Marguerite Duras’s “Baxter, Vera Baxter” (1977) – When the Director’s Intra-filmic Contemplation Becomes Her Film’s Style It Dissolves Action Into Compassion For Her Characters And Plot Into a Sensuous Journey
22 Mar 2017
Posted by Victor-Katia as Discussion and Mind-Probing, Films (and stills from the films) analyzed, Marguerite Duras
Sensuous Contemplativeness as Feminine Spirituality When masculinity becomes spiritual it is distancing itself from or abandoning life. When femininity becomes spirituality it creates alternative life. When contemplation about life becomes sensuous it is feminine spirituality. Sensuous agape becomes a celebration of new forms of life. Duras’ “Baxter, Vera Baxter” is a film-contemplation about the sensuously […]
Marguerite Duras’ “Nathalie Granger” (1972) – Glimpse of Eternity In Black and White
27 Mar 2012
Posted by victor as Discussion and Mind-Probing, Films (and stills from the films) analyzed, Marguerite Duras
Beauty of Two Souls in Flesh vs. a Child’s Stubborn Vitality Logic of vitality and logic of eternity Duras (with a cigarette in her left hand) on the set of “Nathalie Granger” Two enigmatic characters of the film – Isabelle (Lucia Bose) and “Other woman” (Jeanne Moreau) look at the world from outside (from their […]
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- Examples of Semantic Richness of Cinematic narrations
- Films (and stills from the films) analyzed
- Installation art-works analyzed
- Obituaries
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- For Abel Rosenberg, Hero of Ingmar Bergman’s “Serpent’s Egg” (1977), To Insert A Billion Mark Banknote Into the Mouth of a Barman Is Just a Healthy Joke (1)
- Glauce (King Creon’s daughter) Is A Victim Of Medea’s Violent Magic – Pier Paolo Pasolini’s “Medea” (1969) (1)
- Right-wingers Today and Judaist Clergy In Christ’s Times On The One Hand, And Liberal Democrats Today And Pontius Pilate In Christ’s Time , “The Messiah”, By Rossellini (1)
- To Become Ontologically Authentic Personality (Complex Of Sublime Selfhood) Or To Share Life With Others – Jean-Luc Godard’s “Vivre sa vie/My Life To Live” (1962) (1)
- When Youthful Intelligent Vitality Becomes Incompatible With the Conditions of Spiritual and Physical Survival – Robert Bresson’s “Devil Probably” (1977) (1)
- Young People’s Psychological Condition according To Akira Kurosawa’s “Sanjuro” (1962) (1)
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- "Nazarin" (1959) by Luis Bunuel (1)
- "Sanjuro" (1962), by Akira Kurosawa (1)
- ”Il Grido/The Cry” (1957) By Michelangelo Antonioni (1)
- “35 Shots of Rum” (2008) By Claire Denis (1)
- “A Streetcar Named Desire” (1951) by Elia Kazan/Tennessee Williams (1)
- “Ali: Fear Eats the Soul” (1973) by Rainer Werner Fassbinder (1)
- “Alice in the Cities” (1974) By Wim Wenders (1)
- “And the Ship Sails On” (1983) By Federico Fellini (1)
- “Au Hazard Balthazar” (1966) And “Devil Probably” (1977) By Robert Bresson (1)
- “Autumn Sonata” (1978) By Ingmar Bergman (1)
- “Baxter, Vera Baxter” by Marguerite Duras (1977) (1)
- “Berlin Affair” (1985) by Liliana Cavani (2)
- “Berlin Alexanderplatz” (1980) By Rainer Werner Fassbinder (1)
- “Bless the Beast and Children” by Stanley Kramer (1971) (1)
- “Burmese Harp” (1957) by Kon Ichikawa (1)
- “Casanova” (1976) by Federico Fellini (1)
- “Chinese Roulette” (1976) by R.W. Fassbinder (1)
- “Clara Schumann” (2008), by Helma Sanders-Brahms (1)
- “Confessions of Police Captain to the District Attorney” (1971) by Damiano Damiani (1)
- “CONFORMIST” (1971) By Bernardo Bertolucci (1)
- “Contempt/Le mepris” (1963) by Jean-Luc Godard (1)
- “Cuentame Como Paso” (“Tell Me How it Happened”) by Miguel Angel Bernardeau (1)
- “Death in Venice” (1971) by Luchino Visconti (1)
- “Dersu Uzala” (1975) by Akira Kurosawa (1)
- “Despair/Journey Into Light” (1978) by Rainer-Werner Fassbinder (1)
- “Detective” (1985) by Jean-Luc Godard (1)
- “Diary of the Country Priest” (1951) By Robert Bresson (1)
- “Dodes’kaden” (1970) by Akira Kurosawa (1)
- “Elysium” by Neill Blomkamp (2013) (1)
