Hans Bellmer’s “Destiny” – The Destiny Of Women In Relation To Man’s World Order (Which Is Based On The Psychology Of Power/Domination/Control Over Other People And Nature)
01 Feb 2017
Posted by Victor-Katia as Discussion and Mind-Probing, Hans Bellmer, Paintings, sculptures and drawings analyzed
Woman as A Face/Thighs (More Elaborately – As A Face/Smile and Thighs/Legs) Bellmer was perceived by the art audiences not so much as an artist but rather as a personification of male sadism towards the women (of course, he had a narrow group of passionate enthusiasts admiring him for the same wrong reason of being […]
Hans Bellmer’s (1902 – 1975) “Poupee/The Doll” – Artist As A Tough Psychodrama Pedagogue Orienting The Viewers To Sublimate Their Immediate Reactions On The Works of Art Into Contemplative Experiences
01 May 2014
Posted by victor as Discussion and Mind-Probing, Hans Bellmer, Paintings, sculptures and drawings analyzed
Aren’t the Real “Rapists” The Traditional Systems Of Belief In The Immanent Sinfulness Of Sexuality While An Artist Is A Detective Of Our Cultural Unconscious? Hans Bellmer, ”Poupee” “Yak! How terrifying! How disgusting! Why to make something like this at all? Why to even show this to people? It is pure perversion in action, pure […]
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- “Au Hazard Balthazar” (1966) And “Devil Probably” (1977) By Robert Bresson (1)
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- “Baxter, Vera Baxter” by Marguerite Duras (1977) (1)
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- “Bless the Beast and Children” by Stanley Kramer (1971) (1)
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- “Casanova” (1976) by Federico Fellini (1)
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- “Clara Schumann” (2008), by Helma Sanders-Brahms (1)
- “Confessions of Police Captain to the District Attorney” (1971) by Damiano Damiani (1)
- “CONFORMIST” (1971) By Bernardo Bertolucci (1)
- “Contempt/Le mepris” (1963) by Jean-Luc Godard (1)
- “Cuentame Como Paso” (“Tell Me How it Happened”) by Miguel Angel Bernardeau (1)
- “Death in Venice” (1971) by Luchino Visconti (1)
- “Dersu Uzala” (1975) by Akira Kurosawa (1)
- “Despair/Journey Into Light” (1978) by Rainer-Werner Fassbinder (1)
- “Detective” (1985) by Jean-Luc Godard (1)
- “Diary of the Country Priest” (1951) By Robert Bresson (1)
- “Dodes’kaden” (1970) by Akira Kurosawa (1)
- “Elysium” by Neill Blomkamp (2013) (1)
- “Faithless” by Liv Ullmann (1)
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- “Film Socialisme” (2010) By Jean-Luc Godard (JLG) (1)
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- “Foyle’s War” by Anthony Horowitz (1)
- “Germany in autumn” By Rainer Werner Fassbinder (1)
- “Germany, Pale Mother” (1980) by Helma Sanders-Brahms (1)
- “Golden Age/L'Age d'Or ” (1930) By Luis Bunuel (1)
- “Goodbye Language/Adieu au langage ” (2014) by Jean-Luc Godard (1)
- “Hidden Fortress” (1958) by Akira Kurosawa (1)
- “Hiroshima mon amour” (1957) By Alain Resnais (1)
- “Hour Of The Wolf” (1968) By Ingmar Bergman (1)
- “I Want To Go Home” (1989) by Alain Resnais (1)
- “Ich Bin die Andere” (“I am the Other Woman”) by Margarethe von Trotta (2006) (1)
- “Ikiru/To Live” by Akira Kurosawa (1952) (1)
- “In a Year of 13 Moons” (1978) By R.W. Fassbinder (1)
- “In the Electric Mist” (2010) by Bernard Tavernier (1)
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- “La guerre est finie/The War Is Over” (1966) By Alain Resnais (1)
- “La Terra Trema/The Earth Is Trembling/The Earth Trembles/Will Tremble” (1948) By Luchino Visconti (1)
- “Lacombe Lucien” (1974), By Louis Malle (1)
- “Lancelot of the Lake” (1974) By Robert Bresson (1)
- “Last Year in Marienbad” (1960) By Alain Resnais (1)
- “L’Enfance Nue” (1968) By Maurice Pialat (1)
- “Le Petit Soldat/The Little Soldier” (1960–1963) By Jean-Luc Godard (1)
- “Letter to America”, (1999) by Kira Muratova (1)
- “Life and Nothing But/La vie at rien d’autre” (1989) by Bertrand Tavernier (1)
- “Lola” by Jacques Demy (1961) (1)
- “Lola” by Rainer Werner Fassbinder (1981) (1)
- “Long Day’s Journey into the Night” (1962) By Sidney Lumet (1)
- “Love Unto Death” (1984) by Alain Resnais (1)
- “Madame Rosa” By Moshe Mizrahi (1)
- “Made in USA (1966) by Jean-Luc Godard (2)
- “Man Like Eva/Ein mann wie Eva” (1983) by Radu Gabrea (1)
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- “Milarepa” by Liliana Cavani (1974) (1)
- “Muriel, Or The Time Of Return” By Alain Resnais (1964) (1)
- “My life and Times with Antonin Artaud” (1993) by Gerard Mordillat (1)
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- “Nelly and Mr. Arnaud” (1995) by Claude Sautet (1)
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- “Oedipus Rex” (1967) By Pier Paolo Pasolini (1)
- “Oh, Woe Is Me” by Jean-Luc Godard (1)
- “Our Lady of the Assassins” (2000) by Barbet Schroeder (1)
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- “Pickpocket” (1959) by Robert Bresson (1)
- “Pigpen/Pigsty/La Porcile” (1969) By Pier Paolo Pasolini (1)
- “Salome’s Last Dance” (1988) by Ken Russell (1)
- “Sanjuro” (1962), by Akira Kurosawa (1)
