“The Merchant of Four Seasons” (1971) by Rainer Werner Fassbinder
04 Apr 2015
Posted by victor as “The Merchant of Four Seasons” (1971) by Rainer Werner Fassbinder, Discussion and Mind-Probing, Reviews of Films
Is Hans Epp, the the hero of Fassbinder’s film, a kind of a “saint” or just psychologically traumatized (by his mother and later by other people and circumstances) “neurotic” with psychotic complications? He tries not to be nasty with other people – for example, he is not competing with others for a higher place in […]
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Topics
- Examples of Semantic Richness of Cinematic narrations
- Films (and stills from the films) analyzed
- Installation art-works analyzed
- Obituaries
- Paintings, sculptures and drawings analyzed
- Photographic art and posters analyzed
- Poetry analyzed
- Psychology of religious belief
- Reviews of Films
- Sociological essays
- Theatrical productions analyzed
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- “Wise Young Girl” (Julie Delpy) In “Detective” (1985) by Jean-Luc Godard (1)
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- Glauce (King Creon’s daughter) Is A Victim Of Medea’s Violent Magic – Pier Paolo Pasolini’s “Medea” (1969) (1)
- How A Sublime World of Metaphors And Symbols Crowns And By This Transubstantiates The Earthly Love – Volker Schlondorff’s “Swann in Love” (1984) (1)
- Laius, Jocasta (Silvana Mangano) And Their Son Oedipus – From “Oedipus Rex” (1967) By Pier Paolo Pasolini (1)
- Little Johan Meets The Hotel Room Service Attendant (Hakan Jahnberg) – From Ingmar Bergman’s “The Silence” (1963) (1)
- Marcel-the Writer And Marcel-the Boy During WWI – From Raul Ruiz’s “Time Regained” (1999) (1)
- Retarded Boy Rokkuchan As A Demiurge Of Technological Civilization – From “Dodes’Kaden” (1970) by Akira Kurosawa (1)
- Right-wingers Today and Judaist Clergy In Christ’s Times On The One Hand, And Liberal Democrats Today And Pontius Pilate In Christ’s Time , “The Messiah”, By Rossellini (1)
- The Art Of Meaningful Composition Of A Shot – From “Lili Marleen” (1981) By Rainer Werner Fassbinder (1)
- Three Phases Of Human Relationship With Death – From “Time Regained” (1999) By Raul Ruiz (Film Based On Marcel Proust’s Novel) (1)
- To Become Ontologically Authentic Personality (Complex Of Sublime Selfhood) Or To Share Life With Others – Jean-Luc Godard’s “Vivre sa vie/My Life To Live” (1962) (1)
- When Intense Idealistic Belief “Massively” Collapses – From “Salome’s Last Dance” (1988) By Ken Russell (1)
- When Youthful Intelligent Vitality Becomes Incompatible With the Conditions of Spiritual and Physical Survival – Robert Bresson’s “Devil Probably” (1977) (1)
- Young People’s Psychological Condition according To Akira Kurosawa’s “Sanjuro” (1962) (1)
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- “The Messiah” (1975) by Roberto Rossellini (review) (1)
- “Through Glass Darkly” (1961) By Ingmar Bergman (1)
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- “Winter Light” by Ingmar Bergman (1)
- Belief – Its Versatile Contents and its Psychological “Form” (1)
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- "Bitter Tears of Petra von Kant” (1972) by Rainer Werner Fassbinder (1)
- "Einstein" (2008) by Liliana Cavani (1)
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- "Sanjuro" (1962), by Akira Kurosawa (1)
- "Time Regained" (TR) by Raoul Ruiz (1999) (1)
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- “35 Shots of Rum” (2008) By Claire Denis (1)
- “A Flame in My Heart” (1987) By Alain Tanner (1)
- “A Streetcar Named Desire” (1951) by Elia Kazan/Tennessee Williams (1)
- “Ali: Fear Eats the Soul” (1973) by Rainer Werner Fassbinder (1)
- “Alice in the Cities” (1974) By Wim Wenders (1)
- “And the Ship Sails On” (1983) By Federico Fellini (1)
- “Au Hazard Balthazar” (1966) And “Devil Probably” (1977) By Robert Bresson (1)
- “Autumn Sonata” (1978) By Ingmar Bergman (1)
- “Baxter, Vera Baxter” by Marguerite Duras (1977) (1)
- “Berlin Affair” (1985) by Liliana Cavani (2)
- “Berlin Alexanderplatz” (1980) By Rainer Werner Fassbinder (1)
- “Bless the Beast and Children” by Stanley Kramer (1971) (1)
- “Burmese Harp” (1957) by Kon Ichikawa (1)
- “Casanova” (1976) by Federico Fellini (1)
- “Chinese Roulette” (1976) by R.W. Fassbinder (1)
- “Clara Schumann” (2008), by Helma Sanders-Brahms (1)
- “Confessions of Police Captain to the District Attorney” (1971) by Damiano Damiani (1)
- “CONFORMIST” (1971) By Bernardo Bertolucci (1)
