Socio-political Dreams In Relation To Socio-political Realities (The Russian Communist Future And Totalitarian Present, German Aryan Superiority and The Third Reich, American Democracy and Profit-worship)
15 Aug 2014
Posted by victor as Discussion and Mind-Probing, Socio-political Dreams In Relation To Socio-political Realities (The Russian Communist Future And Totalitarian Present, German Aryan Superiority and The Third Reich,...), Sociological essays
Notes On Idealistic Imagination, Socio-political Calculations And Frustrated And Regressive Imaginary “Solutions” The Russian mind invented a quasi-religious belief in a Communist future, and a totalitarian reality. The German mind invented Aryan superiority and the Third Reich. The American mind invented democracy and obsession with profit. Political idealism takes us away from the reality of […]
Topics
- Films (and stills from the films) analyzed
- Installation art-works analyzed
- Obituaries
- Paintings, sculptures and drawings analyzed
- Photographic art and posters analyzed
- Poetry analyzed
- Psychology of religious belief
- Reviews of Films
- Sociological essays
- Theatrical productions analyzed
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- “Baxter, Vera Baxter” by Marguerite Duras (1977) (1)
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- “Bless the Beast and Children” by Stanley Kramer (1971) (1)
- “Burmese Harp” (1957) by Kon Ichikawa (1)
- “Casanova” (1976) by Federico Fellini (1)
- “Chinese Roulette” (1976) by R.W. Fassbinder (1)
- “Clara Schumann” (2008), by Helma Sanders-Brahms (1)
- “Confessions of Police Captain to the District Attorney” (1971) by Damiano Damiani (1)
- “CONFORMIST” (1971) By Bernardo Bertolucci (1)
- “Contempt/Le mepris” (1963) by Jean-Luc Godard (1)
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- “Death in Venice” (1971) by Luchino Visconti (1)
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- “Diary of the Country Priest” (1951) By Robert Bresson (1)
- “Dodes’kaden” (1970) by Akira Kurosawa (1)
- “Elysium” by Neill Blomkamp (2013) (1)
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- “Goodbye Language/Adieu au langage ” (2014) by Jean-Luc Godard (1)
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- “Man Like Eva/Ein mann wie Eva” (1983) by Radu Gabrea (1)
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- “Milarepa” by Liliana Cavani (1974) (1)
- “My life and Times with Antonin Artaud” (1993) by Gerard Mordillat (1)
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- “The Cannibals” by Liliana Cavani (1969) (1)
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- “The Shout” (1978) by Jerzy Skolimowski (1)
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Biography (.doc)
Biography (.pdf)
Letters to Readers
- 1. Obama, Bush and the 'Armoured Self'
- 2. Emotional Attractiveness of Totalitarianism
- 3. Artificially Induced Hunger for Currency and Consumption
- 4. Ideology in SRussia (Soviet Russia) and Bushmerica (America according to Bushmericans)
- 5. To those Who are Trapped into Mass-cultural Satisfactions and Consolations
- 6. Liberal Psyche and the Destiny of Liberalism in U.S.
- 7. The Destruction of the Humane Concept of Human Happiness
- 8. Psychological Roots of Political and Financial Misbehvior
- 9. Psychology of Political, Military and Economic Blunders
Recent Entries
- Alain Tanner’s “A Flame in My Heart” (1987) – Frustrated and Disoriented Search For Disinterested Existential Togetherness
- “Life and Nothing But/La vie at rien d’autre” (1989) by Bertrand Tavernier
- Wolfgang Paalen’s “Combat Of The Saturnian Princes” (1938) – “Saturnian Princes” As Striking Metaphor Of The “Heads” Of The Social Hierarchy, Making Decisions About Wars, Finances And Societal Life In the Name Of And Instead Of People
- Alan Resnais’ “Muriel, Or the Time of Return/Muriel ou Le temps d’un retour” (1963)* – Ontological Disappearance As A Metaphoric Characterization Of The Loss Of Holistic Personalities/Identities By The Inhabitants Of Today’s Western Post-democracies
- “Baxter, Vera Baxter” by Marguerite Duras (1977)
- Emil Nolde’s “Adoration/Unbettung” (1922) – The Baby-God, The Magi And The Children Who Are Just Discovering That Either God Was A Child Like Them Or That All Of Them Are Gods: The New-Born Jesus As Personification Of Sacred Value Of Human Children
- Bertrand Tavernier’s “Life And Nothing But/La vie at rien d’autre” (1989) – WWI As the Case Of Victimizing the Army’s Low Ranks By A Self-aggrandized Power-seekers And Profiteers Of The Same Countries
- Francis Picabia’s “Apollo And His Messengers” (1935) – A Surprising (For Admirers Of Apollo’s Traditional Representation in Arts) Interpretation Of Sun-God Mystique
- The Ultimate Question Is Not Economic Efficiency, Profit-making Strategies Or Economic And Financial Gurus’ Cognitive Powers, But “Simple” Humanity Of A Human Society towards Its Own People
- Dorothea Tanning’s “Birthday” (1942) – Life As A Vital Emanation, Life As Time of Living, The World And A Personality’s Identity
Recent Comments
- Greg on “The Silence” by Ingmar Bergman (1963)A very enjoyable and enlightening review. I especially appreciate "21st century needs Bergman’s cinema even more than the 20th century did."
- Johan Liebenberg on Semantically sophisticated poster of “Death in Venice”I haven't even read your complete essay, but already I love what I am reading. What a shame that not more people know of your...
- Vanessa on “Confessions of Police Captain to the District Attorney” (1971) by Damiano DamianiIs traini corrupt? Did he have srena dipaluma killed when she called police dept?? Was malta corrupt?
- Justin on Constantin Brancusi’s Sculptural Series “The Kiss” (1907 – 1925): To Be Stuck in Personal relations to the Neglect of Understanding of the Public RealmWell done Victor. Beautifully written. Is it possible for me to know more about you as I would like to reference this in my thesis?
- Gabriele on R. W. Fassbinder’s “The Bitter Tears of Petra von Kant” (1972) – The Art And Science Of Amorous Domination (Feminine Touch In A World Of Masculine Competition)I'm always looking for new Petra Von Kant analysis, this is one of the best i've encountered. I was wondering if anyone know where I...
Most Commented
- Constantin Brancusi’s Sculptural Series “The Kiss” (1907 – 1925): To Be Stuck in Personal relations to the Neglect of Understanding of the Public Realm (21)
- Mary Cassatt‘s Paintings – Mother and Child: The Mystery of the Disappearance of the Mother’s Face (4)
- Pablo Picasso’s Portrait of Joseph Stalin (1953) – Stalin As An Object of the Artist’s Contemplation – Simpler than Any Painting, Flatter than Any Sculpture, Ruder Than Any Kitsch – (3)
- Marina Tsvetaeva’s “Ophelia – In Defense of the Queen” (1923) – The Value of Existential Paradox: The Logic of Aesthetic Exception (3)
- Max Ernst’s ‘The Horde’ (1927) provides us with the metaphoric space for better understanding of The Invasion of the Bushmerican Adolfics (2)
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