonin Artaud” (1993) by Gerard Mordillat (1)
- “Nathalie Granger” (1972) by Marguerite Duras (1)
- “Nazarin” (1959) by Luis Bunuel (1)
- “Nelly and Mr. Arnaud” (1995) by Claude Sautet (1)
- “Night and Day” (1991) by Chantal Akerman (1)
- “Oedipus Rex” (1967) By Pier Paolo Pasolini (1)
- “Oh, Woe Is Me” by Jean-Luc Godard (1)
- “Our Lady of the Assassins” (2000) by Barbet Schroeder (1)
- “Our Music” by Jean-Luc Godard (2004) (1)
- “Peter Pan” (2003) by P.J. Hogan (1)
- “Pickpocket” (1959) by Robert Bresson (1)
- “Pigpen/Pigsty/La Porcile” (1969) By Pier Paolo Pasolini (1)
- “Salome’s Last Dance” (1988) by Ken Russell (1)
- “Sanjuro” (1962), by Akira Kurosawa (1)
- “Sansho the Bailiff” (1954) by Kenji Mizoguchi (1)
- “Sisters or the Balance of Happiness” (1979) By Margarethe von Trotta (1)
- “Socrates” (1971) By Roberto Rossellini (1)
- “Spider’s Stratagem” (1970) By Bernardo Bertolucci (1)
- “Strongman Ferdinand” (1977) by Alexander Kluge (1)
- “Stroszek” (1977) By Werner Herzog (1)
- “Swan In Love” (1984) By Volker Schlöndorff' (1)
- “Sweet Movie” (1976) By Dusan Makavejev (1)
- “The Bitter Tears of Petra von Kant” (1972) by Rainer Werner Fassbinder (RWF) (1)
- “The Cannibals” by Liliana Cavani (1969) (1)
- “The Chronicle of Anna Magdalena Bach” by Jean Marie Straub and Daniele Huillet (1968) (1)
- “The Discreet Charm of Bourgeoisie” (1972) by Luis Bunuel (1)
- “The Dreamers” (2003) By Bernardo Bertolucci (1)
- “The Men Who Tread on the Tiger’s Tail” (1945) by Akira Kurosawa (1)
- “The Merchant of Four Seasons” (1971) by Rainer Werner Fassbinder (1)
- “The Messiah” (1975) by Roberto Rossellini (1)
- “The Mouth Agape/The Slack-Jawed Mug” (1974) by Maurice Pialat (1)
- “The Night of Iguana” (1964) by John Huston – based on Tennessee Williams’ play (1)
- “The Rise of Louis XIV” by Roberto Rossellini (1966) (1)
- “The Rite” (1969) by Ingmar Bergman (1)
- “The Salamander” (1971) by Alain Tanner (1)
- “The Serpent’s Egg”1976, by Ingmar Bergman (1)
- “The Sheltering Sky” (1990) by Bernardo Bertolucci (1)
- “The Shout” (1978) by Jerzy Skolimowski (1)
- “The Silence” by Ingmar Bergman (1963) (1)
- “The Skin” (“La Pelle” – 1981) by Liliana Cavani (1)
- “The Soft Skin” (1964) By Francois Truffaut (1)
- “The Testament of Orpheus” by Jean Cocteau (1959) (1)
- “The Touch” (1971) by Ingmar Bergman (2)
- “The Virgin’s Bed” (“Le lit de la vierge”), 1969, by Philip Garrel (1)
- “Theorem” (1968) By Pier Paolo Pasolini (1)
- “Through Glass Darkly” (1961) By Ingmar Bergman (1)
- “Tokyo Twilight”, 1957, by Yasujiro Ozu (2)
- “Trophy Wife” (“Potiche”), 2010, by Francois Ozon (1)
- “Tunes of Glory” by Ronald Neame (1)
- “Uranus” by Claude Berri (1)
- “Van Gogh” (1991) by Maurice Pialat (1)
- “Vivre Sa Vie/My Life to Live” (1962) by Jean-Luc Godard (1)
- “What are Clouds?” (1968) by Pier Paolo Pasolini (2)
- “Whity” By Rainer Werner Fassbinder (1970) (1)
- “Who's Afraid of Virginia Woolf?”(1966) By Mike Nichols (Based on the Play of Edward Albee) (1)
- “Winter Light” (1962) by Ingmar Bergman (1)
- “Yojimbo” (1961) and “Sanjuro” (1963) by Akira Kurosawa (1)
- “Yojimbo” (1961) by Akira Kurosawa (1)
- “You ain’t Seen Nothin’ Yet” by Alain Resnais (1)
- “Zabriskie Point”/ZP, (1970) By Michelangelo Antonioni (1)
- Bernardo Bertolucci’s “Me and You/Io e Te” (2)
- In Praise of Love/Éloge de l'amour (2001) By Jean-Luc Godard (1)
- Margarethe Von Trotta's “Hannah Arendt” (1)
