Margarethe Von Trotta’s Recent Film: “Hannah Arendt” (2012)
07 Dec 2013
Posted by victor as Discussion and Mind-Probing, Films (and stills from the films) analyzed, Margarethe von Trotta, Margarethe Von Trotta's “Hannah Arendt”, Reviews of Films
Margarethe Von Trotta Hannah Arendt Barbara Sukowa “Hannah Arendt” is not about the trial of Adolf Eichmann (the Nazi transportation administrator sending Jews and non-Jews to extermination-camps) that was held in Jerusalem in 1961and which Hannah Arendt attended as a journalist working for The New Yorker, and it is not about her love relations with […]
Margarethe von Trotta’s “Sisters, Or the Balance of Happiness” (1979) – Being Oneself and “Keeping Another Persons, As If, Inside” – The Task of Identification Based On Difference
22 Jul 2013
Posted by victor as Discussion and Mind-Probing, Films (and stills from the films) analyzed, Identification Based On Difference and Margarethe Von Trotta's Search For a Joint-gender Perspective, Margarethe von Trotta, Sociological essays
Von Trotta’s Classification of Human Males in Western Societies and Her Search for Joint-gender Perspective The unconscious and the subconscious behavior of the characters are more important to me than what they do. Margarethe von Trotta Half of my pictures have been psychoanalytical examinations of personal relationships. Interview with M. von Trotta, May 31st, 2005 […]
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- Examples of Semantic Richness of Cinematic narrations
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- Glauce (King Creon’s daughter) Is A Victim Of Medea’s Violent Magic – Pier Paolo Pasolini’s “Medea” (1969) (1)
- How A Sublime World of Metaphors And Symbols Crowns And By This Transubstantiates The Earthly Love – Volker Schlondorff’s “Swann in Love” (1984) (1)
- Laius, Jocasta (Silvana Mangano) And Their Son Oedipus – From “Oedipus Rex” (1967) By Pier Paolo Pasolini (1)
- Little Johan Meets The Hotel Room Service Attendant (Hakan Jahnberg) – From Ingmar Bergman’s “The Silence” (1963) (1)
- Marcel-the Writer And Marcel-the Boy During WWI – From Raul Ruiz’s “Time Regained” (1999) (1)
- Retarded Boy Rokkuchan As A Demiurge Of Technological Civilization – From “Dodes’Kaden” (1970) by Akira Kurosawa (1)
- Right-wingers Today and Judaist Clergy In Christ’s Times On The One Hand, And Liberal Democrats Today And Pontius Pilate In Christ’s Time , “The Messiah”, By Rossellini (1)
- The Art Of Meaningful Composition Of A Shot – From “Lili Marleen” (1981) By Rainer Werner Fassbinder (1)
- Three Phases Of Human Relationship With Death – From “Time Regained” (1999) By Raul Ruiz (Film Based On Marcel Proust’s Novel) (1)
- To Become Ontologically Authentic Personality (Complex Of Sublime Selfhood) Or To Share Life With Others – Jean-Luc Godard’s “Vivre sa vie/My Life To Live” (1962) (1)
- When Intense Idealistic Belief “Massively” Collapses – From “Salome’s Last Dance” (1988) By Ken Russell (1)
- When Youthful Intelligent Vitality Becomes Incompatible With the Conditions of Spiritual and Physical Survival – Robert Bresson’s “Devil Probably” (1977) (1)
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- “The Messiah” (1975) by Roberto Rossellini (review) (1)
- “Through Glass Darkly” (1961) By Ingmar Bergman (1)
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- “Winter Light” by Ingmar Bergman (1)
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- Emil Nolde’s “Resurrection” – Nolde’s Interpretation of Christ’s Resurrection Contradicts The Ideas Of Early Christians (1)
- Giovanni Battista Moroni’s (1520–1579 ) “A Gentleman in Adoration Before the Baptism of Christ” (1555–1560) (1)
