URANUS, Gerard Depardieu, director Claude Berri, 1990
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Biography (.doc)
Biography (.pdf)
Letters to Readers
- 1. Obama, Bush and the 'Armoured Self'
- 2. Emotional Attractiveness of Totalitarianism
- 3. Artificially Induced Hunger for Currency and Consumption
- 4. Ideology in SRussia (Soviet Russia) and Bushmerica (America according to Bushmericans)
- 5. To those Who are Trapped into Mass-cultural Satisfactions and Consolations
- 6. Liberal Psyche and the Destiny of Liberalism in U.S.
- 7. The Destruction of the Humane Concept of Human Happiness
- 8. Psychological Roots of Political and Financial Misbehvior
- 9. Psychology of Political, Military and Economic Blunders
Recent Entries
- Marina Tsvetaeva’s Poem On the Psychological Essence of Love
- Alexander Kluge’s “Strongman Ferdinand” (1977) - When Today’s “Rich-Men Ferdinands” Were Occupied With Direct Power/Control Over the Population
- Edouard Manet’s “Portrait of Stephane Mallarme” (1876) – Painterly and Poetic Discourses as Making Argument without Arguing
- Fernando Botero’s Paintings of Clergy - A Tuber, a Plant and a Mushroom in a Clerical Garment?
- Claude Berri’s (1934 – 2009) “Uranus” (1990) – Militant Political Believers, Humanistic Cynics, Petty Philistines, and Money Warriors
- Three Erotic poems of Marina Tsvetaeva (1892 – 1941) *
- What Is the American Equivalent of What Communist Party Was for The Soviet Union?
- Adult Victims of (Childish) Toys and Games – The Future of 21st Century’s American Generations
- Edvard Munch’s “Separation” (1896) – Torments Of Love as Its Paroxysm (As A First Step Of Separating From Love)
- Emil Nolde’s “Sunflowers/Sonnenblumen” (1930) – When Human Creativity Awakens Eternity into Life
Recent Comments
- Shijuro on Akira Kurosawa’s “Sanjuro” (1962) – A Homeless Pauper by Moral Reasons as a Role Model*1. Bluff, counter-intuitive behaviour (he seems more angry than scared...). 2. Murto trusts Sanjuro to be what he thinks he is: Ronin, a professional...and professionals rarely...
- N. D. on Alain Resnais’ “The Wild Grass” (2010) – Warning Which Comes Too LateI enjoyed your review - this movie was interesting and almost embarassing as though watching absurd and selfish behavior of people carry out and...
- Wazaif Urdu on From (Democratic) Pluralism to Totalitarian Social Hierarchy – the Revolt of the American BossesI was curious if you ever thought of changing the structure of your site? Its very well written; I love what youve got to say....
- Rebeca Marcés on Konstantin Brancusi’s Sculptural Series “The Kiss” (1907 – 1925): To Be Stuck in Personal relations to the Neglect of Understanding of the Public RealmI love Brancusi's The Kiss. I found your blog and the entry very interesting, however, there is an aspect that is to me just as...
- Aoda on Rene Magritte’s “The Survivor” (1950) – When Weapons Survive Its UsersOh, this piece took me back. I tried to write a 10 page paper about this very painting when I was 20, some 20 years...
Most Commented
- Konstantin Brancusi’s Sculptural Series “The Kiss” (1907 – 1925): To Be Stuck in Personal relations to the Neglect of Understanding of the Public Realm (17)
- Representation of Professional Sport in Serious Art – George Grosz’ “Sportsman” (1922) (2)
- Alain Resnais’ “The Wild Grass” (2010) – Warning Which Comes Too Late (2)
- The Poor People’s Paradise, the Rich’s Hell – Relaxed Existence vs. Over-calculation (2)
- Edward Hopper (1882 – 1967) – Fragmented Portrait of Escapism from Psychological Internality (2)
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