- Review #2 of “What are Clouds?” (1968) by Pier Paolo Pasolini (1)
- Star Trek (1)
- The One Who Cried When He Watched James Bond Movie(s) (1)
- Sociological essays (158)
- 21st Century Ideological Mystification – The GOPists And DNCists Instead Of Conservatives And Democrats (1)
- A Radical Change in the Nature of Modern Economy (1)
- About Gay-labeling and Perception of Personal Life In “Technical Terms” (1)
- Adolf Hitler and Joseph Goebbels As One Person (1)
- Adult Victims of (Childish) Toys (1)
- American Rich As Personifications of Greatness of Our Nation (1)
- Americans Who Are “hypnotized” By Their Semi-prosperity Routine – Jobs, Careers, Hobbies, Holidays, Pills, Etc. And Habitually Don’t Look Outside (Or Look There Through Their Eyelids) (1)
- Anti-democratic Psychopathology Of The Need To Be Entertained (1)
- Artificially Induced Hunger for Currency (2)
- “High Noon” By Fred Zinnemann, 1952, Gary Cooper, The Hooligans, Conformist Philistines And How D. Trump Is Striving To Become An American Super-duper President in 2020 (1)
- “Trump’s Anti-science Era Begins” (1)
- Barack Obama’s Psychological Complex? (1)
- Belief – Its Versatile Contents and its Psychological “Form” (1)
- Brief Notes on “Fascist”* Psycho-social Regression in Seemingly Normal People (1)
- Brief Notes On Joseph Stalin Complex In Many Americans Today (1)
- Camels with Strong Canine Teeth and with Hunches of Wealth (1)
- Children of Money (1)
- Clinton and Trump: Where Do They Stand On Science? (1)
- Complicated Views As A Democratic Value (1)
- Conservatives (Who Rely on Beliefs) and Technical Sciences (1)
- Creation or Initiation of Wars as a Mental Disorder (1)
- Cultural Illiteracy Leads To Psychological Totalitarization (1)
- Daimonic As Energy of Cultural Creativity (1)
- Democracy And Anti-democracy Inside Democracy (1)
- Democracy As A (Democratic) Pluralism Of Mythological Narrations (1)
- Destroying the Middle Class and Fabricating Enemies (1)
- Destruction of the Humane Concept of Human Happiness (1)
- Donald Rumsfeld’s “Imaginary Thinking” (1)
- Drum-Trump, Bill-Mills* And Their Passionate and Poor Supporters (1)
- Emotional Attractiveness of Totalitarianism (2)
- Few Examples of Political Theft Of Utopian Promises (1)
- Financial Stalinism (1)
- Four Delusions of Grandeur (1)
- Fragmentation of Psychological Wholeness (1)
- Free Riders and Freaky Haters (1)
- From (Democratic) Pluralism to Totalitarian Social Hierarchy (1)
- From Fake Prosperity To Fake Reasons For Austerity (1)
- From Prestige of Religious/Political Beliefs to Prestige of Social Elites (1)
- From Traditional (Existentially Mass-cultural) To High-tech Entertainment (1)
- Genocidal Gene In Many Of The Neocons And Neoliberals Today Who Are Afraid That People Will Deprive Them Of Their Power and Wealth (1)
- Good News and New Goods For The One Percent Of American Population (1)
- Hollywood Stars’ Socio-morphic Acting – When Movie-matic Medium Is Sensitive Only To Social Layer Of The World (1)
- How Americans Failed Obama Challenge (1)
- How Mass Culture Prepares Population for Austerity Measures (1)
- How Money Hired Consumerism and Entertainment (1)
- How Stalin Hardliners* Type Of Soviet Communists Have Resurfaced Under A New Ideological Skin Inside The American Democracy (1)
- How to Handle the Beast (1)
- Human Health And Longevity Are Linked To Socio-economic Status (1)
- Human Illness As A Precious Natural Resource for Making Profit (1)