- “Faithless” by Liv Ullmann (1)
- “Fear of Fear” (1975) by R.W. Fassbinder (2)
- “Film Socialisme” (2010) By Jean-Luc Godard (JLG) (1)
- “Fire Within” (1963) By Louis Malle (1)
- “Foyle’s War” by Anthony Horowitz (1)
- “Germany in autumn” By Rainer Werner Fassbinder (1)
- “Germany, Pale Mother” (1980) by Helma Sanders-Brahms (1)
- “Golden Age/L'Age d'Or ” (1930) By Luis Bunuel (1)
- “Goodbye Language/Adieu au langage ” (2014) by Jean-Luc Godard (1)
- “Hidden Fortress” (1958) by Akira Kurosawa (1)
- “Hiroshima mon amour” (1957) By Alain Resnais (1)
- “Hour Of The Wolf” (1968) By Ingmar Bergman (1)
- “I Want To Go Home” (1989) by Alain Resnais (1)
- “Ich Bin die Andere” (“I am the Other Woman”) by Margarethe von Trotta (2006) (1)
- “Ikiru/To Live” by Akira Kurosawa (1952) (1)
- “In a Year of 13 Moons” (1978) By R.W. Fassbinder (1)
- “In the Electric Mist” (2010) by Bernard Tavernier (1)
- “Kind Hearted Woman” by David Sutherland (1)
- “La guerre est finie/The War Is Over” (1966) By Alain Resnais (1)
- “La Terra Trema/The Earth Is Trembling/The Earth Trembles/Will Tremble” (1948) By Luchino Visconti (1)
- “Lacombe Lucien” (1974), By Louis Malle (1)
- “Lancelot of the Lake” (1974) By Robert Bresson (1)
- “Last Year in Marienbad” (1960) By Alain Resnais (1)
- “L’Enfance Nue” (1968) By Maurice Pialat (1)
- “Le Petit Soldat/The Little Soldier” (1960–1963) By Jean-Luc Godard (1)
- “Letter to America”, (1999) by Kira Muratova (1)
- “Life and Nothing But/La vie at rien d’autre” (1989) by Bertrand Tavernier (1)
- “Lola” by Jacques Demy (1961) (1)
- “Lola” by Rainer Werner Fassbinder (1981) (1)
- “Long Day’s Journey into the Night” (1962) By Sidney Lumet (1)
- “Love Unto Death” (1984) by Alain Resnais (1)
- “Madame Rosa” By Moshe Mizrahi (1)
- “Made in USA (1966) by Jean-Luc Godard (2)
- “Man Like Eva/Ein mann wie Eva” (1983) by Radu Gabrea (1)
- “Medea” (1969) by Pier Paolo Pasolini (1)
- “Melo” (1986) by Alain Resnais (1)
- “Milarepa” by Liliana Cavani (1974) (1)
- “Muriel, Or The Time Of Return” By Alain Resnais (1964) (1)
- “My life and Times with Antonin Artaud” (1993) by Gerard Mordillat (1)
- “Nathalie Granger” (1972) by Marguerite Duras (1)
- “Nazarin” (1959) by Luis Bunuel (1)
- “Nelly and Mr. Arnaud” (1995) by Claude Sautet (1)
- “Night and Day” (1991) by Chantal Akerman (1)
- “Oedipus Rex” (1967) By Pier Paolo Pasolini (1)
- “Oh, Woe Is Me” by Jean-Luc Godard (1)
- “Our Lady of the Assassins” (2000) by Barbet Schroeder (1)
- “Our Music” by Jean-Luc Godard (2004) (1)
- “Peter Pan” (2003) by P.J. Hogan (1)
- “Pickpocket” (1959) by Robert Bresson (1)
- “Pigpen/Pigsty/La Porcile” (1969) By Pier Paolo Pasolini (1)
- “Salome’s Last Dance” (1988) by Ken Russell (1)
- “Sanjuro” (1962), by Akira Kurosawa (1)
- “Sansho the Bailiff” (1954) by Kenji Mizoguchi (1)
- “Sisters or the Balance of Happiness” (1979) By Margarethe von Trotta (1)
- “Socrates” (1971) By Roberto Rossellini (1)
- “Spider’s Stratagem” (1970) By Bernardo Bertolucci (1)
- “Strongman Ferdinand” (1977) by Alexander Kluge (1)
- “Stroszek” (1977) By Werner Herzog (1)
- “Swan In Love” (1984) By Volker Schlöndorff' (1)
- “Sweet Movie” (1976) By Dusan Makavejev (1)
- “The Bitter Tears of Petra von Kant” (1972) by Rainer Werner Fassbinder (RWF) (1)
- “The Cannibals” by Liliana Cavani (1969) (1)
- “The Discreet Charm of Bourgeoisie” (1972) by Luis Bunuel (1)
- “The Dreamers” (2003) By Bernardo Bertolucci (1)
- “The Men Who Tread on the Tiger’s Tail” (1945) by Akira Kurosawa (1)
- “The Merchant of Four Seasons” (1971) by Rainer Werner Fassbinder (1)
- “The Messiah” (1975) by Roberto Rossellini (1)
- “The Mouth Agape/The Slack-Jawed Mug” (1974) by Maurice Pialat (1)
- “The Night of Iguana” (1964) by John Huston – based on Tennessee Williams’ play (1)
- “The Rise of Louis XIV” by Roberto Rossellini (1966) (1)
- “The Rite” (1969) by Ingmar Bergman (1)
- “The Salamander” (1971) by Alain Tanner (1)
- “The Serpent’s Egg”1976, by Ingmar Bergman (1)
- “The Sheltering Sky” (1990) by Bernardo Bertolucci (1)
