Hans Bellmer’s “Destiny” – The Destiny Of Women In Relation To Man’s World Order (Which Is Based On The Psychology Of Power/Domination/Control Over Other People And Nature)
01 Feb 2017
Posted by Victor-Katia as Discussion and Mind-Probing, Hans Bellmer, Paintings, sculptures and drawings analyzed
Woman as A Face/Thighs (More Elaborately – As A Face/Smile and Thighs/Legs) Bellmer was perceived by the art audiences not so much as an artist but rather as a personification of male sadism towards the women (of course, he had a narrow group of passionate enthusiasts admiring him for the same wrong reason of being […]
Hans Bellmer’s (1902 – 1975) “Poupee/The Doll” – Artist As A Tough Psychodrama Pedagogue Orienting The Viewers To Sublimate Their Immediate Reactions On The Works of Art Into Contemplative Experiences
01 May 2014
Posted by victor as Discussion and Mind-Probing, Hans Bellmer, Paintings, sculptures and drawings analyzed
Aren’t the Real “Rapists” The Traditional Systems Of Belief In The Immanent Sinfulness Of Sexuality While An Artist Is A Detective Of Our Cultural Unconscious? Hans Bellmer, ”Poupee” “Yak! How terrifying! How disgusting! Why to make something like this at all? Why to even show this to people? It is pure perversion in action, pure […]
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- “Ali: Fear Eats the Soul” (1973) by Rainer Werner Fassbinder (1)
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- “Au Hazard Balthazar” (1966) And “Devil Probably” (1977) By Robert Bresson (1)
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- “Baxter, Vera Baxter” by Marguerite Duras (1977) (1)
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- “Berlin Alexanderplatz” (1980) By Rainer Werner Fassbinder (1)
- “Bless the Beast and Children” by Stanley Kramer (1971) (1)
- “Burmese Harp” (1957) by Kon Ichikawa (1)
- “Casanova” (1976) by Federico Fellini (1)
- “Chinese Roulette” (1976) by R.W. Fassbinder (1)
- “Clara Schumann” (2008), by Helma Sanders-Brahms (1)
- “Confessions of Police Captain to the District Attorney” (1971) by Damiano Damiani (1)
- “CONFORMIST” (1971) By Bernardo Bertolucci (1)
- “Contempt/Le mepris” (1963) by Jean-Luc Godard (1)
- “Cuentame Como Paso” (“Tell Me How it Happened”) by Miguel Angel Bernardeau (1)
- “Death in Venice” (1971) by Luchino Visconti (1)
- “Dersu Uzala” (1975) by Akira Kurosawa (1)
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- “Detective” (1985) by Jean-Luc Godard (1)
- “Diary of the Country Priest” (1951) By Robert Bresson (1)
- “Dodes’kaden” (1970) by Akira Kurosawa (1)
- “Elysium” by Neill Blomkamp (2013) (1)
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- “Germany, Pale Mother” (1980) by Helma Sanders-Brahms (1)
- “Golden Age/L'Age d'Or ” (1930) By Luis Bunuel (1)
- “Goodbye Language/Adieu au langage ” (2014) by Jean-Luc Godard (1)
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- “Hiroshima mon amour” (1957) By Alain Resnais (1)
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- “Ich Bin die Andere” (“I am the Other Woman”) by Margarethe von Trotta (2006) (1)
- “Ikiru/To Live” by Akira Kurosawa (1952) (1)
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- “Lacombe Lucien” (1974), By Louis Malle (1)
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- “Milarepa” by Liliana Cavani (1974) (1)
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Biography (.doc)
Biography (.pdf)
Letters to Readers
- 1. Obama, Bush and the 'Armoured Self'
- 2. Emotional Attractiveness of Totalitarianism
- 3. Artificially Induced Hunger for Currency and Consumption
- 4. Ideology in SRussia (Soviet Russia) and Bushmerica (America according to Bushmericans)
- 5. To those Who are Trapped into Mass-cultural Satisfactions and Consolations
- 6. Liberal Psyche and the Destiny of Liberalism in U.S.
