Three Sculptural Figures: Henry Moore’s “Helmet-Head” (1955), Max Ernst’s “Head Of A Man” (1947) And Jacob Epstein’s “The Rock Drill” (1913) – Three Portraits Of Human Psychological Condition Starting From WWI, Continuing Through WWII And Further Into The Future
13 Dec 2015
Posted by victor as Discussion and Mind-Probing, Henry Moore, Jacob Epstein, Max Ernst
The Three Aspects Of Brutalization Of The Human Race – Social, Psycho-biological And Technological Epstein’s “Rock Drill” was perceived as a celebration of modern machinery and masculine virility… In 1940, however, recalling the horror of the 1914 – 1918 war in the context of the WWII, Epstein reinterpreted the sculpture much more negatively… “Here is […]
Henry Moore’s “Crowd Looking At A Tied-up Object” (1942) – Social Utopia As A Wrapped Mysterious And Seductive Object
01 Jun 2014
Posted by victor as Discussion and Mind-Probing, Henry Moore, Paintings, sculptures and drawings analyzed
Henry Moore and the Paradox of Monumentality (Wrapped And Tied-Up Prophesy As Psychological Engine of Historical Process) Henry Moore, “Crowd Looking at a Tied-Up Object” (1942) It looks that according to Henry Moore civilization starts with a mysterious monument created by human imaginary. The first such monument to civilization was at the same time the […]
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- "Einstein" (2008) by Liliana Cavani (1)
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- "Sanjuro" (1962), by Akira Kurosawa (1)
- ”Il Grido/The Cry” (1957) By Michelangelo Antonioni (1)
- “35 Shots of Rum” (2008) By Claire Denis (1)
- “A Streetcar Named Desire” (1951) by Elia Kazan/Tennessee Williams (1)
- “Ali: Fear Eats the Soul” (1973) by Rainer Werner Fassbinder (1)
- “Alice in the Cities” (1974) By Wim Wenders (1)
- “And the Ship Sails On” (1983) By Federico Fellini (1)
- “Au Hazard Balthazar” (1966) And “Devil Probably” (1977) By Robert Bresson (1)
- “Autumn Sonata” (1978) By Ingmar Bergman (1)
- “Baxter, Vera Baxter” by Marguerite Duras (1977) (1)
- “Berlin Affair” (1985) by Liliana Cavani (2)
- “Berlin Alexanderplatz” (1980) By Rainer Werner Fassbinder (1)
- “Bless the Beast and Children” by Stanley Kramer (1971) (1)
- “Burmese Harp” (1957) by Kon Ichikawa (1)
- “Casanova” (1976) by Federico Fellini (1)
- “Chinese Roulette” (1976) by R.W. Fassbinder (1)
- “Clara Schumann” (2008), by Helma Sanders-Brahms (1)
- “Confessions of Police Captain to the District Attorney” (1971) by Damiano Damiani (1)
- “CONFORMIST” (1971) By Bernardo Bertolucci (1)
- “Contempt/Le mepris” (1963) by Jean-Luc Godard (1)
- “Cuentame Como Paso” (“Tell Me How it Happened”) by Miguel Angel Bernardeau (1)
- “Death in Venice” (1971) by Luchino Visconti (1)
- “Dersu Uzala” (1975) by Akira Kurosawa (1)
- “Despair/Journey Into Light” (1978) by Rainer-Werner Fassbinder (1)
- “Detective” (1985) by Jean-Luc Godard (1)
- “Diary of the Country Priest” (1951) By Robert Bresson (1)
- “Dodes’kaden” (1970) by Akira Kurosawa (1)
- “Elysium” by Neill Blomkamp (2013) (1)
- “Faithless” by Liv Ullmann (1)
- “Fear of Fear” (1975) by R.W. Fassbinder (2)
- “Film Socialisme” (2010) By Jean-Luc Godard (JLG) (1)
- “Fire Within” (1963) By Louis Malle (1)
- “Foyle’s War” by Anthony Horowitz (1)
- “Germany in autumn” By Rainer Werner Fassbinder (1)
- “Germany, Pale Mother” (1980) by Helma Sanders-Brahms (1)
- “Golden Age/L'Age d'Or ” (1930) By Luis Bunuel (1)
- “Goodbye Language/Adieu au langage ” (2014) by Jean-Luc Godard (1)
- “Hidden Fortress” (1958) by Akira Kurosawa (1)
- “Hiroshima mon amour” (1957) By Alain Resnais (1)
- “Hour Of The Wolf” (1968) By Ingmar Bergman (1)
- “I Want To Go Home” (1989) by Alain Resnais (1)
- “Ich Bin die Andere” (“I am the Other Woman”) by Margarethe von Trotta (2006) (1)
- “Ikiru/To Live” by Akira Kurosawa (1952) (1)
- “In a Year of 13 Moons” (1978) By R.W. Fassbinder (1)
- “In the Electric Mist” (2010) by Bernard Tavernier (1)
- “Kind Hearted Woman” by David Sutherland (1)
- “La guerre est finie/The War Is Over” (1966) By Alain Resnais (1)
