To the Memory of Bibi Andersson (1935-2019)
22 May 2019
Posted by Victor-Katia as Discussion and Mind-Probing, Obituaries
Bibi Andersson in the role of Karin in Ingmar Bergman’s “The Touch” (1971)
Bibi Andersson in the role of Karin in Ingmar Bergman’s “The Touch” (1971)
We have now to learn how to live without Bibi while continuing to watch and re-watch her in “The Touch”, from where she has transferred to us her creative gift many times. Without any didactics and sentimentality, by the very miracle of artistic rapport between herself and the men and women as viewers, Bibi elevated us with her emanation carrying the code how to love another person intimately.
Topics
- Examples of Semantic Richness of Cinematic narrations
- Films (and stills from the films) analyzed
- Installation art-works analyzed
- Obituaries
- Paintings, sculptures and drawings analyzed
- Photographic art and posters analyzed
- Poetry analyzed
- Psychology of religious belief
- Reviews of Films
- Sociological essays
- Theatrical productions analyzed
Categories
- Categories
- Discussion and Mind-Probing (911)
- Examples of Semantic Richness of Cinematic narrations (52)
- A Shot about A Suspicious Spot – How Staining Your Identity Can Make You a Hero – From Bernardo Bertolucci’s “Spider’s Stratagem” (1970) (1)
- An Odd Ode to The Human Goddess Camille (Who, It Seems, Needs A Camel for A Husband) – From Jean-Luc Godard’s “Contempt/Le mepris” (1964) (1)
- Anne Marie Mieville’s “The Book of Mary” – Mary’s Improvised Dance- Pantomime Under the Music of Gustav Mahler (1)
- “The Third Generation” By Rainer Werner Fassbinder (1)
- “Wise Young Girl” (Julie Delpy) In “Detective” (1985) by Jean-Luc Godard (1)
- Being Victimized By Socio-economic Anomie Under The Banner Of Profit-making Energetically Moved By Entrepreneurial Wind – From Michelangelo Antonioni’s “Il Grido/The Cry” (1957) (1)
- Blending Of Identities Refreshes A Monotonous Life – From Akira Kurosawa’s “Dodes’kaden” (1970) (1)
- Buddha-like Head Of The Family: The Keeper Of The Hearth’s Fire Alive – From Akira Kurosawa’s “Dodeskaden” (1970) (1)
- Chantal Akerman’s “Night And Day” (1991) – Immortal Femininity and Mortal Masculinity (1)
- Childishness And Cowardice Of A Macho Personality – Macho Sissies In Life, In Politics And In History From Tennessee Williams/Elia Kazan’s “Streetcar Named Desire” (1951) (1)
- Democracy’s Conservative and the Conservative Democrat (Natural Rivals and Calculating Collaborators – Profit-makers, From “Pigsty” by Pier Paolo Pasolini (1969) (1)
- Duchesse de Guermantes And Charles Swann Feel Themselves Before Death – From Volker Schlondorff’s “Un Amour de Swann/Swann In Love” (1984) (1)
- Fabrizio And Agostino – From “Before the Revolution” (1962) By Bernardo Bertolucci (1)
- Fascist Pedagogy Of Self-Overcoming: Training Young People To Do Things Which Are Unbearable For Human Beings To Do – From “Salo” (1976) By Pier Paolo Pasolini (1)
- For Abel Rosenberg, Hero of Ingmar Bergman’s “Serpent’s Egg” (1977), To Insert A Billion Mark Banknote Into the Mouth of a Barman Is Just a Healthy Joke (1)
- Glauce (King Creon’s daughter) Is A Victim Of Medea’s Violent Magic – Pier Paolo Pasolini’s “Medea” (1969) (1)
- How A Sublime World of Metaphors And Symbols Crowns And By This Transubstantiates The Earthly Love – Volker Schlondorff’s “Swann in Love” (1984) (1)