- Humanity of the Psychological Frankensteins (1)
- Hypothetical Notes On – Idealistic Bubbles In Political Calculations As Part Of Human Psychological Makeup (1)
- Identification As A Psychological Mechanism Creating (Imaginary) Identity Of A People With Miserable Social Status And Those Whose Status Is Respectable (1)
- Identification Based On Difference and Margarethe Von Trotta's Search For a Joint-gender Perspective (1)
- Identification Of Viewers With Star/Character In Commercial Movies As An Example Of Totalitarian Symbiotic Togetherness (1)
- Ideology in SRussia (Soviet Russia) and Bushmerica (1)
- Infuriated Philistine’s Happy Hate (1)
- It Happens Like This… (1)
- Jean-Luc Godard – The Exceptional Film-director (1)
- Legacy Of Psychological Retardation – Westerns As Our Tragic Mass-cultural Inheritance (1)
- Liberal Psyche and Destiny of Liberalism in U.S. (1)
- Logic of Fascization (1)
- Lucian Freud (1)
- Luxuriously Euphoric Times (1)
- Macho Men and Battered Women (1)
- Manipulative Thinking As Rooted In Infantilism And Psychologically Regressive Behavior (1)
- Mark Twain as a Cultural Authority (1)
- Menacing Lessons of Junta (1)
- Militarism’s Totalitarian Flavor (1)
- Misinformation On Social Media (1)
- Money-archy as a New Monarchy (1)
- Moneysturbators – Trouble Tribe of Not Omnivorous And Not Carnivorous, But Moneyvorous Profit-makers (1)
- Murderers Inside Us (1)
- Nancy Paralyzi as a Licensed Scapegoat (1)
- Narcissistic Bubble (1)
- Neo-Conservative’s Rhetoric of “Free Market” (1)
- Notes on Mass-cultural Americans (The Ones Who Have Mass-cultural Souls) (1)
- Notes On The Amazing Post-WW2 Experiment Of Designing Human Behavior (1)
- Notes on The Psychological Essence of “Conservative” Socio-political Posture (1)
- Notes On The Toughers And The Gentlers – Two Halves Of The Majority of American Population In The 21st Century (1)
- Pedagogy of Cultural Illiteracy (1)
- People Who Exist Too Heavily … Drowned In Everyday Existence (1)
- Perverted Alliance between Truth and Salary (1)
- Plutarch’s Nightingale – An Etude Including Exercise In Lyrical Dystopia (1)
- Political Hooliganism – A President's Verbally Uncivil And Rude Communications (1)
- Politicians and Financial Entrepreneurs with Autistic Features (1)
- Poorple and Wealthyple (1)
- Populism as a Smiling Mask of Anti-humanism (1)
- Post-WWII Radical Divorce Between American Generations (1)
- Primal Scenes (Three Demons of Theatricality) (1)
- Private Wealth’s Globally Expanded Predatoriness (1)
- Prosperity Without Consumerism and Education Without Career Calculation (1)
- Prozac Liberalism in U.S. (1)
- Psychological Roots of Political and Financial Misbehvior (1)
- Psychology of Political, Military and Economic Blunders (1)
- Psychopaths Aren’t So Clever After All (1)
- Rich Conquerors and Their (Poor) Servants and Bodyguards (1)
- Rottweilers of Lord Bankfein (1)
- Salivating Lickers of Coins (1)
- Scientific Research Becomes Incompatible With The Predatory Mind Of Conservatism And Neo-Conservatism (1)
- Setting Discord Between Groups and Populations (1)
- Shift from “Communism” to “Democracy” in Russia (1)
- Sissy Heroism or the Logic of an Abused Child (1)
- Socio-political Dreams In Relation To Socio-political Realities (The Russian Communist Future And Totalitarian Present, German Aryan Superiority and The Third Reich,…) (1)
- Socio-Psychological Essence of the Emotion of Hate (1)
