Pablo Picasso’s “El-Bobo” (1959) – El-Bobo Is Frying His Balls (When Vitality Is Stronger Than The Everyday Life), And Edouard Manet’s “The Ragpicker” (1869) – When Existential Presence Is Stronger than Poverty
01 Jan 2014
Posted by victor as Discussion and Mind-Probing, Edouard Manet, Pablo Picasso, Paintings, sculptures and drawings analyzed, Photographic art and posters analyzed, Rag-picker in Paris, 1901
When Health Is Stronger Than Strength, When Life Is More Powerful Than Power and Stubbornness Is Stronger Than Destitution Homo sacer (Latin for “the sacred man” or “the accursed man”) defines in early Roman religion somebody “set apart” from common society, who is, simultaneously is “hallowed” and “cursed”. The homo sacer could simply mean a […]
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- Films (and stills from the films) analyzed
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- Obituaries
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- Photographic art and posters analyzed
- Poetry analyzed
- Psychology of religious belief
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- Sociological essays
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- "Sanjuro" (1962), by Akira Kurosawa (1)
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- “35 Shots of Rum” (2008) By Claire Denis (1)
- “A Streetcar Named Desire” (1951) by Elia Kazan/Tennessee Williams (1)
- “Ali: Fear Eats the Soul” (1973) by Rainer Werner Fassbinder (1)
- “Alice in the Cities” (1974) By Wim Wenders (1)
- “And the Ship Sails On” (1983) By Federico Fellini (1)
- “Au Hazard Balthazar” (1966) And “Devil Probably” (1977) By Robert Bresson (1)
- “Autumn Sonata” (1978) By Ingmar Bergman (1)
- “Baxter, Vera Baxter” by Marguerite Duras (1977) (1)
- “Berlin Affair” (1985) by Liliana Cavani (2)
- “Berlin Alexanderplatz” (1980) By Rainer Werner Fassbinder (1)
- “Bless the Beast and Children” by Stanley Kramer (1971) (1)
- “Burmese Harp” (1957) by Kon Ichikawa (1)
- “Casanova” (1976) by Federico Fellini (1)
- “Chinese Roulette” (1976) by R.W. Fassbinder (1)
- “Clara Schumann” (2008), by Helma Sanders-Brahms (1)
- “Confessions of Police Captain to the District Attorney” (1971) by Damiano Damiani (1)
- “CONFORMIST” (1971) By Bernardo Bertolucci (1)
- “Contempt/Le mepris” (1963) by Jean-Luc Godard (1)
- “Cuentame Como Paso” (“Tell Me How it Happened”) by Miguel Angel Bernardeau (1)
- “Death in Venice” (1971) by Luchino Visconti (1)
- “Dersu Uzala” (1975) by Akira Kurosawa (1)
- “Despair/Journey Into Light” (1978) by Rainer-Werner Fassbinder (1)
- “Detective” (1985) by Jean-Luc Godard (1)
- “Diary of the Country Priest” (1951) By Robert Bresson (1)
- “Dodes’kaden” (1970) by Akira Kurosawa (1)
- “Elysium” by Neill Blomkamp (2013) (1)
- “Faithless” by Liv Ullmann (1)
- “Fear of Fear” (1975) by R.W. Fassbinder (2)
- “Film Socialisme” (2010) By Jean-Luc Godard (JLG) (1)
- “Fire Within” (1963) By Louis Malle (1)
- “Foyle’s War” by Anthony Horowitz (1)
- “Germany in autumn” By Rainer Werner Fassbinder (1)
- “Germany, Pale Mother” (1980) by Helma Sanders-Brahms (1)
- “Golden Age/L'Age d'Or ” (1930) By Luis Bunuel (1)
- “Goodbye Language/Adieu au langage ” (2014) by Jean-Luc Godard (1)
