“What are Clouds?” (1968) by Pier Paolo Pasolini (A Short, 22 min, Contribution To “Caprice Italian Style”) – Pasolini Adds To Shakespeare’s “Othello” Two Additional Characters
09 Jan 2015
Posted by victor as “What are Clouds?” (1968) by Pier Paolo Pasolini, Discussion and Mind-Probing, Reviews of Films
Pasolini’s Directorial Interpretation of Shakespeare’s Play Pier Paolo passionately “demands” from the text he is reading a revelatory significance. We all have to learn to read like this. Pier Paolo with a movie-camera is ready to let it open to him important truths. We need to learn to work with camera like this. __________________ The […]
Review #1of “What are Clouds?” (1968) by Pier Paolo Pasolini’s (Short, a contribution to “Caprice Italian Style”
07 Mar 2009
Posted by victor as “What are Clouds?” (1968) by Pier Paolo Pasolini, Discussion and Mind-Probing, Reviews of Films
The fact that the art of Shakespeare is perceived in history is represented in the film by the two additional characters Pasolini combines with the ones created by Shakespeare in his “Othello”. One is the puppet-master and the other is the garbage man. What the great playwright considers as spontaneous human complexes is for Pasoloni […]
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Biography (.doc)
Biography (.pdf)
Letters to Readers
- 1. Obama, Bush and the 'Armoured Self'
- 2. Emotional Attractiveness of Totalitarianism
- 3. Artificially Induced Hunger for Currency and Consumption
- 4. Ideology in SRussia (Soviet Russia) and Bushmerica (America according to Bushmericans)
- 5. To those Who are Trapped into Mass-cultural Satisfactions and Consolations
- 6. Liberal Psyche and the Destiny of Liberalism in U.S.
- 7. The Destruction of the Humane Concept of Human Happiness
- 8. Psychological Roots of Political and Financial Misbehvior
- 9. Psychology of Political, Military and Economic Blunders
Recent Entries
- Alain Tanner’s “A Flame in My Heart” (1987) – Frustrated and Disoriented Search For Disinterested Existential Togetherness
- “Life and Nothing But/La vie at rien d’autre” (1989) by Bertrand Tavernier
- Wolfgang Paalen’s “Combat Of The Saturnian Princes” (1938) – “Saturnian Princes” As Striking Metaphor Of The “Heads” Of The Social Hierarchy, Making Decisions About Wars, Finances And Societal Life In the Name Of And Instead Of People
- Alan Resnais’ “Muriel, Or the Time of Return/Muriel ou Le temps d’un retour” (1963)* – Ontological Disappearance As A Metaphoric Characterization Of The Loss Of Holistic Personalities/Identities By The Inhabitants Of Today’s Western Post-democracies
- “Baxter, Vera Baxter” by Marguerite Duras (1977)
- Emil Nolde’s “Adoration/Unbettung” (1922) – The Baby-God, The Magi And The Children Who Are Just Discovering That Either God Was A Child Like Them Or That All Of Them Are Gods: The New-Born Jesus As Personification Of Sacred Value Of Human Children
- Bertrand Tavernier’s “Life And Nothing But/La vie at rien d’autre” (1989) – WWI As the Case Of Victimizing the Army’s Low Ranks By A Self-aggrandized Power-seekers And Profiteers Of The Same Countries
- Francis Picabia’s “Apollo And His Messengers” (1935) – A Surprising (For Admirers Of Apollo’s Traditional Representation in Arts) Interpretation Of Sun-God Mystique
- The Ultimate Question Is Not Economic Efficiency, Profit-making Strategies Or Economic And Financial Gurus’ Cognitive Powers, But “Simple” Humanity Of A Human Society towards Its Own People
- Dorothea Tanning’s “Birthday” (1942) – Life As A Vital Emanation, Life As Time of Living, The World And A Personality’s Identity
Recent Comments
- Johan Liebenberg on Semantically sophisticated poster of “Death in Venice”I haven't even read your complete essay, but already I love what I am reading. What a shame that not more people know of your...
- Vanessa on “Confessions of Police Captain to the District Attorney” (1971) by Damiano DamianiIs traini corrupt? Did he have srena dipaluma killed when she called police dept?? Was malta corrupt?
- Justin on Constantin Brancusi’s Sculptural Series “The Kiss” (1907 – 1925): To Be Stuck in Personal relations to the Neglect of Understanding of the Public RealmWell done Victor. Beautifully written. Is it possible for me to know more about you as I would like to reference this in my thesis?
- Gabriele on R. W. Fassbinder’s “The Bitter Tears of Petra von Kant” (1972) – The Art And Science Of Amorous Domination (Feminine Touch In A World Of Masculine Competition)I'm always looking for new Petra Von Kant analysis, this is one of the best i've encountered. I was wondering if anyone know where I...
- ayala leyser on Paul Klee (1879 – 1940) In His Etching “TWO MEN MEET EACH OTHER SUPPOSING THE OTHER TO BE OF HIGHER RANK” (1904) Addresses Today’s Socio-psychological Climate in U.S.My first thought was that the 2 flowers, the only innocent life forms on this arid barren land, might represent Macke and Marc Franz, his...
Most Commented
- Constantin Brancusi’s Sculptural Series “The Kiss” (1907 – 1925): To Be Stuck in Personal relations to the Neglect of Understanding of the Public Realm (21)
- Mary Cassatt‘s Paintings – Mother and Child: The Mystery of the Disappearance of the Mother’s Face (4)
- Pablo Picasso’s Portrait of Joseph Stalin (1953) – Stalin As An Object of the Artist’s Contemplation – Simpler than Any Painting, Flatter than Any Sculpture, Ruder Than Any Kitsch – (3)
- Marina Tsvetaeva’s “Ophelia – In Defense of the Queen” (1923) – The Value of Existential Paradox: The Logic of Aesthetic Exception (3)
- Max Ernst’s ‘The Horde’ (1927) provides us with the metaphoric space for better understanding of The Invasion of the Bushmerican Adolfics (2)
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