- “The Shout” (1978) by Jerzy Skolimowski (1)
- “The Silence” by Ingmar Bergman (1963) (1)
- “The Skin” (“La Pelle” – 1981) by Liliana Cavani (1)
- “The Soft Skin” (1964) By Francois Truffaut (1)
- “The Testament of Orpheus” by Jean Cocteau (1959) (1)
- “The Touch” (1971) by Ingmar Bergman (2)
- “The Virgin’s Bed” (“Le lit de la vierge”), 1969, by Philip Garrel (1)
- “Theorem” (1968) By Pier Paolo Pasolini (1)
- “Through Glass Darkly” (1961) By Ingmar Bergman (1)
- “Tokyo Twilight”, 1957, by Yasujiro Ozu (2)
- “Trophy Wife” (“Potiche”), 2010, by Francois Ozon (1)
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- “Who's Afraid of Virginia Woolf?”(1966) By Mike Nichols (Based on the Play of Edward Albee) (1)
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- “Yojimbo” (1961) and “Sanjuro” (1963) by Akira Kurosawa (1)
- “Yojimbo” (1961) by Akira Kurosawa (1)
- “You ain’t Seen Nothin’ Yet” by Alain Resnais (1)
- “Zabriskie Point”/ZP, (1970) By Michelangelo Antonioni (1)
- Bernardo Bertolucci’s “Me and You/Io e Te” (2)
- In Praise of Love/Éloge de l'amour (2001) By Jean-Luc Godard (1)
- Margarethe Von Trotta's “Hannah Arendt” (1)
- Review #2 of “What are Clouds?” (1968) by Pier Paolo Pasolini (1)
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- The One Who Cried When He Watched James Bond Movie(s) (1)
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- “Trump’s Anti-science Era Begins” (1)
- Barack Obama’s Psychological Complex? (1)
- Belief – Its Versatile Contents and its Psychological “Form” (1)
- Brief Notes on “Fascist”* Psycho-social Regression in Seemingly Normal People (1)
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- Children of Money (1)
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- Democracy As A (Democratic) Pluralism Of Mythological Narrations (1)
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- Emotional Attractiveness of Totalitarianism (2)
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- Four Delusions of Grandeur (1)
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- From (Democratic) Pluralism to Totalitarian Social Hierarchy (1)
- From Fake Prosperity To Fake Reasons For Austerity (1)
- From Prestige of Religious/Political Beliefs to Prestige of Social Elites (1)
- Good News and New Goods For The One Percent Of American Population (1)
- Hollywood Stars’ Socio-morphic Acting – When Movie-matic Medium Is Sensitive Only To Social Layer Of The World (1)
- How Americans Failed Obama Challenge (1)
- How Mass Culture Prepares Population for Austerity Measures (1)
- How Money Hired Consumerism and Entertainment (1)
- How to Handle the Beast (1)
- Human Health And Longevity Are Linked To Socio-economic Status (1)
- Human Illness As A Precious Natural Resource for Making Profit (1)
- Humanity of the Psychological Frankensteins (1)
- Hypothetical Notes On – Idealistic Bubbles In Political Calculations As Part Of Human Psychological Makeup (1)
- Identification As A Psychological Mechanism Creating (Imaginary) Identity Of A People With Miserable Social Status And Those Whose Status Is Respectable (1)
- Identification Based On Difference and Margarethe Von Trotta's Search For a Joint-gender Perspective (1)
- Identification Of Viewers With Star/Character In Commercial Movies As An Example Of Totalitarian Symbiotic Togetherness (1)
- Ideology in SRussia (Soviet Russia) and Bushmerica (1)
- Infuriated Philistine’s Happy Hate (1)
- It Happens Like This… (1)
- Legacy Of Psychological Retardation – Westerns As Our Tragic Mass-cultural Inheritance (1)
- Liberal Psyche and Destiny of Liberalism in U.S. (1)
- Logic of Fascization (1)
- Lucian Freud (1)
- Macho Men and Battered Women (1)
- Manipulative Thinking As Rooted In Infantilism And Psychologically Regressive Behavior (1)
- Mark Twain as a Cultural Authority (1)
- Militarism’s Totalitarian Flavor (1)
- Misinformation On Social Media (1)
- Money-archy as a New Monarchy (1)
- Moneysturbators – Trouble Tribe of Not Omnivorous And Not Carnivorous, But Moneyvorous Profit-makers (1)