- “Hidden Fortress” (1958) by Akira Kurosawa (1)
- “Hiroshima mon amour” (1957) By Alain Resnais (1)
- “Hour Of The Wolf” (1968) By Ingmar Bergman (1)
- “I Want To Go Home” (1989) by Alain Resnais (1)
- “Ich Bin die Andere” (“I am the Other Woman”) by Margarethe von Trotta (2006) (1)
- “Ikiru/To Live” by Akira Kurosawa (1952) (1)
- “In a Year of 13 Moons” (1978) By R.W. Fassbinder (1)
- “In the Electric Mist” (2010) by Bernard Tavernier (1)
- “Kind Hearted Woman” by David Sutherland (1)
- “La guerre est finie/The War Is Over” (1966) By Alain Resnais (1)
- “La Terra Trema/The Earth Is Trembling/The Earth Trembles/Will Tremble” (1948) By Luchino Visconti (1)
- “Lacombe Lucien” (1974), By Louis Malle (1)
- “Lancelot of the Lake” (1974) By Robert Bresson (1)
- “Last Year in Marienbad” (1960) By Alain Resnais (1)
- “L’Enfance Nue” (1968) By Maurice Pialat (1)
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- “Letter to America”, (1999) by Kira Muratova (1)
- “Life and Nothing But/La vie at rien d’autre” (1989) by Bertrand Tavernier (1)
- “Lola” by Jacques Demy (1961) (1)
- “Lola” by Rainer Werner Fassbinder (1981) (1)
- “Long Day’s Journey into the Night” (1962) By Sidney Lumet (1)
- “Love Unto Death” (1984) by Alain Resnais (1)
- “Madame Rosa” By Moshe Mizrahi (1)
- “Made in USA (1966) by Jean-Luc Godard (2)
- “Man Like Eva/Ein mann wie Eva” (1983) by Radu Gabrea (1)
- “Medea” (1969) by Pier Paolo Pasolini (1)
- “Melo” (1986) by Alain Resnais (1)
- “Milarepa” by Liliana Cavani (1974) (1)
- “My life and Times with Antonin Artaud” (1993) by Gerard Mordillat (1)
- “Nathalie Granger” (1972) by Marguerite Duras (1)
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- “Nelly and Mr. Arnaud” (1995) by Claude Sautet (1)
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- “Oedipus Rex” (1967) By Pier Paolo Pasolini (1)
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- “Our Lady of the Assassins” (2000) by Barbet Schroeder (1)
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- “Pigpen/Pigsty/La Porcile” (1969) By Pier Paolo Pasolini (1)
- “Salome’s Last Dance” (1988) by Ken Russell (1)
- “Sanjuro” (1962), by Akira Kurosawa (1)
- “Sansho the Bailiff” (1954) by Kenji Mizoguchi (1)
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- “Strongman Ferdinand” (1977) by Alexander Kluge (1)
- “Stroszek” (1977) By Werner Herzog (1)
- “Swan In Love” (1984) By Volker Schlöndorff' (1)
- “Sweet Movie” (1976) By Dusan Makavejev (1)
- “The Bitter Tears of Petra von Kant” (1972) by Rainer Werner Fassbinder (RWF) (1)
- “The Cannibals” by Liliana Cavani (1969) (1)
- “The Discreet Charm of Bourgeoisie” (1972) by Luis Bunuel (1)
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- “The Testament of Orpheus” by Jean Cocteau (1959) (1)
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Biography (.doc)
Biography (.pdf)
Letters to Readers
- 1. Obama, Bush and the 'Armoured Self'
- 2. Emotional Attractiveness of Totalitarianism
- 3. Artificially Induced Hunger for Currency and Consumption
- 4. Ideology in SRussia (Soviet Russia) and Bushmerica (America according to Bushmericans)
- 5. To those Who are Trapped into Mass-cultural Satisfactions and Consolations
- 6. Liberal Psyche and the Destiny of Liberalism in U.S.
