Analysis of Otto Dix’s Six Works (“French Couple” – 1925, “Sailor and Girl” – 1925, “Remembering the Halls of Mirrors in Brussels” – 1920, “Exotic Brothel” – 1922, “Children at Play” – 1929, and “Pimp and Girl” (1923) – Otto Dix’s Typically-exotic Couples: When Human Self-expressiveness In Intimate Situations Comes To Be Reduced To “Basic” Reactions
01 Oct 2013
Posted by victor as Discussion and Mind-Probing, Films (and stills from the films) analyzed, Joseph Mankiewicz, Joseph Mankiewicz, Otto Dix, Paintings, sculptures and drawings analyzed
The Collapse of Human Existential Intelligence In the Pre-fascist periods A Madcap Retreat from Reality While most Berliners in the 20s scrambled just to stay alive amid street fighting and food shortages, a lucky few who had managed to hold onto something – or to cash in on the wild currency fluctuations – found the […]
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- Films (and stills from the films) analyzed
- Installation art-works analyzed
- Obituaries
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- Poetry analyzed
- Psychology of religious belief
- Reviews of Films
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- Films (and stills from the films) analyzed (121)
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- "Bitter Tears of Petra von Kant” (1972) by Rainer Werner Fassbinder (1)
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- "Sanjuro" (1962), by Akira Kurosawa (1)
- ”Il Grido/The Cry” (1957) By Michelangelo Antonioni (1)
- “35 Shots of Rum” (2008) By Claire Denis (1)
- “A Streetcar Named Desire” (1951) by Elia Kazan/Tennessee Williams (1)
- “Ali: Fear Eats the Soul” (1973) by Rainer Werner Fassbinder (1)
- “Alice in the Cities” (1974) By Wim Wenders (1)
- “And the Ship Sails On” (1983) By Federico Fellini (1)
- “Au Hazard Balthazar” (1966) And “Devil Probably” (1977) By Robert Bresson (1)
- “Autumn Sonata” (1978) By Ingmar Bergman (1)
- “Baxter, Vera Baxter” by Marguerite Duras (1977) (1)
- “Berlin Affair” (1985) by Liliana Cavani (2)
- “Berlin Alexanderplatz” (1980) By Rainer Werner Fassbinder (1)
- “Bless the Beast and Children” by Stanley Kramer (1971) (1)
- “Burmese Harp” (1957) by Kon Ichikawa (1)
- “Casanova” (1976) by Federico Fellini (1)
- “Chinese Roulette” (1976) by R.W. Fassbinder (1)
- “Clara Schumann” (2008), by Helma Sanders-Brahms (1)
- “Confessions of Police Captain to the District Attorney” (1971) by Damiano Damiani (1)
- “CONFORMIST” (1971) By Bernardo Bertolucci (1)
- “Contempt/Le mepris” (1963) by Jean-Luc Godard (1)
- “Cuentame Como Paso” (“Tell Me How it Happened”) by Miguel Angel Bernardeau (1)
- “Death in Venice” (1971) by Luchino Visconti (1)
- “Dersu Uzala” (1975) by Akira Kurosawa (1)
- “Despair/Journey Into Light” (1978) by Rainer-Werner Fassbinder (1)
- “Detective” (1985) by Jean-Luc Godard (1)
- “Diary of the Country Priest” (1951) By Robert Bresson (1)
- “Dodes’kaden” (1970) by Akira Kurosawa (1)
- “Elysium” by Neill Blomkamp (2013) (1)
- “Faithless” by Liv Ullmann (1)
- “Fear of Fear” (1975) by R.W. Fassbinder (2)
- “Film Socialisme” (2010) By Jean-Luc Godard (JLG) (1)
- “Fire Within” (1963) By Louis Malle (1)
- “Foyle’s War” by Anthony Horowitz (1)
- “Germany in autumn” By Rainer Werner Fassbinder (1)
- “Germany, Pale Mother” (1980) by Helma Sanders-Brahms (1)
- “Golden Age/L'Age d'Or ” (1930) By Luis Bunuel (1)
- “Goodbye Language/Adieu au langage ” (2014) by Jean-Luc Godard (1)
- “Hidden Fortress” (1958) by Akira Kurosawa (1)
- “Hiroshima mon amour” (1957) By Alain Resnais (1)