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- "Bitter Tears of Petra von Kant” (1972) by Rainer Werner Fassbinder (1)
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- "Nazarin" (1959) by Luis Bunuel (1)
- "Sanjuro" (1962), by Akira Kurosawa (1)
- "Time Regained" (TR) by Raoul Ruiz (1999) (1)
- ”Il Grido/The Cry” (1957) By Michelangelo Antonioni (1)
- “35 Shots of Rum” (2008) By Claire Denis (1)
- “A Flame in My Heart” (1987) By Alain Tanner (1)
- “A Streetcar Named Desire” (1951) by Elia Kazan/Tennessee Williams (1)
- “Ali: Fear Eats the Soul” (1973) by Rainer Werner Fassbinder (1)
- “Alice in the Cities” (1974) By Wim Wenders (1)
- “And the Ship Sails On” (1983) By Federico Fellini (1)
- “Au Hazard Balthazar” (1966) And “Devil Probably” (1977) By Robert Bresson (1)
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- “Baxter, Vera Baxter” by Marguerite Duras (1977) (1)
- “Berlin Affair” (1985) by Liliana Cavani (2)
- “Berlin Alexanderplatz” (1980) By Rainer Werner Fassbinder (1)
- “Bless the Beast and Children” by Stanley Kramer (1971) (1)
- “Burmese Harp” (1957) by Kon Ichikawa (1)
- “Casanova” (1976) by Federico Fellini (1)
- “Chinese Roulette” (1976) by R.W. Fassbinder (1)
- “Clara Schumann” (2008), by Helma Sanders-Brahms (1)
- “Confessions of Police Captain to the District Attorney” (1971) by Damiano Damiani (1)
- “CONFORMIST” (1971) By Bernardo Bertolucci (1)
- “Contempt/Le mepris” (1963) by Jean-Luc Godard (1)
- “Cuentame Como Paso” (“Tell Me How it Happened”) by Miguel Angel Bernardeau (1)
- “Death in Venice” (1971) by Luchino Visconti (1)
- “Dersu Uzala” (1975) by Akira Kurosawa (1)
- “Despair/Journey Into Light” (1978) by Rainer-Werner Fassbinder (1)
- “Detective” (1985) by Jean-Luc Godard (1)
- “Diary of the Country Priest” (1951) By Robert Bresson (1)
- “Dodes’kaden” (1970) by Akira Kurosawa (1)
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- “Film Socialisme” (2010) By Jean-Luc Godard (JLG) (1)
- “Fire Within” (1963) By Louis Malle (1)
- “Foyle’s War” by Anthony Horowitz (1)
- “Germany in autumn” By Rainer Werner Fassbinder (1)
- “Germany, Pale Mother” (1980) by Helma Sanders-Brahms (1)
- “Golden Age/L'Age d'Or ” (1930) By Luis Bunuel (1)
- “Goodbye Language/Adieu au langage ” (2014) by Jean-Luc Godard (1)
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- “Hiroshima mon amour” (1957) By Alain Resnais (1)
- “Hour Of The Wolf” (1968) By Ingmar Bergman (1)
- “I Want To Go Home” (1989) by Alain Resnais (1)
- “Ich Bin die Andere” (“I am the Other Woman”) by Margarethe von Trotta (2006) (1)
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- “La guerre est finie/The War Is Over” (1966) By Alain Resnais (1)
- “La Terra Trema/The Earth Is Trembling/The Earth Trembles/Will Tremble” (1948) By Luchino Visconti (1)
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- “Nelly and Mr. Arnaud” (1995) by Claude Sautet (1)
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- “Pigpen/Pigsty/La Porcile” (1969) By Pier Paolo Pasolini (1)
- “Salome’s Last Dance” (1988) by Ken Russell (1)
- “Sanjuro” (1962), by Akira Kurosawa (1)
- “Sansho the Bailiff” (1954) by Kenji Mizoguchi (1)
- “Sisters or the Balance of Happiness” (1979) By Margarethe von Trotta (1)
- “Socrates” (1971) By Roberto Rossellini (1)
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- “Strongman Ferdinand” (1977) by Alexander Kluge (1)
- “Stroszek” (1977) By Werner Herzog (1)
- “Swan In Love” (1984) By Volker Schlöndorff' (1)
- “Sweet Movie” (1976) By Dusan Makavejev (1)
- “The Bitter Tears of Petra von Kant” (1972) by Rainer Werner Fassbinder (RWF) (1)