- Some Psychological Reasons For GOP’s Victory In Midterm Congressional Elections (1)
- Stalin’s Political Ordeals (1)
- Star Trek (1)
- Symbolism Of Torture (1)
- The Builders Of American Dystopia – Political Apparatchiks Of Neo-Conservative Cause (1)
- The Destiny Of Soul’s Thinking In The 21st Century’ (1)
- The Difference Between a Democratic and a Conservative Sensibility (1)
- The God’s Humor (1)
- The Magic Helpers (1)
- The Moment That Could Change the History (1)
- The Neck generation of American Leadership (1)
- The One Who Cried When He Watched James Bond Movie(s) (1)
- The Planetary Royalty of 21st Century (1)
- The Political Dance Of A “One-sided Compromise” With A Despotic Money-power – President Obama Faces Future Of A Possible Impeachment (1)
- The Poor People’s Paradise, the Rich’s Hell – Relaxed Existence VS. Over-calculation (1)
- The Psychology of Pet Owning (1)
- The Ultimate Question Is Not Economic Efficiency, Profit-making Strategies (1)
- The Various Degrees of Intellectual Qualification and Judicial Objectivity in the Participants in President’s Impeachment Hearing (1)
- There are Two Types of People (1)
- There is No Place for Wishful Thinking (1)
- This Sweet Propaganda (1)
- Those Who Sold American Democracy to their Own Pockets (1)
- Three Causes Of American Addiction To Weapons (1)
- Three Historical Betrayals (1)
- To Survive in Order To Live VS. Live Just to Survive (1)
- To those Who are Trapped Iin Mass-cultural Satisfactions (1)
- Today’s Political Conservatism in U.S. (1)
- Two Types Of Human Blunders – One Made By Our Very Humanity And The Other By Our Reliance On Our Instrumental Reasoning (1)
- Unconscious Lying (1)
- Victor Brauner’s “Symbolic Mutation I” – Socio-psychological Typology of Human Beings (1)
- Vitalizing Addiction to Hate and to Fight (1)
- Werner Herzog, A German Film Director And Screenwriter*, To America: (1)
- What Communist party was for the Soviet (Totalitarian) Government, Corporations are for (Neo-conservative) American Government (1)
- What Is the American Equivalent of What Communist Party Was for The Soviet Union? (1)
- When Infantilization of Human Psyche… (1)
- Why Americans with Conservative Sensibility vote against Their Own Interests and are Addicted to Hate-Talk Shows? (1)
- Why Conservative Revolution In US Took Place Right After Soviet “Collapse”? (1)
- Why is there no book Burning in U.S.? (1)
- Why It‘s So Easy to Lie About the Necessity and the Urgency of Wars (1)
- Why Most Heroes of Hollywood Productions And TV Serials Are “Charismatic Everybodies” (1)
- Why the Neo-Republicans Are So Passionate And Democrats So “Cowardly” As Political Fighters (1)
- Why Uneducated People Love to be Fists, Muscles… (1)
- Worshippers of Wealth (1)
- Young Males on the Bottom of the Social Pyramid (1)
- Youth-abuse (1)
- The Grand Slope (1)
- Theatrical productions analyzed (1)
- Robert Wilson (1)
- Uncategorized (39)
- Victor's Poems (123)
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Biography (.doc)
Biography (.pdf)
Letters to Readers
- 1. Obama, Bush and the 'Armoured Self'
- 2. Emotional Attractiveness of Totalitarianism
- 3. Artificially Induced Hunger for Currency and Consumption
- 4. Ideology in SRussia (Soviet Russia) and Bushmerica (America according to Bushmericans)
- 5. To those Who are Trapped into Mass-cultural Satisfactions and Consolations
- 6. Liberal Psyche and the Destiny of Liberalism in U.S.