- Imagination vs. Being (The Spiritually Pauperized Architect And His Doomed Son) – From Akira Kurosawa’s “Dodes’kaden” (1970) (1)
- Jason-the Child And the Adult, And Centaurus Chiron – Pier Paolo Pasolini’s “Medea” (1970) (1)
- Jean Luc Godard ’s “Every Man For Himself” (1980) – Life Under Digitally Ordered Human Chaos (1)
- Jean-Luc Godard and Audrey Klebaner’s Psychological Etude of a Young Woman’s Encounter With Love. – From “In Praise of Love” (2001) (1)
- Laius, Jocasta (Silvana Mangano) And Their Son Oedipus – From “Oedipus Rex” (1967) By Pier Paolo Pasolini (1)
- Little Johan Meets The Hotel Room Service Attendant (Hakan Jahnberg) – From Ingmar Bergman’s “The Silence” (1963) (1)
- Luis Bunuel’s “That Obscure Object of Desire” (1977) – The Eternal Duel-Duo Between Its Majesty-Money and Human Nature (1)
- Marcel-the Writer And Marcel-the Boy During WWI – From Raul Ruiz’s “Time Regained” (1999) (1)
- Maurice Pialat’s “Van Gogh” (1991) – Vincent and Marguerite’s Brief Eternity (1)
- Michelangelo Antonioni’s “Blow Up”, 1966 – Pure Sexual Desire As Infantile Sexuality, While Love Starts as An Existential Drive Towards Another Person (1)
- Nana As A Scandalous Human Uniqueness, Damned, Condemned And Doomed – “Vivre Sa Vie”, (1962) By Jean Luc Godard (The 4th Etude About Godard’s Nana) (1)
- Petra and Karin – Their Creative Enterprise, their Love And Inequality – From “The Bitter Tears Of Petra Von Kant” (1972) By Rainer Werner Fassbinder (1)
- Preparation For War: Vicious (In All Too Human Way) Battle For Domination – From Ronald Neame’s “Tunes of Glory” (1960) (1)
- Retarded Boy Rokkuchan As A Demiurge Of Technological Civilization – From “Dodes’Kaden” (1970) by Akira Kurosawa (1)
- Right-wingers Today and Judaist Clergy In Christ’s Times On The One Hand, And Liberal Democrats Today And Pontius Pilate In Christ’s Time , “The Messiah”, By Rossellini (1)
- Sugar-taste, Sugar-dream, Sugar-dreaming, Sugar-excitement, Sugar-prosperity, Sugar-destructiveness – From Dušan Makavejev’s “Sweet Movie” (1974) (1)
- Surrealist Imagery As The Film-director’s Expressive Tool – The Shot Is From “Chinese Roulette” (1976) By Rainer Werner Fassbinder (1)
- The Art Of Meaningful Composition Of A Shot – From “Lili Marleen” (1981) By Rainer Werner Fassbinder (1)
- The Body Of Truth And The Body Of Glamour – From “Hour of the Wolf” (1968) By Ingmar Bergman (1)
- The Film-director Is Challenging the Deceitful Narratives Of Historical Events – From Bernardo Bertolucci’s “The Spider’s Stratagem” (1970) (1)
- The Internal Power To Resist Abusive Treatment Grows Together With The Very Experience Of Resistance From Ingmar Bergman’s “Fanny and Alexander” (1981) (1)
- The Knight Of Love – From Akira Kurosawa’s “Dodeskaden” (1970) – Is Betrayal Of Love A Spiritual Betrayal? (1)
- The Role Of “Bizarre” Visual Images As An Intellectual Stimulation Of The Film-viewers – From Bernardo Bertolucci’s “The Dreamers” (2003) (1)
- The Use Of “Gaze Aside Without Verbalization” In Cinema – Examples From “Medea” (1969) And “Oedipus Rex” (1967) By Pier Paolo Pasolini (1)
- The Woman With The Sky In Her Eyes – From Ingmar Bergman “The Passion of Anna” (1969) (1)
- Three Phases Of Human Relationship With Death – From “Time Regained” (1999) By Raul Ruiz (Film Based On Marcel Proust’s Novel) (1)
- Three Positions Towards Death (Of Those Who Personally Feell Distant From Death’s Touch) – From Maurice Pialat’s “The Mouth Agape/The Slack-Jawed Mug” (1974) (1)