- “The Cannibals” by Liliana Cavani (1969) (1)
- “The Discreet Charm of Bourgeoisie” (1972) by Luis Bunuel (1)
- “The Dreamers” (2003) By Bernardo Bertolucci (1)
- “The Men Who Tread on the Tiger’s Tail” (1945) by Akira Kurosawa (1)
- “The Merchant of Four Seasons” (1971) by Rainer Werner Fassbinder (1)
- “The Messiah” (1975) by Roberto Rossellini (1)
- “The Mouth Agape/The Slack-Jawed Mug” (1974) by Maurice Pialat (1)
- “The Night of Iguana” (1964) by John Huston – based on Tennessee Williams’ play (1)
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- “The Rite” (1969) by Ingmar Bergman (1)
- “The Salamander” (1971) by Alain Tanner (1)
- “The Serpent’s Egg”1976, by Ingmar Bergman (1)
- “The Sheltering Sky” (1990) by Bernardo Bertolucci (1)
- “The Shout” (1978) by Jerzy Skolimowski (1)
- “The Silence” by Ingmar Bergman (1963) (1)
- “The Skin” (“La Pelle” – 1981) by Liliana Cavani (1)
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- “The Testament of Orpheus” by Jean Cocteau (1959) (1)
- “The Touch” (1971) by Ingmar Bergman (2)
- “The Virgin’s Bed” (“Le lit de la vierge”), 1969, by Philip Garrel (1)
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- “Who's Afraid of Virginia Woolf?”(1966) By Mike Nichols (Based on the Play of Edward Albee) (1)
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- “Yojimbo” (1961) and “Sanjuro” (1963) by Akira Kurosawa (1)
- “Yojimbo” (1961) by Akira Kurosawa (1)
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- “Zabriskie Point”/ZP, (1970) By Michelangelo Antonioni (1)
- Bernardo Bertolucci’s “Me and You/Io e Te” (2)
- In Praise of Love/Éloge de l'amour (2001) By Jean-Luc Godard (1)
- Margarethe Von Trotta's “Hannah Arendt” (1)
- Review #2 of “What are Clouds?” (1968) by Pier Paolo Pasolini (1)
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- “Trump’s Anti-science Era Begins” (1)
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- Belief – Its Versatile Contents and its Psychological “Form” (1)
- Brief Notes on “Fascist”* Psycho-social Regression in Seemingly Normal People (1)
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- Hollywood Stars’ Socio-morphic Acting – When Movie-matic Medium Is Sensitive Only To Social Layer Of The World (1)
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- Human Illness As A Precious Natural Resource for Making Profit (1)
- Humanity of the Psychological Frankensteins (1)
- Hypothetical Notes On – Idealistic Bubbles In Political Calculations As Part Of Human Psychological Makeup (1)
- Identification As A Psychological Mechanism Creating (Imaginary) Identity Of A People With Miserable Social Status And Those Whose Status Is Respectable (1)
- Identification Based On Difference and Margarethe Von Trotta's Search For a Joint-gender Perspective (1)
- Identification Of Viewers With Star/Character In Commercial Movies As An Example Of Totalitarian Symbiotic Togetherness (1)
- Ideology in SRussia (Soviet Russia) and Bushmerica (1)
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- It Happens Like This… (1)
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- Lucian Freud (1)
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- Macho Men and Battered Women (1)
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- Money-archy as a New Monarchy (1)
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- Notes On The Toughers And The Gentlers – Two Halves Of The Majority of American Population In The 21st Century (1)
- Pedagogy of Cultural Illiteracy (1)
- People Who Exist Too Heavily … Drowned In Everyday Existence (1)
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- Poorple and Wealthyple (1)