- “Sansho the Bailiff” (1954) by Kenji Mizoguchi (1)
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- “Sweet Movie” (1976) By Dusan Makavejev (1)
- “The Bitter Tears of Petra von Kant” (1972) by Rainer Werner Fassbinder (RWF) (1)
- “The Cannibals” by Liliana Cavani (1969) (1)
- “The Discreet Charm of Bourgeoisie” (1972) by Luis Bunuel (1)
- “The Dreamers” (2003) By Bernardo Bertolucci (1)
- “The Men Who Tread on the Tiger’s Tail” (1945) by Akira Kurosawa (1)
- “The Merchant of Four Seasons” (1971) by Rainer Werner Fassbinder (1)
- “The Messiah” (1975) by Roberto Rossellini (1)
- “The Mouth Agape/The Slack-Jawed Mug” (1974) by Maurice Pialat (1)
- “The Night of Iguana” (1964) by John Huston – based on Tennessee Williams’ play (1)
- “The Rise of Louis XIV” by Roberto Rossellini (1966) (1)
- “The Rite” (1969) by Ingmar Bergman (1)
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- “The Sheltering Sky” (1990) by Bernardo Bertolucci (1)
- “The Shout” (1978) by Jerzy Skolimowski (1)
- “The Silence” by Ingmar Bergman (1963) (1)
- “The Skin” (“La Pelle” – 1981) by Liliana Cavani (1)
- “The Soft Skin” (1964) By Francois Truffaut (1)
- “The Testament of Orpheus” by Jean Cocteau (1959) (1)
- “The Touch” (1971) by Ingmar Bergman (2)
- “The Virgin’s Bed” (“Le lit de la vierge”), 1969, by Philip Garrel (1)
- “Theorem” (1968) By Pier Paolo Pasolini (1)
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- “Who's Afraid of Virginia Woolf?”(1966) By Mike Nichols (Based on the Play of Edward Albee) (1)
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- “Zabriskie Point”/ZP, (1970) By Michelangelo Antonioni (1)
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- In Praise of Love/Éloge de l'amour (2001) By Jean-Luc Godard (1)
- Margarethe Von Trotta's “Hannah Arendt” (1)
- Review #2 of “What are Clouds?” (1968) by Pier Paolo Pasolini (1)
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- From Fake Prosperity To Fake Reasons For Austerity (1)
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- Hollywood Stars’ Socio-morphic Acting – When Movie-matic Medium Is Sensitive Only To Social Layer Of The World (1)
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- Human Illness As A Precious Natural Resource for Making Profit (1)
- Humanity of the Psychological Frankensteins (1)
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- Identification Based On Difference and Margarethe Von Trotta's Search For a Joint-gender Perspective (1)
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- Misinformation On Social Media (1)
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- Salivating Lickers of Coins (1)
- Setting Discord Between Groups and Populations (1)
- Shift from “Communism” to “Democracy” in Russia (1)
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- Socio-political Dreams In Relation To Socio-political Realities (The Russian Communist Future And Totalitarian Present, German Aryan Superiority and The Third Reich,…) (1)
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- Some Psychological Reasons For GOP’s Victory In Midterm Congressional Elections (1)
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- The Political Dance Of A “One-sided Compromise” With A Despotic Money-power – President Obama Faces Future Of A Possible Impeachment (1)
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- This Sweet Propaganda (1)
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- To those Who are Trapped Iin Mass-cultural Satisfactions (1)
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- Victor Brauner’s “Symbolic Mutation I” – Socio-psychological Typology of Human Beings (1)
- Vitalizing Addiction to Hate and to Fight (1)
- What Communist party was for the Soviet (Totalitarian) Government, Corporations are for (Neo-conservative) American Government (1)
- When Infantilization of Human Psyche… (1)
- Why Americans with Conservative Sensibility vote against Their Own Interests and are Addicted to Hate-Talk Shows? (1)
- Why Conservative Revolution In US Took Place Right After Soviet “Collapse”? (1)
- Why is there no book Burning in U.S.? (1)
- Why It‘s So Easy to Lie About the Necessity and the Urgency of Wars (1)
- Why Most Heroes of Hollywood Productions And TV Serials Are “Charismatic Everybodies” (1)
- Why the Neo-Republicans Are So Passionate And Democrats So “Cowardly” As Political Fighters (1)
- Why Uneducated People Love to be Fists, Muscles… (1)
- Worshippers of Wealth (1)
- Young Males on the Bottom of the Social Pyramid (1)
- Youth-abuse (1)
- The Grand Slope (1)
- Theatrical productions analyzed (1)
- Robert Wilson (1)
- Uncategorized (76)
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Biography (.doc)
Biography (.pdf)
Letters to Readers
- 1. Obama, Bush and the 'Armoured Self'
- 2. Emotional Attractiveness of Totalitarianism
- 3. Artificially Induced Hunger for Currency and Consumption
- 4. Ideology in SRussia (Soviet Russia) and Bushmerica (America according to Bushmericans)
- 5. To those Who are Trapped into Mass-cultural Satisfactions and Consolations
- 6. Liberal Psyche and the Destiny of Liberalism in U.S.
