Rainer Maria Rilke’s “Death” – Semantic Matrix of Human Life, Spirituality, Being and Death
12 Nov 2014
Posted by victor as Poetry analyzed, Rainer Maria Rilke
The Logic of Poet’s Spirituality – From Challenging Life (By Risking Death) To Challenging Death (By Accepting Mortality With Our Heart) Death Come thou last one, whom I recognize, unbearable pain throughout this body’s fabric: as I in my spirit burned, see, I now burn in thee: the wood that long resisted the advancing flames […]
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- Examples of Semantic Richness of Cinematic narrations
- Films (and stills from the films) analyzed
- Installation art-works analyzed
- Obituaries
- Paintings, sculptures and drawings analyzed
- Photographic art and posters analyzed
- Poetry analyzed
- Psychology of religious belief
- Reviews of Films
- Sociological essays
- Theatrical productions analyzed
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- Examples of Semantic Richness of Cinematic narrations (6)
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- To Become Ontologically Authentic Personality (Complex Of Sublime Selfhood) Or To Share Life With Others – Jean-Luc Godard’s “Vivre sa vie/My Life To Live” (1962) (1)
- When Youthful Intelligent Vitality Becomes Incompatible With the Conditions of Spiritual and Physical Survival – Robert Bresson’s “Devil Probably” (1977) (1)
- Young People’s Psychological Condition according To Akira Kurosawa’s “Sanjuro” (1962) (1)
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- “Confessions of Police Captain to the District Attorney” (1971) by Damiano Damiani (1)
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- “Cuentame Como Paso” (“Tell Me How it Happened”) by Miguel Angel Bernardeau (1)
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- “Despair/Journey Into Light” (1978) by Rainer-Werner Fassbinder (1)
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- “Foyle’s War” by Anthony Horowitz (1)
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- “Golden Age/L'Age d'Or ” (1930) By Luis Bunuel (1)
- “Goodbye Language/Adieu au langage ” (2014) by Jean-Luc Godard (1)
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- “I Want To Go Home” (1989) by Alain Resnais (1)
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- “Lacombe Lucien” (1974), By Louis Malle (1)
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- “L’Enfance Nue” (1968) By Maurice Pialat (1)
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- “Letter to America”, (1999) by Kira Muratova (1)
- “Life and Nothing But/La vie at rien d’autre” (1989) by Bertrand Tavernier (1)
- “Lola” by Jacques Demy (1961) (1)
- “Lola” by Rainer Werner Fassbinder (1981) (1)
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- “Our Lady of the Assassins” (2000) by Barbet Schroeder (1)
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- “The Bitter Tears of Petra von Kant” (1972) by Rainer Werner Fassbinder (RWF) (1)
- “The Cannibals” by Liliana Cavani (1969) (1)
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- “The Dreamers” (2003) By Bernardo Bertolucci (1)
- “The Men Who Tread on the Tiger’s Tail” (1945) by Akira Kurosawa (1)
- “The Merchant of Four Seasons” (1971) by Rainer Werner Fassbinder (1)
- “The Messiah” (1975) by Roberto Rossellini (1)
- “The Mouth Agape/The Slack-Jawed Mug” (1974) by Maurice Pialat (1)
- “The Night of Iguana” (1964) by John Huston – based on Tennessee Williams’ play (1)
- “The Rise of Louis XIV” by Roberto Rossellini (1966) (1)
- “The Rite” (1969) by Ingmar Bergman (1)
- “The Salamander” (1971) by Alain Tanner (1)
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- “The Sheltering Sky” (1990) by Bernardo Bertolucci (1)
- “The Shout” (1978) by Jerzy Skolimowski (1)
- “The Silence” by Ingmar Bergman (1963) (1)
- “The Skin” (“La Pelle” – 1981) by Liliana Cavani (1)
- “The Soft Skin” (1964) By Francois Truffaut (1)
- “The Testament of Orpheus” by Jean Cocteau (1959) (1)
- “The Touch” (1971) by Ingmar Bergman (2)
- “The Virgin’s Bed” (“Le lit de la vierge”), 1969, by Philip Garrel (1)
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- “Tokyo Twilight”, 1957, by Yasujiro Ozu (2)
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- “Who's Afraid of Virginia Woolf?”(1966) By Mike Nichols (Based on the Play of Edward Albee) (1)
- “Winter Light” (1962) by Ingmar Bergman (1)
- “Yojimbo” (1961) and “Sanjuro” (1963) by Akira Kurosawa (1)
- “Yojimbo” (1961) by Akira Kurosawa (1)
- “You ain’t Seen Nothin’ Yet” by Alain Resnais (1)
- “Zabriskie Point”/ZP, (1970) By Michelangelo Antonioni (1)
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- In Praise of Love/Éloge de l'amour (2001) By Jean-Luc Godard (1)
- Margarethe Von Trotta's “Hannah Arendt” (1)
- Review #2 of “What are Clouds?” (1968) by Pier Paolo Pasolini (1)
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- Unconscious Lying (1)
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- Why Most Heroes of Hollywood Productions And TV Serials Are “Charismatic Everybodies” (1)
- Why the Neo-Republicans Are So Passionate And Democrats So “Cowardly” As Political Fighters (1)
- Why Uneducated People Love to be Fists, Muscles… (1)
- Worshippers of Wealth (1)
- Young Males on the Bottom of the Social Pyramid (1)
- Youth-abuse (1)
- The Grand Slope (1)
- Theatrical productions analyzed (1)
- Robert Wilson (1)
- Uncategorized (76)
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Biography (.doc)
Biography (.pdf)
Letters to Readers
- 1. Obama, Bush and the 'Armoured Self'
- 2. Emotional Attractiveness of Totalitarianism
- 3. Artificially Induced Hunger for Currency and Consumption
- 4. Ideology in SRussia (Soviet Russia) and Bushmerica (America according to Bushmericans)
- 5. To those Who are Trapped into Mass-cultural Satisfactions and Consolations
- 6. Liberal Psyche and the Destiny of Liberalism in U.S.