- To Become Ontologically Authentic Personality (Complex Of Sublime Selfhood) Or To Share Life With Others – Jean-Luc Godard’s “Vivre sa vie/My Life To Live” (1962) (1)
- Trivial Sex As A Gift From Destiny – From Maurice Pialat “The Mouth Agape” (1974) (1)
- Visual Poem About Existentially Spiritual Transformation of Human Beings – “Teorema/Theorem” By Pier Paolo Pasolini (1968) (1)
- When Intense Idealistic Belief “Massively” Collapses – From “Salome’s Last Dance” (1988) By Ken Russell (1)
- When Life Is the Occupation with Technology And Financial Rivalry – From “Sisters, Or The Balance Of Happiness” (1979) By Margarethe Von Trotta (1)
- When People On Tops Of Social Hierarchy Stopped To Be Reliable/Respectable – From “The Discreet Charm Of Bourgeoisie” (1972) By Luis Bunuel (1)
- When Youthful Intelligent Vitality Becomes Incompatible With the Conditions of Spiritual and Physical Survival – Robert Bresson’s “Devil Probably” (1977) (1)
- Young People’s Psychological Condition according To Akira Kurosawa’s “Sanjuro” (1962) (1)
- Films (and stills from the films) analyzed (138)
- Akira Kurosawa (9)
- Alain Resnais (11)
- Alain Tanner (2)
- Alexander Kluge (1)
- Anne-Marie Mieville (1)
- Barbet Schroeder (1)
- Bernardo Bertolucci (6)
- Bertrand Tavernier (1)
- Chantal Akerman (1)
- Claude Berri (1)
- Claude Miller (1)
- Claude Sautet (1)
- Dušan Makavejev (1)
- Elia Kazan (1)
- Federico Fellini (2)
- Francois Truffaut (1)
- Fred Zinnemann (1)
- Gerard Mordillat (1)
- Helma Sanders-Brahms (1)
- Ingmar Bergman (10)
- Jacques Demy (1)
- Jean Cocteau (1)
- Jean Delannoy (1)
- Jean-Luc Godard (12)
- Jean-Marie Straub and Daniele Huillet (2)
- John Huston (1)
- Joseph Mankiewicz (1)
- Ken Russell (2)
- Kenji Mizoguchi (1)
- Liliana Cavani (1)
- Louis Malle (2)
- Luchino Visconti (2)
- Luis Bunuel (3)
- Margarethe von Trotta (2)
- Marguerite Duras (3)
- Maurice Pialat (3)
- Michelangelo Antonioni (3)
- Mike Nichols (1)
- Moshe Mizrahi (1)
- Pier Paolo Pasolini (9)
- R.W. Fassbinder's Films With Gunther Kaufmann (2)
- Radu Gabrea (1)
- Rainer Werner Fassbinder (15)
- Raul Ruiz (1)
- Rene Clement (1)
- Robert Bresson (4)
- Roberto Rossellini (3)
- Ronald Neame (1)
- Stanley Kramer (1)
- Strong Males’ Four Basic Tasks (1)
- Sydney Lumet (1)
- Volker Schlondorff’ (2)
- Werner Herzog (3)
- Wim Wenders (2)
- Yasujiro Ozu (1)
- Installation art-works analyzed (11)
- Obituaries (16)
- Alain Resnais (1)
- Alice Miller (1)
- Audie Murphy – A Bressonian Actor In American Western (!?!) (1)
- Bruno Cremer (1)
- Bruno S. (1932 – 2010) (1)
- Claude Miller (1)
- Erland Josephson (1)
- Günther Kaufmann (1)
- Howard Zinn (1)
- Jean Laplanche (1)
- Leo Steinberg (1)
- Michael Jackson (1)
- Raul Ruiz (1)
- Theodore Roszak (1)
- Walter Schmidinger (1)
- Paintings, sculptures and drawings analyzed (222)
- Alberto Giacometti (5)
- Albrecht Durer (2)
- Amedeo Modigliani (2)
- Andre Derain (1)
- Andy Warhol (1)
- Arno Braker (1)
- Auguste Rodin (1)
- Balthus (Balthasar Klossowski de Rola) (2)
- Barry X Ball (2)
- Bob Trotman (2)
- Caravaggio (1)
- Chaim Soutine (3)
- Claude Monet (1)
- Constantin Brancusi (3)
- Dorothea Tanning (2)
- Edgar Degas (2)
- Edouard Manet (5)
- Edvard Munch (2)
- Edward Hopper (7)
- Egon Schiele (8)
- El Greco’ (1)
- Emil Nolde (20)
- Ernst Barlach (1)
- Ernst Ludwig Kirchner (5)
- Fernando Botero (1)
- Francis Bacon (2)