- 7. The Destruction of the Humane Concept of Human Happiness
- 8. Psychological Roots of Political and Financial Misbehvior
- 9. Psychology of Political, Military and Economic Blunders
Recent Entries
- Two Types Of “Humanism” – Right-wingers’ Today and Judaist Clergy's In Christ’s Times On The One Hand, And Liberal Democrats' Today And Pontius Pilate's In Christ’s Time – “The Messiah” (1975) By Roberto Rossellini
- Young People’s Psychological Condition According To Akira Kurosawa’s “Sanjuro” (1962)
- To Become Ontologically Authentic Personality (Complex Of Sublime Selfhood) Or To Share Life With Others – Jean-Luc Godard’s “Vivre sa vie/My Life To Live” (1962)
- When Youthful Intelligent Vitality Becomes Incompatible With the Conditions of Spiritual and Physical Survival – Robert Bresson’s “Devil Probably” (1977)
- For Abel Rosenberg (David Carradine), The Hero of Ingmar Bergman’s Film “Serpent’s Egg” (1977), To Insert A Billion Mark Banknote (Time of Hyperinflation In Germany) Into the Mouth of a Barman Is Just a Healthy Joke
- Glauce (King Creon’s daughter) Is A Victim Of Medea’s Violent Magic - Pier Paolo Pasolini’s “Medea” (1969)
- Notes on The Psychological Essence of “Conservative” Socio-political Posture – The Night Knights of Fake Truths
- Chaim Soutine’s “Mother and Child” (1942) – Mother And Her Little Daughter In A Barely Possible Social Environment
- Rainer Werner Fassbinder’s “Lili Marleen” (1981) – The Young People and Nazism: Private Love Archetype and Socio-political and Family Structures Manipulating and Even Parasitizing on It
- Artificially Induced Hunger For Currency And Consumption
Recent Comments
- Greg on “The Silence” by Ingmar Bergman (1963)A very enjoyable and enlightening review. I especially appreciate "21st century needs Bergman’s cinema even more than the 20th century did."
- Johan Liebenberg on Semantically sophisticated poster of “Death in Venice”I haven't even read your complete essay, but already I love what I am reading. What a shame that not more people know of your...
- Vanessa on “Confessions of Police Captain to the District Attorney” (1971) by Damiano DamianiIs traini corrupt? Did he have srena dipaluma killed when she called police dept?? Was malta corrupt?
- Justin on Constantin Brancusi’s Sculptural Series “The Kiss” (1907 – 1925): To Be Stuck in Personal relations to the Neglect of Understanding of the Public RealmWell done Victor. Beautifully written. Is it possible for me to know more about you as I would like to reference this in my thesis?
- Gabriele on R. W. Fassbinder’s “The Bitter Tears of Petra von Kant” (1972) – The Art And Science Of Amorous Domination (Feminine Touch In A World Of Masculine Competition)I'm always looking for new Petra Von Kant analysis, this is one of the best i've encountered. I was wondering if anyone know where I...
Most Commented
- Constantin Brancusi’s Sculptural Series “The Kiss” (1907 – 1925): To Be Stuck in Personal relations to the Neglect of Understanding of the Public Realm (21)
- Mary Cassatt‘s Paintings – Mother and Child: The Mystery of the Disappearance of the Mother’s Face (4)
- Pablo Picasso’s Portrait of Joseph Stalin (1953) – Stalin As An Object of the Artist’s Contemplation – Simpler than Any Painting, Flatter than Any Sculpture, Ruder Than Any Kitsch – (3)
- Marina Tsvetaeva’s “Ophelia – In Defense of the Queen” (1923) – The Value of Existential Paradox: The Logic of Aesthetic Exception (3)
- Max Ernst’s ‘The Horde’ (1927) provides us with the metaphoric space for better understanding of The Invasion of the Bushmerican Adolfics (2)
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