“Fire Within” makes the viewers ask themselves and try to answer – why Alain Leroy, an intelligent, good looking man, successful with women and having friends with connections, thinks about suicide? Is there something wrong with him, and if so, what can it be? He doesn’t look like an eccentric in any way. He talks like an educated and a genuine human being, without affectation and rhetorical effects. Why could he lose the feeling of life’s value? His psychiatrist tries to persuade him to concentrate on bright side of life – the world’s challenges and mysteries, to give himself to the joys of sex and adventure. But Alain contemplates suicide not because something is wrong with him (he is quite able to enjoy life), but because something is wrong with the world. He observes that life makes people too worried, too frustrated and too indifferent or cruel to one another. He feels that the human world is crooked and he tries to understand why, and it is at this point he became disappointed in life as it is offered to us.

Luis Malle gives Alain the floor/screen, gives him the chance to explain to the viewers what the problem is. With never fading curiosity and sometimes amazement we observe Alain’s “philosophical agony” vis-à-vis the human world we all live in. And the director gives more than a fair chance to Alain’s friends to try to persuade him to continue to live. The film is constructed as a kind of Platonic dialogues between a human being and world, through visual images and interpersonal situations. The film is in no way “theoretical”: all the arguments are symbolic and existentially rooted. The film is for the living human beings, not for intellectuals by profession. We as viewers are given chance to see both sides – the individual human being and the world in general. We, as if, have to decide for Alain his choice.

Did Alain die in order to help us continue to live? May be, Malle made this film to reinforce our desire to live if we are able to comprehend Alain’s reasons for wanting to die. Will Alain’s suicide awaken us to a more genuine, less vain living? The actors are emotionally sensitive, intellectually proficient and semantically competent. They play characters caught between life and death, as we all are. “Fire Within” is not only an exquisitely “intellectual” but an existentially “philosophical” film of a rare organic combination of psychological sophistication and common humanity for all those who are living and thinking about life.

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Louis Malle (1932 – 1995)

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Louis Malle “romantically joking” on the set of the film he is directing

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Argument between Alain (Maurice Ronet) and the established intellectual Brancion, for whom to reach existential dead end means to have a weak character

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Alain’s suicide is not impulsive and not based on any “mood” – it is a result of a disinterested thinking and giving his friends a fair chance to find persuading arguments for continuation of life

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Alain in a tobacco shop, for the last time

Posted on Sep 24 2013 –   Louis Malle’s “Le feu follet/The Fire Within” (1963) – The “King” Who Refused the Kingdom of Life For Its Imperfection by Acting-Out Politics