- “La Terra Trema/The Earth Is Trembling/The Earth Trembles/Will Tremble” (1948) By Luchino Visconti (1)
- “Lacombe Lucien” (1974), By Louis Malle (1)
- “Lancelot of the Lake” (1974) By Robert Bresson (1)
- “Last Year in Marienbad” (1960) By Alain Resnais (1)
- “L’Enfance Nue” (1968) By Maurice Pialat (1)
- “Le Petit Soldat/The Little Soldier” (1960–1963) By Jean-Luc Godard (1)
- “Letter to America”, (1999) by Kira Muratova (1)
- “Lola” by Jacques Demy (1961) (1)
- “Lola” by Rainer Werner Fassbinder (1981) (1)
- “Long Day’s Journey into the Night” (1962) By Sidney Lumet (1)
- “Love Unto Death” (1984) by Alain Resnais (1)
- “Madame Rosa” By Moshe Mizrahi (1)
- “Made in USA (1966) by Jean-Luc Godard (2)
- “Man Like Eva/Ein mann wie Eva” (1983) by Radu Gabrea (1)
- “Medea” (1969) by Pier Paolo Pasolini (1)
- “Melo” (1986) by Alain Resnais (1)
- “Milarepa” by Liliana Cavani (1974) (1)
- “My life and Times with Antonin Artaud” (1993) by Gerard Mordillat (1)
- “Nathalie Granger” (1972) by Marguerite Duras (1)
- “Nazarin” (1959) by Luis Bunuel (1)
- “Nelly and Mr. Arnaud” (1995) by Claude Sautet (1)
- “Night and Day” (1991) by Chantal Akerman (1)
- “Oedipus Rex” (1967) By Pier Paolo Pasolini (1)
- “Oh, Woe Is Me” by Jean-Luc Godard (1)
- “Our Lady of the Assassins” (2000) by Barbet Schroeder (1)
- “Our Music” by Jean-Luc Godard (2004) (1)
- “Peter Pan” (2003) by P.J. Hogan (1)
- “Pickpocket” (1959) by Robert Bresson (1)
- “Pigpen/Pigsty/La Porcile” (1969) By Pier Paolo Pasolini (1)
- “Salome’s Last Dance” (1988) by Ken Russell (1)
- “Sanjuro” (1962), by Akira Kurosawa (1)
- “Sansho the Bailiff” (1954) by Kenji Mizoguchi (1)
- “Sisters or the Balance of Happiness” (1979) By Margarethe von Trotta (1)
- “Socrates” (1971) By Roberto Rossellini (1)
- “Spider’s Stratagem” (1970) By Bernardo Bertolucci (1)
- “Strongman Ferdinand” (1977) by Alexander Kluge (1)
- “Stroszek” (1977) By Werner Herzog (1)
- “Swan In Love” (1984) By Volker Schlöndorff' (1)
- “Sweet Movie” (1976) By Dusan Makavejev (1)
- “The Bitter Tears of Petra von Kant” (1972) by Rainer Werner Fassbinder (RWF) (1)
- “The Cannibals” by Liliana Cavani (1969) (1)
- “The Discreet Charm of Bourgeoisie” (1972) by Luis Bunuel (1)
- “The Dreamers” (2003) By Bernardo Bertolucci (1)
- “The Men Who Tread on the Tiger’s Tail” (1945) by Akira Kurosawa (1)
- “The Merchant of Four Seasons” (1971) by Rainer Werner Fassbinder (1)
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- “The Mouth Agape/The Slack-Jawed Mug” (1974) by Maurice Pialat (1)
- “The Night of Iguana” (1964) by John Huston – based on Tennessee Williams’ play (1)
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- “The Rite” (1969) by Ingmar Bergman (1)
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- “The Serpent’s Egg”1976, by Ingmar Bergman (1)
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- “The Shout” (1978) by Jerzy Skolimowski (1)
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- “The Skin” (“La Pelle” – 1981) by Liliana Cavani (1)
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- “The Testament of Orpheus” by Jean Cocteau (1959) (1)
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- “The Virgin’s Bed” (“Le lit de la vierge”), 1969, by Philip Garrel (1)
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- “Who's Afraid of Virginia Woolf?”(1966) By Mike Nichols (Based on the Play of Edward Albee) (1)
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- What Communist party was for the Soviet (Totalitarian) Government, Corporations are for (Neo-conservative) American Government (1)
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Biography (.doc)
Biography (.pdf)
Letters to Readers
- 1. Obama, Bush and the 'Armoured Self'
- 2. Emotional Attractiveness of Totalitarianism
- 3. Artificially Induced Hunger for Currency and Consumption
- 4. Ideology in SRussia (Soviet Russia) and Bushmerica (America according to Bushmericans)
- 5. To those Who are Trapped into Mass-cultural Satisfactions and Consolations
- 6. Liberal Psyche and the Destiny of Liberalism in U.S.