- Francis Picabia (4)
- Francisco Goya (2)
- Frantisek Janousek (1)
- George Grosz (7)
- Giorgio de Chirico (5)
- Giovanni Angelo del Maino’s (1470-1536) “Saint John The Evangelist” (1520-30) (1)
- Giovanni Battista Moroni (1)
- Gustav Courbet (1)
- Gustav Klimt (3)
- Hans Bellmer (2)
- Henri Rousseau (1)
- Henry Matisse (5)
- Henry Moore (2)
- Honore Daumier (1)
- Jacob Epstein (3)
- Jacques Louis David (1)
- James Enzor (2)
- Jean Dubuffet (1)
- Joan Miro (4)
- John Heartfield (1)
- Joseph Mankiewicz (1)
- Judith Peck (1)
- Jules Bastien-Lepage (1)
- Karl Hubbuch (1)
- Kathe Kollwitz (4)
- Kazimir Malevich (2)
- Leonardo Da Vinci (1)
- Leonora Carrington (1)
- Lucas Cranach (2)
- Lucian Freud (1)
- Man Ray (4)
- Marcel Duchamp (3)
- Marcel Janco (2)
- Marino Marini (1)
- Mary Cassatt (1)
- Max Beckmann (9)
- Max Ernst (15)
- Milein Cosman (1)
- Oscar Dominguez (2)
- OsKar Kokoschka (2)
- Otto Dix (6)
- Pablo Picasso (11)
- Paul Cezanne (1)
- Paul Delvaux (2)
- Paul Gauguin (3)
- paul klee (5)
- Pierre-August Renoir (1)
- Pieter Breughel (1)
- Rembrandt Von Rijns (1)
- Rene Magritte (6)
- Roberto Matta (3)
- Salvador Dali (1)
- Sofonisba Anguissola (1)
- Thomas Hart Benton (3)
- Victor Brauner (4)
- Vincent Van Gogh (eight self-portraits) (1)
- Wifredo Lam (2)
- Willem de Kooning (1)
- William Aiken Walker (1)
- Wolfgang Paalen (2)
- Photographic art and posters analyzed (31)
- A Call Back to Pre-democratic America: (1)
- Adolf Hitler and Joseph Goebbels As One Person (1)
- Alfred Eisenstaedt’s Photos of Goebbels (1)
- Disappointed in mortals… (1)
- Dora Maar (10)
- Germany, Pale Mother (1)
- Humanity of the Psychological Frankensteins (1)
- John Heartfield (1)
- Man Ray (1)
- Photo Of A Group Of Schoolboys With Ludwig Wittgenstein And Adolf Hitler In Their Early Adolescence Amongst Them (1)
- Playing Cards With the Young Boys (1)
- Propaganda Posters (2)
- Rag-picker in Paris, 1901 (1)
- The Gaze of a Righteous Murder (1)
- The Mother Of Child Psychoanalysis And A Prolific Author Melanie Klein As An Exemplary Master Of Empathy (1)
- The Psychology of Pet Owning (1)
- What Childhood Photos of Churchill and Hitler Can Teach Us? (1)
- Why Bishops Attend A Nazi Public Event? (1)
- Will Beauty Save the World? (1)
- Poetry analyzed (40)
- Alfred de Vigny (1)
- Allen Ginsberg (1)
- Ezra Pound (2)
- Federico Garcia Lorca (1898 – 1936) (1)
- Harold Pinter’s Poem “American Football” (A Reflection Upon The Gulf War)” (1)
- Henri Michaux (1)
- Jacques Prevert (1)
- Marina Tsvetaeva (17)
- Octavio Paz (2)
- Oscar Wilde (1)
- Pablo Neruda (1)
- Paul Celan (2)
- Paul Eluard (1)
- Paul Valery (1)
- Pier Paolo Pasolini (1)
- Rainer Maria Rilke (1)
- Rene Char (1)
- Robert Frost (1)
- Theodore Roethke (2)
- Wallace Stevens (1)
- Psychology of religious belief (19)
- Alfred de Vigny (1)
- Allen Ginsberg’s Poem “Everyday” (1)
- “The Messiah” (1975) by Roberto Rossellini (review) (1)
- “Through Glass Darkly” (1961) By Ingmar Bergman (1)
- “Winter Light” (1962) by Ingmar Bergman (1)
- “Winter Light” by Ingmar Bergman (1)
- Belief – Its Versatile Contents and its Psychological “Form” (1)
- Belief in God as a Psychological Defense (1)
- Contempt by Jean-Luc Godard (1)
- Emil Nolde’s “Resurrection” – Nolde’s Interpretation of Christ’s Resurrection Contradicts The Ideas Of Early Christians (1)
- Giovanni Angelo del Maino’s (1470-1536) “Saint John The Evangelist” (1520-30) (1)