- 7. The Destruction of the Humane Concept of Human Happiness
- 8. Psychological Roots of Political and Financial Misbehvior
- 9. Psychology of Political, Military and Economic Blunders
Recent Entries
- Emil Nolde’s “Christ and Doctors of the Law”
- Pier Paolo Pasolini’s “Salo or the 120 Days of Sodom” (1976). Part 3 – The Torture. Introduction to Fascist Apocalypse
- Milein Cosman’s Stravinsky, 1959 and Rostropovich, 1960
- Pier Paolo Pasolini’s “Salo Or the 120 Days of Sodom” (1976) – Part 2 - The Fascist Rituals
- Pier Paolo Pasolini’s “Salo or the 120 Days of Sodom” (1976). Part 1 – The Fascist Tastes
- Fabrizio And Agostino - From “Before the Revolution” (1962) By Bernardo Bertolucci
- Anne Marie Mieville’s “The Book of Mary”, 1985 – Mary’s Improvised Dance-Pantomime (Under the Music of Gustav Mahler’s Ninth Symphony) As A Metaphor of Modern Way of Life
- Addition to Max Ernst’s Painting “Monument to the Birds” (1927) – Man (Dad), Woman (Mom) and Two Children (Already Deadly Fighting For Existential Advantage)
- Rembrandt Von Rijn’s “Judas Returning The Thirty Pieces Of Silver”, 1629
- The Various Degrees of Intellectual Qualification and Judicial Objectivity in the Participants in President’s Impeachment Hearing
Recent Comments
- SHUBHANGI GUPTA 1730355 on Federico Garcia Lorca’s Poem “City That Does Not Sleep” – Impossibility of Truth (When Self-aggrandizement and Fight/ War Is More Important Than Truthfulness)thank you ...it was really helpful ! :)
- Anne Sullivan on Max Ernst’s “The Blessed Virgin Chastising the Christ Child Before Three Witnesses: Andre Breton, Paul Eluard and The Painter” (1926) – When God In Christ Developed Human Sensitivity It Became Incompatible With Human BrutalityHello, Joseph Pedulla. The answer to your question "would not the human side find itself, occasionally, in need of chastisement" is no. Physical punishment is...
- victor on Coffee mixed with sugar as a mixture of sugar and bloodWe today live in a very difficult times, when many laws are in a process of changing, and sometimes in a very radical way. To...
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- James Watson on Pablo Picasso’s Portrait of Joseph Stalin (1953) – Stalin As An Object of the Artist’s Contemplation – Simpler than Any Painting, Flatter than Any Sculpture, Ruder Than Any Kitsch –Pablo Picasso was a genius besides just an artist in a time when the world was at War, most of his art was based on...
Most Commented
- Constantin Brancusi’s Sculptural Series “The Kiss” (1907 – 1925): To Be Stuck in Personal relations to the Neglect of Understanding of the Public Realm (21)
- Pablo Picasso’s Portrait of Joseph Stalin (1953) – Stalin As An Object of the Artist’s Contemplation – Simpler than Any Painting, Flatter than Any Sculpture, Ruder Than Any Kitsch – (4)
- Mary Cassatt‘s Paintings – Mother and Child: The Mystery of the Disappearance of the Mother’s Face (4)
- Marina Tsvetaeva’s “Ophelia – In Defense of the Queen” (1923) – The Value of Existential Paradox: The Logic of Aesthetic Exception (3)
- Max Ernst’s ‘The Horde’ (1927) provides us with the metaphoric space for better understanding of The Invasion of the Bushmerican Adolfics (2)
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