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	<title>Acting-Out Politics</title>
	<link>http://www.actingoutpolitics.com</link>
	<description>Weblog opens discussion about the psychology of Bushmerican style of behavior.</description>
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		<title>Edouard Manet’s “Portrait of Stephane Mallarme” (1876) – Painterly and Poetic Discourses as Making Argument without Arguing</title>
		<description><![CDATA[Poetic Gift as A Spiritual Disequilibrium Edouard Manet’s “Portrait of Stephane Mallarme” (1876) Manet’s painting didn’t offer a comfortable seat to Mallarme’s inspiration. His posture is rather restless – he is not sitting/not lying, and his reclining/non-reclining body is in un-decided position (is he falling back or getting up?). He is here, in front of [...]]]></description>
		<link>http://www.actingoutpolitics.com/edouard-manet%e2%80%99s-%e2%80%9cportrait-of-stephane-mallarme%e2%80%9d-1876/</link>
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		<title>Fernando Botero’s Paintings of Clergy &#8211; A Tuber, a Plant and a Mushroom in a Clerical Garment?</title>
		<description><![CDATA[Why Botero’s Satire on Conformist Clergy Takes the Ultimate Form of Ontological Criticism? Fernando Botero, “Reclining Priest”, 1977 The priest’s fatness and his bodily closeness to the soil immediately engulf the viewers’ attention. His heavy shoes and massive feet belong to a person whose soul has no wings – they belong to a heavy physical [...]]]></description>
		<link>http://www.actingoutpolitics.com/fernando-botero%e2%80%99s-paintings-of-the-clergy/</link>
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		<title>Claude Berri’s (1934 – 2009) “Uranus” (1990) – Militant Political Believers, Humanistic Cynics, Petty Philistines, and Money Warriors</title>
		<description><![CDATA[“Survival” As War-making – When Fight For “Survival” Intensifies, Human Soul Dies The only meaningful way of relating to the stories of Primo Levi, Imre Kertesz’ novel “Fatelessness”, Shalamov’s “Kolyma Tales” or Herta Muller’s novels and short stories from totalitarian Romania is to read them as testimonies of a total collapse of human conduct and [...]]]></description>
		<link>http://www.actingoutpolitics.com/claude-berri%e2%80%99s-1934-%e2%80%93-2009-%e2%80%9curanus%e2%80%9d-1990/</link>
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		<title>Three Erotic poems of Marina Tsvetaeva (1892 – 1941) *</title>
		<description><![CDATA[Transcendent Eroticism and Existential Spirituality In Tsvetaeva’s Erotic Poems One of the most linguistically original among the Russian poets, Tsvetaeva has an exceptional ability to realize her visceral vision of the reality through new lexical combinations and semantic clashes and juxtapositions. The world migration started in the darkness: It’s trees stroll along night earth, It’s [...]]]></description>
		<link>http://www.actingoutpolitics.com/three-erotic-poems-of-marina-tsvetaeva-1892-%e2%80%93-1941/</link>
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		<title>What Is the American Equivalent of What Communist Party Was for The Soviet Union?</title>
		<description><![CDATA[Global Corporations and Wall Street Money-dealers Are the Unconditional Authorities In the 21st Century US As the Communist Party Was In Soviet Russia The matter here is who is in charge of the government. In Soviet Russia (SRussia) to be in command meant to give orders and punish those who don’t follow. But in US [...]]]></description>
		<link>http://www.actingoutpolitics.com/what-is-the-american-equivalent-of-what-communist-party-was-for-the-soviet-union/</link>
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		<title>Adult Victims of (Childish) Toys and Games – The Future of 21st Century’s American Generations</title>
		<description><![CDATA[Video-games and Pop-entertainment as the Commercial Equivalent of Fundamentalist (Religious and Political) Beliefs Fundamentalist perception of oral or written narratives (tautological, without any sense of connotation, like an automatic action) and authoritarian/totalitarian communication – ATC, which corresponds to it &#8211; is a way to transform narratives into a toy, and listening, reading or watching them [...]]]></description>
		<link>http://www.actingoutpolitics.com/adult-victims-of-childish-toys-and-games-%e2%80%93-the-future-of-21st-century%e2%80%99s-american-generations/</link>
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		<title>Edvard Munch’s “Separation” (1896) – Torments Of Love as Its Paroxysm (As A First Step Of Separating From Love)</title>
		<description><![CDATA[Pantheization of Love-object As One of The Unconscious Strategies To Make Separation Easier (To Make Torment Bearable) …The blonde girl on the beach… The girl’s long hair…caresses his head, tying him to his vision, allowing him no escape from his memory. David Loshak, “Munch”, PRC, 2001, p. 62 Edvard Munch, “Separation” (1896) The nature of [...]]]></description>
		<link>http://www.actingoutpolitics.com/edvard-munch%e2%80%99s-%e2%80%9cseparation%e2%80%9d-1896/</link>
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		<title>Emil Nolde’s “Sunflowers/Sonnenblumen” (1930) – When Human Creativity Awakens Eternity into Life</title>
		<description><![CDATA[Emil Nolde’s Incredible Alchemy of Spirit, Life and Sense Emil Nolde, “Sonnenblumen” (“Sunflowers”), 1930 Who on earth could see the sunflower’s stigma/stybus (the heart or the head) of bright blue color? Usually it is either browning orange or when seeds ripe, black. But Nolde’s intuition has a surprise for us – it perceives the face [...]]]></description>
		<link>http://www.actingoutpolitics.com/emil-nolde%e2%80%99s-%e2%80%9csonnenblumen%e2%80%9d-1930/</link>
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		<title>Rainer Werner Fassbinder’s “Chinese Roulette” (1976) – Parental Perfectionist Expectations (Placed on Their Children) As a Target of Child’s Rebellion</title>
		<description><![CDATA[It’s Children’s Human Right Not to Be “Perfect” In the Eyes of Parents and Society – Not to Be a Copy of Adults’ Image of Them The pedagogy of self-respect This poster of “Chinese Roulette” symbolically refers to the psychological situation (and spiritual ordeal) of the film’s heroine Angela, the intellectually precocious adolescent daughter of [...]]]></description>
		<link>http://www.actingoutpolitics.com/chinese-roullet/</link>
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		<title>Ken Russell (1927 – 2011) – A “Genius”? – A “Talent”? &#8211; An Aesthete? &#8211; An Eccentric? &#8211; A Person Belonging to Life</title>
		<description><![CDATA[When an Artist Belongs to His Art That Belongs to Life Ken Russell on the set of “Women in Love” with Glenda Jackson who plays the leading role The question put by Russell’s work is not only the priority of life or art for his personality (aestheticism or existentialism of his creative dedications). It’s a [...]]]></description>
		<link>http://www.actingoutpolitics.com/ken-russell-1927-%e2%80%93-2011-%e2%80%93-a-%e2%80%9cgenius%e2%80%9d-%e2%80%93-a-%e2%80%9ctalent%e2%80%9d-an-aesthete-an-eccentric-a-person-belonging-to-life/</link>
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