- Giovanni Battista Moroni’s (1520–1579 ) “A Gentleman in Adoration Before the Baptism of Christ” (1555–1560) (1)
- In Vain, With My Eyes As With Nail (1)
- Proud Sinners As Good Christians (1)
- Roberto Matta (1)
- The Magic Helpers (1)
- The Religious Sin of Pious Complacency (1)
- Why Catholic Bishops Attend A Nazi Public Event (1)
- Reviews of Films (150)
- "Bitter Tears of Petra von Kant” (1972) by Rainer Werner Fassbinder (1)
- "Einstein" (2008) by Liliana Cavani (1)
- "Nazarin" (1959) by Luis Bunuel (1)
- "Sanjuro" (1962), by Akira Kurosawa (1)
- "Time Regained" (TR) by Raoul Ruiz (1999) (1)
- ”Il Grido/The Cry” (1957) By Michelangelo Antonioni (1)
- “35 Shots of Rum” (2008) By Claire Denis (1)
- “A Flame in My Heart” (1987) By Alain Tanner (1)
- “A Streetcar Named Desire” (1951) by Elia Kazan/Tennessee Williams (1)
- “Ali: Fear Eats the Soul” (1973) by Rainer Werner Fassbinder (1)
- “Alice in the Cities” (1974) By Wim Wenders (1)
- “And the Ship Sails On” (1983) By Federico Fellini (1)
- “Au Hazard Balthazar” (1966) And “Devil Probably” (1977) By Robert Bresson (1)
- “Autumn Sonata” (1978) By Ingmar Bergman (1)
- “Baxter, Vera Baxter” by Marguerite Duras (1977) (1)
- “Berlin Affair” (1985) by Liliana Cavani (2)
- “Berlin Alexanderplatz” (1980) By Rainer Werner Fassbinder (1)
- “Bless the Beast and Children” by Stanley Kramer (1971) (1)
- “Burmese Harp” (1957) by Kon Ichikawa (1)
- “Casanova” (1976) by Federico Fellini (1)
- “Chinese Roulette” (1976) by R.W. Fassbinder (1)
- “Clara Schumann” (2008), by Helma Sanders-Brahms (1)
- “Confessions of Police Captain to the District Attorney” (1971) by Damiano Damiani (1)
- “CONFORMIST” (1971) By Bernardo Bertolucci (1)
- “Contempt/Le mepris” (1963) by Jean-Luc Godard (1)
- “Cuentame Como Paso” (“Tell Me How it Happened”) by Miguel Angel Bernardeau (1)
- “Death in Venice” (1971) by Luchino Visconti (1)
- “Dersu Uzala” (1975) by Akira Kurosawa (1)
- “Despair/Journey Into Light” (1978) by Rainer-Werner Fassbinder (1)
- “Destroy, She Said” (1968) by Marguerite Duras (1)
- “Detective” (1985) by Jean-Luc Godard (1)
- “Diary of the Country Priest” (1951) By Robert Bresson (1)
- “Dodes’kaden” (1970) by Akira Kurosawa (1)
- “Elysium” by Neill Blomkamp (2013) (1)
- “Faithless” by Liv Ullmann (1)
- “Fear of Fear” (1975) by R.W. Fassbinder (2)
- “Film Socialisme” (2010) By Jean-Luc Godard (JLG) (1)
- “Fire Within” (1963) By Louis Malle (1)
- “First Name Carmen/Prenom Carmen” (1983) by Jean-Luc Godard (1)
- “Foyle’s War” by Anthony Horowitz (1)
- “From The Life Of The Marionettes” By Ingmar Bergman (1980) (1)
- “Germany in autumn” By Rainer Werner Fassbinder (1)
- “Germany, Pale Mother” (1980) by Helma Sanders-Brahms (1)
- “Golden Age/L'Age d'Or ” (1930) By Luis Bunuel (1)
- “Goodbye Language/Adieu au langage ” (2014) by Jean-Luc Godard (1)
- “Hidden Fortress” (1958) by Akira Kurosawa (1)
- “Hiroshima mon amour” (1957) By Alain Resnais (1)
- “Hour Of The Wolf” (1968) By Ingmar Bergman (1)
- “I Want To Go Home” (1989) by Alain Resnais (1)
- “Ich Bin die Andere” (“I am the Other Woman”) by Margarethe von Trotta (2006) (1)
- “Ikiru/To Live” by Akira Kurosawa (1952) (1)
- “In a Year of 13 Moons” (1978) By R.W. Fassbinder (1)
- “In the Electric Mist” (2010) by Bernard Tavernier (1)
- “Kind Hearted Woman” by David Sutherland (1)
- “La guerre est finie/The War Is Over” (1966) By Alain Resnais (1)