- “Contempt/Le mepris” (1963) by Jean-Luc Godard (1)
- “Cuentame Como Paso” (“Tell Me How it Happened”) by Miguel Angel Bernardeau (1)
- “Death in Venice” (1971) by Luchino Visconti (1)
- “Dersu Uzala” (1975) by Akira Kurosawa (1)
- “Despair/Journey Into Light” (1978) by Rainer-Werner Fassbinder (1)
- “Detective” (1985) by Jean-Luc Godard (1)
- “Diary of the Country Priest” (1951) By Robert Bresson (1)
- “Dodes’kaden” (1970) by Akira Kurosawa (1)
- “Elysium” by Neill Blomkamp (2013) (1)
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- “Fear of Fear” (1975) by R.W. Fassbinder (2)
- “Film Socialisme” (2010) By Jean-Luc Godard (JLG) (1)
- “Fire Within” (1963) By Louis Malle (1)
- “Foyle’s War” by Anthony Horowitz (1)
- “Germany in autumn” By Rainer Werner Fassbinder (1)
- “Germany, Pale Mother” (1980) by Helma Sanders-Brahms (1)
- “Golden Age/L'Age d'Or ” (1930) By Luis Bunuel (1)
- “Goodbye Language/Adieu au langage ” (2014) by Jean-Luc Godard (1)
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- “Hiroshima mon amour” (1957) By Alain Resnais (1)
- “Hour Of The Wolf” (1968) By Ingmar Bergman (1)
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- “Ich Bin die Andere” (“I am the Other Woman”) by Margarethe von Trotta (2006) (1)
- “Ikiru/To Live” by Akira Kurosawa (1952) (1)
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- “La guerre est finie/The War Is Over” (1966) By Alain Resnais (1)
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- “Lacombe Lucien” (1974), By Louis Malle (1)
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- “Le Petit Soldat/The Little Soldier” (1960–1963) By Jean-Luc Godard (1)
- “Letter to America”, (1999) by Kira Muratova (1)
- “Life and Nothing But/La vie at rien d’autre” (1989) by Bertrand Tavernier (1)
- “Lili Marleen” by Rainer Werner Fassbinder (1981) (1)
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- “Lola” by Rainer Werner Fassbinder (1981) (1)
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- “Love Unto Death” (1984) by Alain Resnais (1)
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- “Milarepa” by Liliana Cavani (1974) (1)
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- “Nelly and Mr. Arnaud” (1995) by Claude Sautet (1)
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- “Our Music” by Jean-Luc Godard (2004) (1)
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- “Pigpen/Pigsty/La Porcile” (1969) By Pier Paolo Pasolini (1)
- “Salome’s Last Dance” (1988) by Ken Russell (1)
- “Sanjuro” (1962), by Akira Kurosawa (1)
- “Sansho the Bailiff” (1954) by Kenji Mizoguchi (1)
- “Sisters or the Balance of Happiness” (1979) By Margarethe von Trotta (1)
- “Socrates” (1971) By Roberto Rossellini (1)
- “Spider’s Stratagem” (1970) By Bernardo Bertolucci (1)
- “Strongman Ferdinand” (1977) by Alexander Kluge (1)
- “Stroszek” (1977) By Werner Herzog (1)
- “Swan In Love” (1984) By Volker Schlöndorff' (1)
- “Sweet Movie” (1976) By Dusan Makavejev (1)
- “The Bitter Tears of Petra von Kant” (1972) by Rainer Werner Fassbinder (RWF) (1)
- “The Cannibals” by Liliana Cavani (1969) (1)
- “The Discreet Charm of Bourgeoisie” (1972) by Luis Bunuel (1)
- “The Dreamers” (2003) By Bernardo Bertolucci (1)
- “The Men Who Tread on the Tiger’s Tail” (1945) by Akira Kurosawa (1)
- “The Merchant of Four Seasons” (1971) by Rainer Werner Fassbinder (1)
- “The Messiah” (1975) by Roberto Rossellini (1)
- “The Mouth Agape/The Slack-Jawed Mug” (1974) by Maurice Pialat (1)
- “The Night of Iguana” (1964) by John Huston – based on Tennessee Williams’ play (1)
- “The Rise of Louis XIV” by Roberto Rossellini (1966) (1)
- “The Rite” (1969) by Ingmar Bergman (1)
- “The Salamander” (1971) by Alain Tanner (1)
- “The Serpent’s Egg”1976, by Ingmar Bergman (1)
- “The Sheltering Sky” (1990) by Bernardo Bertolucci (1)
- “The Shout” (1978) by Jerzy Skolimowski (1)
- “The Silence” by Ingmar Bergman (1963) (1)
- “The Skin” (“La Pelle” – 1981) by Liliana Cavani (1)
- “The Soft Skin” (1964) By Francois Truffaut (1)
- “The Testament of Orpheus” by Jean Cocteau (1959) (1)
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- “The Virgin’s Bed” (“Le lit de la vierge”), 1969, by Philip Garrel (1)
- “Theorem” (1968) By Pier Paolo Pasolini (1)
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- “Trophy Wife” (“Potiche”), 2010, by Francois Ozon (1)
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- “Zabriskie Point”/ZP, (1970) By Michelangelo Antonioni (1)
- Bernardo Bertolucci’s “Me and You/Io e Te” (2)