- Populism as a Smiling Mask of Anti-humanism (1)
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- Rich Conquerors and Their (Poor) Servants and Bodyguards (1)
- Rottweilers of Lord Bankfein (1)
- Salivating Lickers of Coins (1)
- Setting Discord Between Groups and Populations (1)
- Shift from “Communism” to “Democracy” in Russia (1)
- Sissy Heroism or the Logic of an Abused Child (1)
- Socio-political Dreams In Relation To Socio-political Realities (The Russian Communist Future And Totalitarian Present, German Aryan Superiority and The Third Reich,…) (1)
- Socio-Psychological Essence of the Emotion of Hate (1)
- Some Psychological Reasons For GOP’s Victory In Midterm Congressional Elections (1)
- Stalin’s Political Ordeals (1)
- Star Trek (1)
- Symbolism Of Torture (1)
- The Builders Of American Dystopia – Political Apparatchiks Of Neo-Conservative Cause (1)
- The Difference Between a Democratic and a Conservative Sensibility (1)
- The Magic Helpers (1)
- The Moment That Could Change the History (1)
- The Neck generation of American Leadership (1)
- The One Who Cried When He Watched James Bond Movie(s) (1)
- The Planetary Royalty of 21st Century (1)
- The Political Dance Of A “One-sided Compromise” With A Despotic Money-power – President Obama Faces Future Of A Possible Impeachment (1)
- The Poor People’s Paradise, the Rich’s Hell – Relaxed Existence VS. Over-calculation (1)
- The Psychology of Pet Owning (1)
- The Ultimate Question Is Not Economic Efficiency, Profit-making Strategies (1)
- There are Two Types of People (1)
- There is No Place for Wishful Thinking (1)
- This Sweet Propaganda (1)
- Those Who Sold American Democracy to their Own Pockets (1)
- Three Causes Of American Addiction To Weapons (1)
- Three Historical Betrayals (1)
- To Survive in Order To Live VS. Live Just to Survive (1)
- To those Who are Trapped Iin Mass-cultural Satisfactions (1)
- Today’s Political Conservatism in U.S. (1)
- Two Types Of Human Blunders – One Made By Our Very Humanity And The Other By Our Reliance On Our Instrumental Reasoning (1)
- Unconscious Lying (1)
- Victor Brauner’s “Symbolic Mutation I” – Socio-psychological Typology of Human Beings (1)
- Vitalizing Addiction to Hate and to Fight (1)
- What Communist party was for the Soviet (Totalitarian) Government, Corporations are for (Neo-conservative) American Government (1)
- When Infantilization of Human Psyche… (1)
- Why Americans with Conservative Sensibility vote against Their Own Interests and are Addicted to Hate-Talk Shows? (1)
- Why Conservative Revolution In US Took Place Right After Soviet “Collapse”? (1)
- Why is there no book Burning in U.S.? (1)
- Why It‘s So Easy to Lie About the Necessity and the Urgency of Wars (1)
- Why Most Heroes of Hollywood Productions And TV Serials Are “Charismatic Everybodies” (1)
- Why the Neo-Republicans Are So Passionate And Democrats So “Cowardly” As Political Fighters (1)
- Why Uneducated People Love to be Fists, Muscles… (1)
- Worshippers of Wealth (1)
- Young Males on the Bottom of the Social Pyramid (1)
- Youth-abuse (1)
- The Grand Slope (1)
- Theatrical productions analyzed (1)
- Robert Wilson (1)
- Uncategorized (76)
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Biography (.doc)
Biography (.pdf)
Letters to Readers
- 1. Obama, Bush and the 'Armoured Self'
- 2. Emotional Attractiveness of Totalitarianism
- 3. Artificially Induced Hunger for Currency and Consumption
- 4. Ideology in SRussia (Soviet Russia) and Bushmerica (America according to Bushmericans)
- 5. To those Who are Trapped into Mass-cultural Satisfactions and Consolations
- 6. Liberal Psyche and the Destiny of Liberalism in U.S.