- “La Terra Trema/The Earth Is Trembling/The Earth Trembles/Will Tremble” (1948) By Luchino Visconti (1)
- “Lacombe Lucien” (1974), By Louis Malle (1)
- “Lancelot of the Lake” (1974) By Robert Bresson (1)
- “Last Year in Marienbad” (1960) By Alain Resnais (1)
- “L’Enfance Nue” (1968) By Maurice Pialat (1)
- “Le Petit Soldat/The Little Soldier” (1960–1963) By Jean-Luc Godard (1)
- “Letter to America”, (1999) by Kira Muratova (1)
- “Life and Nothing But/La vie at rien d’autre” (1989) by Bertrand Tavernier (1)
- “Lili Marleen” by Rainer Werner Fassbinder (1981) (1)
- “Lola” by Jacques Demy (1961) (1)
- “Lola” by Rainer Werner Fassbinder (1981) (1)
- “Long Day’s Journey into the Night” (1962) By Sidney Lumet (1)
- “Love Unto Death” (1984) by Alain Resnais (1)
- “Madame Rosa” By Moshe Mizrahi (1)
- “Made in USA (1966) by Jean-Luc Godard (2)
- “Man Like Eva/Ein mann wie Eva” (1983) by Radu Gabrea (1)
- “Medea” (1969) by Pier Paolo Pasolini (1)
- “Melo” (1986) by Alain Resnais (1)
- “Milarepa” by Liliana Cavani (1974) (1)
- “Muriel, Or The Time Of Return” By Alain Resnais (1964) (1)
- “My life and Times with Antonin Artaud” (1993) by Gerard Mordillat (1)
- “Nathalie Granger” (1972) by Marguerite Duras (1)
- “Nazarin” (1959) by Luis Bunuel (1)
- “Nelly and Mr. Arnaud” (1995) by Claude Sautet (1)
- “Night and Day” (1991) by Chantal Akerman (1)
- “Oedipus Rex” (1967) By Pier Paolo Pasolini (1)
- “Oh, Woe Is Me” by Jean-Luc Godard (1)
- “Our Lady of the Assassins” (2000) by Barbet Schroeder (1)
- “Our Music” by Jean-Luc Godard (2004) (1)
- “Peter Pan” (2003) by P.J. Hogan (1)
- “Pickpocket” (1959) by Robert Bresson (1)
- “Pigpen/Pigsty/La Porcile” (1969) By Pier Paolo Pasolini (1)
- “Salome’s Last Dance” (1988) by Ken Russell (1)
- “Sanjuro” (1962), by Akira Kurosawa (1)
- “Sansho the Bailiff” (1954) by Kenji Mizoguchi (1)
- “Sisters or the Balance of Happiness” (1979) By Margarethe von Trotta (1)
- “Socrates” (1971) By Roberto Rossellini (1)
- “Spider’s Stratagem” (1970) By Bernardo Bertolucci (1)
- “Strongman Ferdinand” (1977) by Alexander Kluge (1)
- “Stroszek” (1977) By Werner Herzog (1)
- “Swan In Love” (1984) By Volker Schlöndorff' (1)
- “Sweet Movie” (1976) By Dusan Makavejev (1)
- “The Bitter Tears of Petra von Kant” (1972) by Rainer Werner Fassbinder (RWF) (1)
- “The Cannibals” by Liliana Cavani (1969) (1)
- “The Chronicle of Anna Magdalena Bach” by Jean Marie Straub and Daniele Huillet (1968) (1)
- “The Discreet Charm of Bourgeoisie” (1972) by Luis Bunuel (1)
- “The Dreamers” (2003) By Bernardo Bertolucci (1)
- “The Men Who Tread on the Tiger’s Tail” (1945) by Akira Kurosawa (1)
- “The Merchant of Four Seasons” (1971) by Rainer Werner Fassbinder (1)
- “The Messiah” (1975) by Roberto Rossellini (1)
- “The Mouth Agape/The Slack-Jawed Mug” (1974) by Maurice Pialat (1)
- “The Night of Iguana” (1964) by John Huston – based on Tennessee Williams’ play (1)
- “The Rise of Louis XIV” by Roberto Rossellini (1966) (1)
- “The Rite” (1969) by Ingmar Bergman (1)
- “The Salamander” (1971) by Alain Tanner (1)
- “The Serpent’s Egg”1976, by Ingmar Bergman (1)
- “The Sheltering Sky” (1990) by Bernardo Bertolucci (1)
- “The Shout” (1978) by Jerzy Skolimowski (1)
- “The Silence” by Ingmar Bergman (1963) (1)
- “The Skin” (“La Pelle” – 1981) by Liliana Cavani (1)
- “The Soft Skin” (1964) By Francois Truffaut (1)
- “The Testament of Orpheus” by Jean Cocteau (1959) (1)