- Murderers Inside Us (1)
- Nancy Paralyzi as a Licensed Scapegoat (1)
- Narcissistic Bubble (1)
- Neo-Conservative’s Rhetoric of “Free Market” (1)
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- Notes on The Psychological Essence of “Conservative” Socio-political Posture (1)
- Notes On The Toughers And The Gentlers – Two Halves Of The Majority of American Population In The 21st Century (1)
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- Psychopaths Aren’t So Clever After All (1)
- Rich Conquerors and Their (Poor) Servants and Bodyguards (1)
- Rottweilers of Lord Bankfein (1)
- Salivating Lickers of Coins (1)
- Setting Discord Between Groups and Populations (1)
- Shift from “Communism” to “Democracy” in Russia (1)
- Sissy Heroism or the Logic of an Abused Child (1)
- Socio-political Dreams In Relation To Socio-political Realities (The Russian Communist Future And Totalitarian Present, German Aryan Superiority and The Third Reich,…) (1)
- Socio-Psychological Essence of the Emotion of Hate (1)
- Some Psychological Reasons For GOP’s Victory In Midterm Congressional Elections (1)
- Stalin’s Political Ordeals (1)
- Star Trek (1)
- Symbolism Of Torture (1)
- The Builders Of American Dystopia – Political Apparatchiks Of Neo-Conservative Cause (1)
- The Difference Between a Democratic and a Conservative Sensibility (1)
- The Magic Helpers (1)
- The Moment That Could Change the History (1)
- The Neck generation of American Leadership (1)
- The One Who Cried When He Watched James Bond Movie(s) (1)
- The Planetary Royalty of 21st Century (1)
- The Political Dance Of A “One-sided Compromise” With A Despotic Money-power – President Obama Faces Future Of A Possible Impeachment (1)
- The Poor People’s Paradise, the Rich’s Hell – Relaxed Existence VS. Over-calculation (1)
- The Psychology of Pet Owning (1)
- The Ultimate Question Is Not Economic Efficiency, Profit-making Strategies (1)
- There are Two Types of People (1)
- There is No Place for Wishful Thinking (1)
- This Sweet Propaganda (1)
- Those Who Sold American Democracy to their Own Pockets (1)
- Three Causes Of American Addiction To Weapons (1)
- Three Historical Betrayals (1)
- To Survive in Order To Live VS. Live Just to Survive (1)
- To those Who are Trapped Iin Mass-cultural Satisfactions (1)
- Today’s Political Conservatism in U.S. (1)
- Two Types Of Human Blunders – One Made By Our Very Humanity And The Other By Our Reliance On Our Instrumental Reasoning (1)
- Unconscious Lying (1)
- Victor Brauner’s “Symbolic Mutation I” – Socio-psychological Typology of Human Beings (1)
- Vitalizing Addiction to Hate and to Fight (1)
- What Communist party was for the Soviet (Totalitarian) Government, Corporations are for (Neo-conservative) American Government (1)
- When Infantilization of Human Psyche… (1)
- Why Americans with Conservative Sensibility vote against Their Own Interests and are Addicted to Hate-Talk Shows? (1)
- Why Conservative Revolution In US Took Place Right After Soviet “Collapse”? (1)
- Why is there no book Burning in U.S.? (1)
- Why It‘s So Easy to Lie About the Necessity and the Urgency of Wars (1)
- Why Most Heroes of Hollywood Productions And TV Serials Are “Charismatic Everybodies” (1)
- Why the Neo-Republicans Are So Passionate And Democrats So “Cowardly” As Political Fighters (1)
- Why Uneducated People Love to be Fists, Muscles… (1)
- Worshippers of Wealth (1)
- Young Males on the Bottom of the Social Pyramid (1)
- Youth-abuse (1)
- The Grand Slope (1)
- Theatrical productions analyzed (1)
- Robert Wilson (1)
- Uncategorized (76)
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Biography (.doc)
Biography (.pdf)
Letters to Readers
- 1. Obama, Bush and the 'Armoured Self'
- 2. Emotional Attractiveness of Totalitarianism
- 3. Artificially Induced Hunger for Currency and Consumption
- 4. Ideology in SRussia (Soviet Russia) and Bushmerica (America according to Bushmericans)
- 5. To those Who are Trapped into Mass-cultural Satisfactions and Consolations
- 6. Liberal Psyche and the Destiny of Liberalism in U.S.