- In Praise of Love/Éloge de l'amour (2001) By Jean-Luc Godard (1)
- Margarethe Von Trotta's “Hannah Arendt” (1)
- Review #2 of “What are Clouds?” (1968) by Pier Paolo Pasolini (1)
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- About Gay-labeling and Perception of Personal Life In “Technical Terms” (1)
- Adolf Hitler and Joseph Goebbels As One Person (1)
- Adult Victims of (Childish) Toys (1)
- American Rich As Personifications of Greatness of Our Nation (1)
- Anti-democratic Psychopathology Of The Need To Be Entertained (1)
- Artificially Induced Hunger for Currency (2)
- “Trump’s Anti-science Era Begins” (1)
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- Belief – Its Versatile Contents and its Psychological “Form” (1)
- Brief Notes on “Fascist”* Psycho-social Regression in Seemingly Normal People (1)
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- How Americans Failed Obama Challenge (1)
- How Mass Culture Prepares Population for Austerity Measures (1)
- How Money Hired Consumerism and Entertainment (1)
- How to Handle the Beast (1)
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- Private Wealth’s Globally Expanded Predatoriness (1)
- Prosperity Without Consumerism and Education Without Career Calculation (1)
- Prozac Liberalism in U.S. (1)
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- Shift from “Communism” to “Democracy” in Russia (1)
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- Socio-political Dreams In Relation To Socio-political Realities (The Russian Communist Future And Totalitarian Present, German Aryan Superiority and The Third Reich,…) (1)
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- Some Psychological Reasons For GOP’s Victory In Midterm Congressional Elections (1)
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- The Magic Helpers (1)
- The Moment That Could Change the History (1)
- The Neck generation of American Leadership (1)
- The One Who Cried When He Watched James Bond Movie(s) (1)
- The Planetary Royalty of 21st Century (1)
- The Political Dance Of A “One-sided Compromise” With A Despotic Money-power – President Obama Faces Future Of A Possible Impeachment (1)
- The Poor People’s Paradise, the Rich’s Hell – Relaxed Existence VS. Over-calculation (1)
- The Psychology of Pet Owning (1)
- The Ultimate Question Is Not Economic Efficiency, Profit-making Strategies (1)
- There are Two Types of People (1)
- There is No Place for Wishful Thinking (1)
- This Sweet Propaganda (1)
- Those Who Sold American Democracy to their Own Pockets (1)
- Three Causes Of American Addiction To Weapons (1)
- Three Historical Betrayals (1)
- To Survive in Order To Live VS. Live Just to Survive (1)
- To those Who are Trapped Iin Mass-cultural Satisfactions (1)
- Today’s Political Conservatism in U.S. (1)
- Two Types Of Human Blunders – One Made By Our Very Humanity And The Other By Our Reliance On Our Instrumental Reasoning (1)
- Unconscious Lying (1)
- Victor Brauner’s “Symbolic Mutation I” – Socio-psychological Typology of Human Beings (1)
- Vitalizing Addiction to Hate and to Fight (1)
- What Communist party was for the Soviet (Totalitarian) Government, Corporations are for (Neo-conservative) American Government (1)
- When Infantilization of Human Psyche… (1)
- Why Americans with Conservative Sensibility vote against Their Own Interests and are Addicted to Hate-Talk Shows? (1)
- Why Conservative Revolution In US Took Place Right After Soviet “Collapse”? (1)
- Why is there no book Burning in U.S.? (1)
- Why It‘s So Easy to Lie About the Necessity and the Urgency of Wars (1)
- Why Most Heroes of Hollywood Productions And TV Serials Are “Charismatic Everybodies” (1)
- Why the Neo-Republicans Are So Passionate And Democrats So “Cowardly” As Political Fighters (1)
- Why Uneducated People Love to be Fists, Muscles… (1)
- Worshippers of Wealth (1)
- Young Males on the Bottom of the Social Pyramid (1)
- Youth-abuse (1)
- The Grand Slope (1)
- Theatrical productions analyzed (1)
- Robert Wilson (1)
- Uncategorized (76)
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Biography (.doc)
Biography (.pdf)
Letters to Readers
- 1. Obama, Bush and the 'Armoured Self'
- 2. Emotional Attractiveness of Totalitarianism
- 3. Artificially Induced Hunger for Currency and Consumption
- 4. Ideology in SRussia (Soviet Russia) and Bushmerica (America according to Bushmericans)
- 5. To those Who are Trapped into Mass-cultural Satisfactions and Consolations
- 6. Liberal Psyche and the Destiny of Liberalism in U.S.