- 7. The Destruction of the Humane Concept of Human Happiness
- 8. Psychological Roots of Political and Financial Misbehvior
- 9. Psychology of Political, Military and Economic Blunders
Recent Entries
- Marguerite Duras’s “Destroy, She Said/Detruire dit - elle” (1969) – Three Kinds of Destruction
- "Time Regained" (TR) by Raoul Ruiz (1999)
- Little Johan Meets The Hotel Room Service Attendant (Hakan Jahnberg) – From Ingmar Bergman’s “The Silence” (1963)
- The Art Of Meaningful Composition Of A Shot - From “Lili Marleen” (1981) By Rainer Werner Fassbinder
- Marcel-the Writer And Marcel-the Boy During WWI – From Raul Ruiz’s “Time Regained” (1999)
- Retarded Boy Rokkuchan As A Demiurge Of Technological Civilization – From “Dodes’kaden” (1970) by Akira Kurosawa
- Laius, Jocasta (Silvana Mangano) And Their Son Oedipus - From “Oedipus Rex” (1967) By Pier Paolo Pasolini
- Three Phases Of Human Relationship With Death - From “Time Regained” (1999) By Raul Ruiz (Film Based On Marcel Proust’s Novel)
- “Lili Marleen” By Rainer Werner Fassbinder (1981)
- Jean-Luc Godard’s “First Name: Carmen” (1982) – Emancipated Heroine, Guard Of The Status Quo, Psychologically Debilitated Artist And A “Revolutionary” Terrorism
Recent Comments
- Greg m on Caravaggio’s (Michelangelo Merisi da Caravaggio — 1571 – 1610) “Saint Jerome Writing” (1606) – The Saint As A Public IntellectualI loved this article thank you !
- Greg on “The Silence” by Ingmar Bergman (1963)A very enjoyable and enlightening review. I especially appreciate "21st century needs Bergman’s cinema even more than the 20th century did."
- Johan Liebenberg on Semantically sophisticated poster of “Death in Venice”I haven't even read your complete essay, but already I love what I am reading. What a shame that not more people know of your...
- Vanessa on “Confessions of Police Captain to the District Attorney” (1971) by Damiano DamianiIs traini corrupt? Did he have srena dipaluma killed when she called police dept?? Was malta corrupt?
- Justin on Constantin Brancusi’s Sculptural Series “The Kiss” (1907 – 1925): To Be Stuck in Personal relations to the Neglect of Understanding of the Public RealmWell done Victor. Beautifully written. Is it possible for me to know more about you as I would like to reference this in my thesis?
Most Commented
- Constantin Brancusi’s Sculptural Series “The Kiss” (1907 – 1925): To Be Stuck in Personal relations to the Neglect of Understanding of the Public Realm (21)
- Mary Cassatt‘s Paintings – Mother and Child: The Mystery of the Disappearance of the Mother’s Face (4)
- Pablo Picasso’s Portrait of Joseph Stalin (1953) – Stalin As An Object of the Artist’s Contemplation – Simpler than Any Painting, Flatter than Any Sculpture, Ruder Than Any Kitsch – (3)
- Marina Tsvetaeva’s “Ophelia – In Defense of the Queen” (1923) – The Value of Existential Paradox: The Logic of Aesthetic Exception (3)
- Max Ernst’s ‘The Horde’ (1927) provides us with the metaphoric space for better understanding of The Invasion of the Bushmerican Adolfics (2)
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