- “Hour Of The Wolf” (1968) By Ingmar Bergman (1)
- “I Want To Go Home” (1989) by Alain Resnais (1)
- “Ich Bin die Andere” (“I am the Other Woman”) by Margarethe von Trotta (2006) (1)
- “Ikiru/To Live” by Akira Kurosawa (1952) (1)
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- “In the Electric Mist” (2010) by Bernard Tavernier (1)
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- “La guerre est finie/The War Is Over” (1966) By Alain Resnais (1)
- “La Terra Trema/The Earth Is Trembling/The Earth Trembles/Will Tremble” (1948) By Luchino Visconti (1)
- “Lacombe Lucien” (1974), By Louis Malle (1)
- “Lancelot of the Lake” (1974) By Robert Bresson (1)
- “Last Year in Marienbad” (1960) By Alain Resnais (1)
- “L’Enfance Nue” (1968) By Maurice Pialat (1)
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- “Letter to America”, (1999) by Kira Muratova (1)
- “Life and Nothing But/La vie at rien d’autre” (1989) by Bertrand Tavernier (1)
- “Lola” by Jacques Demy (1961) (1)
- “Lola” by Rainer Werner Fassbinder (1981) (1)
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- “Madame Rosa” By Moshe Mizrahi (1)
- “Made in USA (1966) by Jean-Luc Godard (2)
- “Man Like Eva/Ein mann wie Eva” (1983) by Radu Gabrea (1)
- “Medea” (1969) by Pier Paolo Pasolini (1)
- “Melo” (1986) by Alain Resnais (1)
- “Milarepa” by Liliana Cavani (1974) (1)
- “Muriel, Or The Time Of Return” By Alain Resnais (1964) (1)
- “My life and Times with Antonin Artaud” (1993) by Gerard Mordillat (1)
- “Nathalie Granger” (1972) by Marguerite Duras (1)
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- “Oedipus Rex” (1967) By Pier Paolo Pasolini (1)
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- “Pickpocket” (1959) by Robert Bresson (1)
- “Pigpen/Pigsty/La Porcile” (1969) By Pier Paolo Pasolini (1)
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- “Sanjuro” (1962), by Akira Kurosawa (1)
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- “Socrates” (1971) By Roberto Rossellini (1)
- “Spider’s Stratagem” (1970) By Bernardo Bertolucci (1)
- “Strongman Ferdinand” (1977) by Alexander Kluge (1)
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- “Swan In Love” (1984) By Volker Schlöndorff' (1)
- “Sweet Movie” (1976) By Dusan Makavejev (1)
- “The Bitter Tears of Petra von Kant” (1972) by Rainer Werner Fassbinder (RWF) (1)
- “The Cannibals” by Liliana Cavani (1969) (1)
- “The Discreet Charm of Bourgeoisie” (1972) by Luis Bunuel (1)
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- “The Merchant of Four Seasons” (1971) by Rainer Werner Fassbinder (1)
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- “The Mouth Agape/The Slack-Jawed Mug” (1974) by Maurice Pialat (1)
- “The Night of Iguana” (1964) by John Huston – based on Tennessee Williams’ play (1)
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- “The Rite” (1969) by Ingmar Bergman (1)
- “The Salamander” (1971) by Alain Tanner (1)
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- “The Testament of Orpheus” by Jean Cocteau (1959) (1)
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Biography (.doc)
Biography (.pdf)
Letters to Readers
- 1. Obama, Bush and the 'Armoured Self'
- 2. Emotional Attractiveness of Totalitarianism
- 3. Artificially Induced Hunger for Currency and Consumption
- 4. Ideology in SRussia (Soviet Russia) and Bushmerica (America according to Bushmericans)
- 5. To those Who are Trapped into Mass-cultural Satisfactions and Consolations
- 6. Liberal Psyche and the Destiny of Liberalism in U.S.