- 7. The Destruction of the Humane Concept of Human Happiness
- 8. Psychological Roots of Political and Financial Misbehvior
- 9. Psychology of Political, Military and Economic Blunders
Recent Entries
- Alan Resnais’ “Muriel, Or the Time of Return/Muriel ou Le temps d’un retour” (1963)* – Ontological Disappearance As A Metaphoric Characterization Of The Loss Of Holistic Personalities/Identities By The Inhabitants Of Today’s Western Post-democracies
- “Baxter, Vera Baxter” by Marguerite Duras (1977)
- Emil Nolde’s “Adoration/Unbettung” (1922) – The Baby-God, The Magi And The Children Who Are Just Discovering That Either God Was A Child Like Them Or That All Of Them Are Gods: The New-Born Jesus As Personification Of Sacred Value Of Human Children
- Bertrand Tavernier’s “Life And Nothing But/La vie at rien d’autre” (1989) – WWI As the Case Of Victimizing the Army’s Low Ranks By A Self-aggrandized Power-seekers And Profiteers Of The Same Countries
- Francis Picabia’s “Apollo And His Messengers” (1935) – A Surprising (For Admirers Of Apollo’s Traditional Representation in Arts) Interpretation Of Sun-God Mystique
- The Ultimate Question Is Not Economic Efficiency, Profit-making Strategies Or Economic And Financial Gurus’ Cognitive Powers, But “Simple” Humanity Of A Human Society towards Its Own People
- Dorothea Tanning’s “Birthday” (1942) – Life As A Vital Emanation, Life As Time of Living, The World And A Personality’s Identity
- Marguerite Duras’s “Baxter, Vera Baxter” (1977) – When the Director’s Intra-filmic Contemplation Becomes Her Film’s Style It Dissolves Action Into Compassion For Her Characters And Plot Into a Sensuous Journey
- Psychopaths Aren’t So Clever After All (New Scientist, 28 Jan, 2017)
- “Trump’s Anti-science Era Begins” (New Scientist, 28 January 2017)
Recent Comments
- Vanessa on “Confessions of Police Captain to the District Attorney” (1971) by Damiano DamianiIs traini corrupt? Did he have srena dipaluma killed when she called police dept?? Was malta corrupt?
- Justin on Constantin Brancusi’s Sculptural Series “The Kiss” (1907 – 1925): To Be Stuck in Personal relations to the Neglect of Understanding of the Public RealmWell done Victor. Beautifully written. Is it possible for me to know more about you as I would like to reference this in my thesis?
- Gabriele on R. W. Fassbinder’s “The Bitter Tears of Petra von Kant” (1972) – The Art And Science Of Amorous Domination (Feminine Touch In A World Of Masculine Competition)I'm always looking for new Petra Von Kant analysis, this is one of the best i've encountered. I was wondering if anyone know where I...
- ayala leyser on Paul Klee (1879 – 1940) In His Etching “TWO MEN MEET EACH OTHER SUPPOSING THE OTHER TO BE OF HIGHER RANK” (1904) Addresses Today’s Socio-psychological Climate in U.S.My first thought was that the 2 flowers, the only innocent life forms on this arid barren land, might represent Macke and Marc Franz, his...
- Nina on Louis Malle’s “Lacombe, Lucien” (1972) – Why Son Of Peasants, A Person With Farming Background Joined The French Police During The German Occupation Of France?Interesting.
Most Commented
- Constantin Brancusi’s Sculptural Series “The Kiss” (1907 – 1925): To Be Stuck in Personal relations to the Neglect of Understanding of the Public Realm (21)
- Mary Cassatt‘s Paintings – Mother and Child: The Mystery of the Disappearance of the Mother’s Face (4)
- Pablo Picasso’s Portrait of Joseph Stalin (1953) – Stalin As An Object of the Artist’s Contemplation – Simpler than Any Painting, Flatter than Any Sculpture, Ruder Than Any Kitsch – (3)
- Marina Tsvetaeva’s “Ophelia – In Defense of the Queen” (1923) – The Value of Existential Paradox: The Logic of Aesthetic Exception (3)
- Max Ernst’s ‘The Horde’ (1927) provides us with the metaphoric space for better understanding of The Invasion of the Bushmerican Adolfics (2)
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