- 7. The Destruction of the Humane Concept of Human Happiness
- 8. Psychological Roots of Political and Financial Misbehvior
- 9. Psychology of Political, Military and Economic Blunders
Recent Entries
- Alain Tanner’s “A Flame in My Heart” (1987) – Frustrated and Disoriented Search For Disinterested Existential Togetherness
- “Life and Nothing But/La vie at rien d’autre” (1989) by Bertrand Tavernier
- Wolfgang Paalen’s “Combat Of The Saturnian Princes” (1938) – “Saturnian Princes” As Striking Metaphor Of The “Heads” Of The Social Hierarchy, Making Decisions About Wars, Finances And Societal Life In the Name Of And Instead Of People
- Alan Resnais’ “Muriel, Or the Time of Return/Muriel ou Le temps d’un retour” (1963)* – Ontological Disappearance As A Metaphoric Characterization Of The Loss Of Holistic Personalities/Identities By The Inhabitants Of Today’s Western Post-democracies
- “Baxter, Vera Baxter” by Marguerite Duras (1977)
- Emil Nolde’s “Adoration/Unbettung” (1922) – The Baby-God, The Magi And The Children Who Are Just Discovering That Either God Was A Child Like Them Or That All Of Them Are Gods: The New-Born Jesus As Personification Of Sacred Value Of Human Children
- Bertrand Tavernier’s “Life And Nothing But/La vie at rien d’autre” (1989) – WWI As the Case Of Victimizing the Army’s Low Ranks By A Self-aggrandized Power-seekers And Profiteers Of The Same Countries
- Francis Picabia’s “Apollo And His Messengers” (1935) – A Surprising (For Admirers Of Apollo’s Traditional Representation in Arts) Interpretation Of Sun-God Mystique
- The Ultimate Question Is Not Economic Efficiency, Profit-making Strategies Or Economic And Financial Gurus’ Cognitive Powers, But “Simple” Humanity Of A Human Society towards Its Own People
- Dorothea Tanning’s “Birthday” (1942) – Life As A Vital Emanation, Life As Time of Living, The World And A Personality’s Identity
Recent Comments
- Greg on “The Silence” by Ingmar Bergman (1963)A very enjoyable and enlightening review. I especially appreciate "21st century needs Bergman’s cinema even more than the 20th century did."
- Johan Liebenberg on Semantically sophisticated poster of “Death in Venice”I haven't even read your complete essay, but already I love what I am reading. What a shame that not more people know of your...
- Vanessa on “Confessions of Police Captain to the District Attorney” (1971) by Damiano DamianiIs traini corrupt? Did he have srena dipaluma killed when she called police dept?? Was malta corrupt?
- Justin on Constantin Brancusi’s Sculptural Series “The Kiss” (1907 – 1925): To Be Stuck in Personal relations to the Neglect of Understanding of the Public RealmWell done Victor. Beautifully written. Is it possible for me to know more about you as I would like to reference this in my thesis?
- Gabriele on R. W. Fassbinder’s “The Bitter Tears of Petra von Kant” (1972) – The Art And Science Of Amorous Domination (Feminine Touch In A World Of Masculine Competition)I'm always looking for new Petra Von Kant analysis, this is one of the best i've encountered. I was wondering if anyone know where I...
Most Commented
- Constantin Brancusi’s Sculptural Series “The Kiss” (1907 – 1925): To Be Stuck in Personal relations to the Neglect of Understanding of the Public Realm (21)
- Mary Cassatt‘s Paintings – Mother and Child: The Mystery of the Disappearance of the Mother’s Face (4)
- Pablo Picasso’s Portrait of Joseph Stalin (1953) – Stalin As An Object of the Artist’s Contemplation – Simpler than Any Painting, Flatter than Any Sculpture, Ruder Than Any Kitsch – (3)
- Marina Tsvetaeva’s “Ophelia – In Defense of the Queen” (1923) – The Value of Existential Paradox: The Logic of Aesthetic Exception (3)
- Max Ernst’s ‘The Horde’ (1927) provides us with the metaphoric space for better understanding of The Invasion of the Bushmerican Adolfics (2)
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