- 7. The Destruction of the Humane Concept of Human Happiness
- 8. Psychological Roots of Political and Financial Misbehvior
- 9. Psychology of Political, Military and Economic Blunders
Recent Entries
- "Time Regained" (TR) by Raoul Ruiz (1999)
- Little Johan Meets The Hotel Room Service Attendant (Hakan Jahnberg) – From Ingmar Bergman’s “The Silence” (1963)
- The Art Of Meaningful Composition Of A Shot - From “Lili Marleen” (1981) By Rainer Werner Fassbinder
- Marcel-the Writer And Marcel-the Boy During WWI – From Raul Ruiz’s “Time Regained” (1999)
- Retarded Boy Rokkuchan As A Demiurge Of Technological Civilization – From “Dodes’kaden” (1970) by Akira Kurosawa
- Laius, Jocasta (Silvana Mangano) And Their Son Oedipus - From “Oedipus Rex” (1967) By Pier Paolo Pasolini
- Three Phases Of Human Relationship With Death - From “Time Regained” (1999) By Raul Ruiz (Film Based On Marcel Proust’s Novel)
- “Lili Marleen” By Rainer Werner Fassbinder (1981)
- Jean-Luc Godard’s “First Name: Carmen” (1982) – Emancipated Heroine, Guard Of The Status Quo, Psychologically Debilitated Artist And A “Revolutionary” Terrorism
- Luxuriously Euphoric Times – A Poem About Three Historical Periods Of Macro-political Disorientation
Recent Comments
- Greg m on Caravaggio’s (Michelangelo Merisi da Caravaggio — 1571 – 1610) “Saint Jerome Writing” (1606) – The Saint As A Public IntellectualI loved this article thank you !
- Greg on “The Silence” by Ingmar Bergman (1963)A very enjoyable and enlightening review. I especially appreciate "21st century needs Bergman’s cinema even more than the 20th century did."
- Johan Liebenberg on Semantically sophisticated poster of “Death in Venice”I haven't even read your complete essay, but already I love what I am reading. What a shame that not more people know of your...
- Vanessa on “Confessions of Police Captain to the District Attorney” (1971) by Damiano DamianiIs traini corrupt? Did he have srena dipaluma killed when she called police dept?? Was malta corrupt?
- Justin on Constantin Brancusi’s Sculptural Series “The Kiss” (1907 – 1925): To Be Stuck in Personal relations to the Neglect of Understanding of the Public RealmWell done Victor. Beautifully written. Is it possible for me to know more about you as I would like to reference this in my thesis?
Most Commented
- Constantin Brancusi’s Sculptural Series “The Kiss” (1907 – 1925): To Be Stuck in Personal relations to the Neglect of Understanding of the Public Realm (21)
- Mary Cassatt‘s Paintings – Mother and Child: The Mystery of the Disappearance of the Mother’s Face (4)
- Pablo Picasso’s Portrait of Joseph Stalin (1953) – Stalin As An Object of the Artist’s Contemplation – Simpler than Any Painting, Flatter than Any Sculpture, Ruder Than Any Kitsch – (3)
- Marina Tsvetaeva’s “Ophelia – In Defense of the Queen” (1923) – The Value of Existential Paradox: The Logic of Aesthetic Exception (3)
- Max Ernst’s ‘The Horde’ (1927) provides us with the metaphoric space for better understanding of The Invasion of the Bushmerican Adolfics (2)
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