- 7. The Destruction of the Humane Concept of Human Happiness
- 8. Psychological Roots of Political and Financial Misbehvior
- 9. Psychology of Political, Military and Economic Blunders
Recent Entries
- Two Types Of “Humanism” – Right-wingers’ Today and Judaist Clergy's In Christ’s Times On The One Hand, And Liberal Democrats' Today And Pontius Pilate's In Christ’s Time – “The Messiah” (1975) By Roberto Rossellini
- Young People’s Psychological Condition According To Akira Kurosawa’s “Sanjuro” (1962)
- To Become Ontologically Authentic Personality (Complex Of Sublime Selfhood) Or To Share Life With Others – Jean-Luc Godard’s “Vivre sa vie/My Life To Live” (1962)
- When Youthful Intelligent Vitality Becomes Incompatible With the Conditions of Spiritual and Physical Survival – Robert Bresson’s “Devil Probably” (1977)
- For Abel Rosenberg (David Carradine), The Hero of Ingmar Bergman’s Film “Serpent’s Egg” (1977), To Insert A Billion Mark Banknote (Time of Hyperinflation In Germany) Into the Mouth of a Barman Is Just a Healthy Joke
- Glauce (King Creon’s daughter) Is A Victim Of Medea’s Violent Magic - Pier Paolo Pasolini’s “Medea” (1969)
- Notes on The Psychological Essence of “Conservative” Socio-political Posture – The Night Knights of Fake Truths
- Chaim Soutine’s “Mother and Child” (1942) – Mother And Her Little Daughter In A Barely Possible Social Environment
- Rainer Werner Fassbinder’s “Lili Marleen” (1981) – The Young People and Nazism: Private Love Archetype and Socio-political and Family Structures Manipulating and Even Parasitizing on It
- Artificially Induced Hunger For Currency And Consumption
Recent Comments
- Greg on “The Silence” by Ingmar Bergman (1963)A very enjoyable and enlightening review. I especially appreciate "21st century needs Bergman’s cinema even more than the 20th century did."
- Johan Liebenberg on Semantically sophisticated poster of “Death in Venice”I haven't even read your complete essay, but already I love what I am reading. What a shame that not more people know of your...
- Vanessa on “Confessions of Police Captain to the District Attorney” (1971) by Damiano DamianiIs traini corrupt? Did he have srena dipaluma killed when she called police dept?? Was malta corrupt?
- Justin on Constantin Brancusi’s Sculptural Series “The Kiss” (1907 – 1925): To Be Stuck in Personal relations to the Neglect of Understanding of the Public RealmWell done Victor. Beautifully written. Is it possible for me to know more about you as I would like to reference this in my thesis?
- Gabriele on R. W. Fassbinder’s “The Bitter Tears of Petra von Kant” (1972) – The Art And Science Of Amorous Domination (Feminine Touch In A World Of Masculine Competition)I'm always looking for new Petra Von Kant analysis, this is one of the best i've encountered. I was wondering if anyone know where I...
Most Commented
- Constantin Brancusi’s Sculptural Series “The Kiss” (1907 – 1925): To Be Stuck in Personal relations to the Neglect of Understanding of the Public Realm (21)
- Mary Cassatt‘s Paintings – Mother and Child: The Mystery of the Disappearance of the Mother’s Face (4)
- Pablo Picasso’s Portrait of Joseph Stalin (1953) – Stalin As An Object of the Artist’s Contemplation – Simpler than Any Painting, Flatter than Any Sculpture, Ruder Than Any Kitsch – (3)
- Marina Tsvetaeva’s “Ophelia – In Defense of the Queen” (1923) – The Value of Existential Paradox: The Logic of Aesthetic Exception (3)
- Max Ernst’s ‘The Horde’ (1927) provides us with the metaphoric space for better understanding of The Invasion of the Bushmerican Adolfics (2)
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