- 7. The Destruction of the Humane Concept of Human Happiness
- 8. Psychological Roots of Political and Financial Misbehvior
- 9. Psychology of Political, Military and Economic Blunders
Recent Entries
- Two Types Of “Humanism” – Right-wingers’ Today and Judaist Clergy In Christ’s Times On The One Hand, And Liberal Democrats Today And Pontius Pilate In Christ’s Time – “The Messiah” (1975) By Roberto Rossellini
- Young People’s Psychological Condition According To Akira Kurosawa’s “Sanjuro” (1962)
- To Become Ontologically Authentic Personality (Complex Of Sublime Selfhood) Or To Share Life With Others – Jean-Luc Godard’s “Vivre sa vie/My Life To Live” (1962)
- When Youthful Intelligent Vitality Becomes Incompatible With the Conditions of Spiritual and Physical Survival – Robert Bresson’s “Devil Probably” (1977)
- For Abel Rosenberg (David Carradine), The Hero of Ingmar Bergman’s Film “Serpent’s Egg” (1977), To Insert A Billion Mark Banknote (Time of Hyperinflation In Germany) Into the Mouth of a Barman Is Just a Healthy Joke
- Glauce (King Creon’s daughter) Is A Victim Of Medea’s Violent Magic - Pier Paolo Pasolini’s “Medea” (1969)
- Notes on The Psychological Essence of “Conservative” Socio-political Posture – The Night Knights of Fake Truths
- Chaim Soutine’s “Mother and Child” (1942) – Mother And Her Little Daughter In A Barely Possible Social Environment
- Rainer Werner Fassbinder’s “Lili Marleen” (1981) – The Young People and Nazism: Private Love Archetype and Socio-political and Family Structures Manipulating and Even Parasitizing on It
- Artificially Induced Hunger For Currency And Consumption
Recent Comments
- Greg on “The Silence” by Ingmar Bergman (1963)A very enjoyable and enlightening review. I especially appreciate "21st century needs Bergman’s cinema even more than the 20th century did."
- Johan Liebenberg on Semantically sophisticated poster of “Death in Venice”I haven't even read your complete essay, but already I love what I am reading. What a shame that not more people know of your...
- Vanessa on “Confessions of Police Captain to the District Attorney” (1971) by Damiano DamianiIs traini corrupt? Did he have srena dipaluma killed when she called police dept?? Was malta corrupt?
- Justin on Constantin Brancusi’s Sculptural Series “The Kiss” (1907 – 1925): To Be Stuck in Personal relations to the Neglect of Understanding of the Public RealmWell done Victor. Beautifully written. Is it possible for me to know more about you as I would like to reference this in my thesis?
- Gabriele on R. W. Fassbinder’s “The Bitter Tears of Petra von Kant” (1972) – The Art And Science Of Amorous Domination (Feminine Touch In A World Of Masculine Competition)I'm always looking for new Petra Von Kant analysis, this is one of the best i've encountered. I was wondering if anyone know where I...
Most Commented
- Constantin Brancusi’s Sculptural Series “The Kiss” (1907 – 1925): To Be Stuck in Personal relations to the Neglect of Understanding of the Public Realm (21)
- Mary Cassatt‘s Paintings – Mother and Child: The Mystery of the Disappearance of the Mother’s Face (4)
- Pablo Picasso’s Portrait of Joseph Stalin (1953) – Stalin As An Object of the Artist’s Contemplation – Simpler than Any Painting, Flatter than Any Sculpture, Ruder Than Any Kitsch – (3)
- Marina Tsvetaeva’s “Ophelia – In Defense of the Queen” (1923) – The Value of Existential Paradox: The Logic of Aesthetic Exception (3)
- Max Ernst’s ‘The Horde’ (1927) provides us with the metaphoric space for better understanding of The Invasion of the Bushmerican Adolfics (2)
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