- 7. The Destruction of the Humane Concept of Human Happiness
- 8. Psychological Roots of Political and Financial Misbehvior
- 9. Psychology of Political, Military and Economic Blunders
Recent Entries
- Artificially Induced Hunger For Currency And Consumption
- Emil Nolde’s “Green Head Above Red Cloak” – Archetypal Image (created by Nolde in this painting) of Father-Nature Differing From And Adding To The Well-known Archetypal Image Of “Mother Nature”
- Emotional Attractiveness of Totalitarianism
- “Muriel, Or The Time Of Return” By Alain Resnais (1964)
- Chaim Soutine’s Two Paintings – “Return from School After The Storm” (1939) And “Children On the Road” (1938) – Soutine – The Unintentional Prophet Of Apocalypse
- Alain Tanner’s “A Flame in My Heart” (1987) – Frustrated and Disoriented Search For Disinterested Existential Togetherness
- “Life and Nothing But/La vie at rien d’autre” (1989) by Bertrand Tavernier
- Wolfgang Paalen’s “Combat Of The Saturnian Princes” (1938) – “Saturnian Princes” As Striking Metaphor Of The “Heads” Of The Social Hierarchy, Making Decisions About Wars, Finances And Societal Life In the Name Of And Instead Of People
- Alan Resnais’ “Muriel, Or the Time of Return/Muriel ou Le temps d’un retour” (1963)* – Ontological Disappearance As A Metaphoric Characterization Of The Loss Of Holistic Personalities/Identities By The Inhabitants Of Today’s Western Post-democracies
- “Baxter, Vera Baxter” by Marguerite Duras (1977)
Recent Comments
- Greg on “The Silence” by Ingmar Bergman (1963)A very enjoyable and enlightening review. I especially appreciate "21st century needs Bergman’s cinema even more than the 20th century did."
- Johan Liebenberg on Semantically sophisticated poster of “Death in Venice”I haven't even read your complete essay, but already I love what I am reading. What a shame that not more people know of your...
- Vanessa on “Confessions of Police Captain to the District Attorney” (1971) by Damiano DamianiIs traini corrupt? Did he have srena dipaluma killed when she called police dept?? Was malta corrupt?
- Justin on Constantin Brancusi’s Sculptural Series “The Kiss” (1907 – 1925): To Be Stuck in Personal relations to the Neglect of Understanding of the Public RealmWell done Victor. Beautifully written. Is it possible for me to know more about you as I would like to reference this in my thesis?
- Gabriele on R. W. Fassbinder’s “The Bitter Tears of Petra von Kant” (1972) – The Art And Science Of Amorous Domination (Feminine Touch In A World Of Masculine Competition)I'm always looking for new Petra Von Kant analysis, this is one of the best i've encountered. I was wondering if anyone know where I...
Most Commented
- Constantin Brancusi’s Sculptural Series “The Kiss” (1907 – 1925): To Be Stuck in Personal relations to the Neglect of Understanding of the Public Realm (21)
- Mary Cassatt‘s Paintings – Mother and Child: The Mystery of the Disappearance of the Mother’s Face (4)
- Pablo Picasso’s Portrait of Joseph Stalin (1953) – Stalin As An Object of the Artist’s Contemplation – Simpler than Any Painting, Flatter than Any Sculpture, Ruder Than Any Kitsch – (3)
- Marina Tsvetaeva’s “Ophelia – In Defense of the Queen” (1923) – The Value of Existential Paradox: The Logic of Aesthetic Exception (3)
- Max Ernst’s ‘The Horde’ (1927) provides us with the metaphoric space for better understanding of The Invasion of the Bushmerican Adolfics (2)
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