- “The Touch” (1971) by Ingmar Bergman (2)
- “The Virgin’s Bed” (“Le lit de la vierge”), 1969, by Philip Garrel (1)
- “Theorem” (1968) By Pier Paolo Pasolini (1)
- “Through Glass Darkly” (1961) By Ingmar Bergman (1)
- “Tokyo Twilight”, 1957, by Yasujiro Ozu (2)
- “Trophy Wife” (“Potiche”), 2010, by Francois Ozon (1)
- “Tunes of Glory” by Ronald Neame (1)
- “Uranus” by Claude Berri (1)
- “Van Gogh” (1991) by Maurice Pialat (1)
- “Vivre Sa Vie/My Life to Live” (1962) by Jean-Luc Godard (1)
- “What are Clouds?” (1968) by Pier Paolo Pasolini (2)
- “Whity” By Rainer Werner Fassbinder (1970) (1)
- “Who's Afraid of Virginia Woolf?”(1966) By Mike Nichols (Based on the Play of Edward Albee) (1)
- “Winter Light” (1962) by Ingmar Bergman (1)
- “Yojimbo” (1961) and “Sanjuro” (1963) by Akira Kurosawa (1)
- “Yojimbo” (1961) by Akira Kurosawa (1)
- “You ain’t Seen Nothin’ Yet” by Alain Resnais (1)
- “Zabriskie Point”/ZP, (1970) By Michelangelo Antonioni (1)
- Bernardo Bertolucci’s “Me and You/Io e Te” (2)
- In Praise of Love/Éloge de l'amour (2001) By Jean-Luc Godard (1)
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- Anti-democratic Psychopathology Of The Need To Be Entertained (1)
- Artificially Induced Hunger for Currency (2)
- “High Noon” By Fred Zinnemann, 1952, Gary Cooper, The Hooligans, Conformist Philistines And How D. Trump Is Striving To Become An American Super-duper President in 2020 (1)
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- Genocidal Gene In Many Of The Neocons And Neoliberals Today Who Are Afraid That People Will Deprive Them Of Their Power and Wealth (1)
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- Hollywood Stars’ Socio-morphic Acting – When Movie-matic Medium Is Sensitive Only To Social Layer Of The World (1)
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- How Stalin Hardliners* Type Of Soviet Communists Have Resurfaced Under A New Ideological Skin Inside The American Democracy (1)
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- People Who Exist Too Heavily … Drowned In Everyday Existence (1)
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- Political Hooliganism – A President's Verbally Uncivil And Rude Communications (1)
- Politicians and Financial Entrepreneurs with Autistic Features (1)
- Poorple and Wealthyple (1)
- Populism as a Smiling Mask of Anti-humanism (1)
- Post-WWII Radical Divorce Between American Generations (1)
- Primal Scenes (Three Demons of Theatricality) (1)
- Private Wealth’s Globally Expanded Predatoriness (1)
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- Prozac Liberalism in U.S. (1)
- Psychological Roots of Political and Financial Misbehvior (1)
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- Psychopaths Aren’t So Clever After All (1)
- Rich Conquerors and Their (Poor) Servants and Bodyguards (1)
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- Scientific Research Becomes Incompatible With The Predatory Mind Of Conservatism And Neo-Conservatism (1)
- Setting Discord Between Groups and Populations (1)
- Shift from “Communism” to “Democracy” in Russia (1)
- Sissy Heroism or the Logic of an Abused Child (1)
- Socio-political Dreams In Relation To Socio-political Realities (The Russian Communist Future And Totalitarian Present, German Aryan Superiority and The Third Reich,…) (1)
- Socio-Psychological Essence of the Emotion of Hate (1)