- 7. The Destruction of the Humane Concept of Human Happiness
- 8. Psychological Roots of Political and Financial Misbehvior
- 9. Psychology of Political, Military and Economic Blunders
Recent Entries
- Alan Resnais’ “Muriel, Or the Time of Return/Muriel ou Le temps d’un retour” (1963)* – Ontological Disappearance As A Metaphoric Characterization Of The Loss Of Holistic Personalities/Identities By The Inhabitants Of Today’s Western Post-democracies
- “Baxter, Vera Baxter” by Marguerite Duras (1977)
- Emil Nolde’s “Adoration/Unbettung” (1922) – The Baby-God, The Magi And The Children Who Are Just Discovering That Either God Was A Child Like Them Or That All Of Them Are Gods: The New-Born Jesus As Personification Of Sacred Value Of Human Children
- Bertrand Tavernier’s “Life And Nothing But/La vie at rien d’autre” (1989) – WWI As the Case Of Victimizing the Army’s Low Ranks By A Self-aggrandized Power-seekers And Profiteers Of The Same Countries
- Francis Picabia’s “Apollo And His Messengers” (1935) – A Surprising (For Admirers Of Apollo’s Traditional Representation in Arts) Interpretation Of Sun-God Mystique
- The Ultimate Question Is Not Economic Efficiency, Profit-making Strategies Or Economic And Financial Gurus’ Cognitive Powers, But “Simple” Humanity Of A Human Society towards Its Own People
- Dorothea Tanning’s “Birthday” (1942) – Life As A Vital Emanation, Life As Time of Living, The World And A Personality’s Identity
- Marguerite Duras’s “Baxter, Vera Baxter” (1977) – When the Director’s Intra-filmic Contemplation Becomes Her Film’s Style It Dissolves Action Into Compassion For Her Characters And Plot Into a Sensuous Journey
- Psychopaths Aren’t So Clever After All (New Scientist, 28 Jan, 2017)
- “Trump’s Anti-science Era Begins” (New Scientist, 28 January 2017)
Recent Comments
- Johan Liebenberg on Semantically sophisticated poster of “Death in Venice”I haven't even read your complete essay, but already I love what I am reading. What a shame that not more people know of your...
- Vanessa on “Confessions of Police Captain to the District Attorney” (1971) by Damiano DamianiIs traini corrupt? Did he have srena dipaluma killed when she called police dept?? Was malta corrupt?
- Justin on Constantin Brancusi’s Sculptural Series “The Kiss” (1907 – 1925): To Be Stuck in Personal relations to the Neglect of Understanding of the Public RealmWell done Victor. Beautifully written. Is it possible for me to know more about you as I would like to reference this in my thesis?
- Gabriele on R. W. Fassbinder’s “The Bitter Tears of Petra von Kant” (1972) – The Art And Science Of Amorous Domination (Feminine Touch In A World Of Masculine Competition)I'm always looking for new Petra Von Kant analysis, this is one of the best i've encountered. I was wondering if anyone know where I...
- ayala leyser on Paul Klee (1879 – 1940) In His Etching “TWO MEN MEET EACH OTHER SUPPOSING THE OTHER TO BE OF HIGHER RANK” (1904) Addresses Today’s Socio-psychological Climate in U.S.My first thought was that the 2 flowers, the only innocent life forms on this arid barren land, might represent Macke and Marc Franz, his...
Most Commented
- Constantin Brancusi’s Sculptural Series “The Kiss” (1907 – 1925): To Be Stuck in Personal relations to the Neglect of Understanding of the Public Realm (21)
- Mary Cassatt‘s Paintings – Mother and Child: The Mystery of the Disappearance of the Mother’s Face (4)
- Pablo Picasso’s Portrait of Joseph Stalin (1953) – Stalin As An Object of the Artist’s Contemplation – Simpler than Any Painting, Flatter than Any Sculpture, Ruder Than Any Kitsch – (3)
- Marina Tsvetaeva’s “Ophelia – In Defense of the Queen” (1923) – The Value of Existential Paradox: The Logic of Aesthetic Exception (3)
- Max Ernst’s ‘The Horde’ (1927) provides us with the metaphoric space for better understanding of The Invasion of the Bushmerican Adolfics (2)
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