Acting-Out Politics

Weblog opens discussion about the psychology of Bushmerican style of behavior.

Emil Nolde, “Courtship”, 1919 According to the Nolde’s painting there are at least three keys to earthly happiness – two of them belong to the seductively behaving young man and one to the woman in the moment of being seduced. The first opener of earthly happiness is the man’s eyes shining with blueness brighter than […]

Even Stylistically Sophisticated Art Can Be Deployed As Social Criticism Kazimir Malevich, “Sportsmen”, 1913 It’s impressive how “suprematically” simplified bodies of Malevich’s sportsmen and multi-colors of their clothes and heads (with intentionally undifferentiated front and back, faces with occipitals) combined versatility and uniformity, plurality and monotony. We know a similar “miracle” in our own country […]

A Plant-Saint Or, May Be, A Plant-Sorcerer Emil Nolde, “Green Head Above Red Cloak” The very idea of the sainthood (or, may be, sorcerer-hood) amidst plants is, softly speaking, bizarre, but not for Nolde, who is amongst those artists who have transcended the borders of bizarre and uncanny, without becoming fairytale tellers. The archetypal semantic […]

Children As The Ultimate Value of The Human Race, Because They, At Least “Theoretically”, Carry The Probability/Possibility Of A More Humane And Decent Society The Magi came to Jerusalem because they had seen an extraordinary star that they believed was a sign of a birth of the Savior in the land of Judea. They came […]

Emil Nolde’s “Masks and Dahlias”, (1919) – When Monarchs Became Outdated (Solemnly Became Part Of Still Life), And “People Took On The Responsibility For Their Destiny” Death Of Masks As Human Faces’ Psychological Essence When Gods as personages of human soul, monarchs as decision-makers, and religious and secular intellectuals became outmoded, and regular people took […]

Emil Nolde’s “Masken III (1920) – Mask-Hands – A New Mask In Nolde’s Pantheon of Masks (These Condensed Images of Human Destiny) Robotic Manipulation Of National And/Or Behavioral Minorities According To The New – Impersonalized Spirit Of Tam-Tam-Times Emil Nolde, “Masken III”, 1920 In “Masken III” we encounter three masks (which are easily identifiable as […]

Emil Nolde’s “Masks II, 1920 – Totalitarian and Post-totalitarian Populations and Their, Correspondingly, Traditionally Totalitarian and Neo-totalitarian Leaders Emil Nolde, “Masks II”, 1920 Look at the exclamatory mask in the very center of Nolde’s canvass – with grey face, dark internality, predatory mouth and bloody eyelids encircling greedy eyes which are searching for dissimilar others […]

Emil Nolde’s “Maskenstilleben” (1915) – Masks As Still life Of Facial Expressions Masks As The Unconscious Mythological Attempt Of The Artist To Survive Human Death E.Nolde, “Maskenstilleben”, 1915 Masks are still lives of facial expressiveness, it is what essence is to appearance. But masks are not only the victory of the emotional essence of a […]

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