RWF (1945 – 1982) Among numerous semantic whirlpools to which Fassbinder’s film exposes the viewers – the relationship between Franz and Reinhold is the most intriguing and intellectually challenging, even more than Franz’ relationship with Eva, Mieze, Lina or Meck, his resistance to participate in workers’ politico-economic struggle, his “political conservatism”, his “idealism” or history […]