- Some Psychological Reasons For GOP’s Victory In Midterm Congressional Elections (1)
- Stalin’s Political Ordeals (1)
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- The Builders Of American Dystopia – Political Apparatchiks Of Neo-Conservative Cause (1)
- The Destiny Of Soul’s Thinking In The 21st Century’ (1)
- The Difference Between a Democratic and a Conservative Sensibility (1)
- The God’s Humor (1)
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- The Planetary Royalty of 21st Century (1)
- The Political Dance Of A “One-sided Compromise” With A Despotic Money-power – President Obama Faces Future Of A Possible Impeachment (1)
- The Poor People’s Paradise, the Rich’s Hell – Relaxed Existence VS. Over-calculation (1)
- The Psychology of Pet Owning (1)
- The Ultimate Question Is Not Economic Efficiency, Profit-making Strategies (1)
- The Various Degrees of Intellectual Qualification and Judicial Objectivity in the Participants in President’s Impeachment Hearing (1)
- There are Two Types of People (1)
- There is No Place for Wishful Thinking (1)
- This Sweet Propaganda (1)
- Those Who Sold American Democracy to their Own Pockets (1)
- Three Causes Of American Addiction To Weapons (1)
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- To Survive in Order To Live VS. Live Just to Survive (1)
- To those Who are Trapped Iin Mass-cultural Satisfactions (1)
- Today’s Political Conservatism in U.S. (1)
- Two Types Of Human Blunders – One Made By Our Very Humanity And The Other By Our Reliance On Our Instrumental Reasoning (1)
- Unconscious Lying (1)
- Victor Brauner’s “Symbolic Mutation I” – Socio-psychological Typology of Human Beings (1)
- Vitalizing Addiction to Hate and to Fight (1)
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- What Communist party was for the Soviet (Totalitarian) Government, Corporations are for (Neo-conservative) American Government (1)
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- When Infantilization of Human Psyche… (1)
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- Why is there no book Burning in U.S.? (1)
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Biography (.doc)
Biography (.pdf)
Letters to Readers
- 1. Obama, Bush and the 'Armoured Self'
- 2. Emotional Attractiveness of Totalitarianism
- 3. Artificially Induced Hunger for Currency and Consumption
- 4. Ideology in SRussia (Soviet Russia) and Bushmerica (America according to Bushmericans)
- 5. To those Who are Trapped into Mass-cultural Satisfactions and Consolations
- 6. Liberal Psyche and the Destiny of Liberalism in U.S.
- 7. The Destruction of the Humane Concept of Human Happiness
- 8. Psychological Roots of Political and Financial Misbehvior
- 9. Psychology of Political, Military and Economic Blunders
Recent Entries
- Emil Nolde’s “Christ and Doctors of the Law”
- Pier Paolo Pasolini’s “Salo or the 120 Days of Sodom” (1976). Part 3 – The Torture. Introduction to Fascist Apocalypse
- Milein Cosman’s Stravinsky, 1959 and Rostropovich, 1960
- Pier Paolo Pasolini’s “Salo Or the 120 Days of Sodom” (1976) – Part 2 - The Fascist Rituals
- Pier Paolo Pasolini’s “Salo or the 120 Days of Sodom” (1976). Part 1 – The Fascist Tastes
- Fabrizio And Agostino - From “Before the Revolution” (1962) By Bernardo Bertolucci
- Anne Marie Mieville’s “The Book of Mary”, 1985 – Mary’s Improvised Dance-Pantomime (Under the Music of Gustav Mahler’s Ninth Symphony) As A Metaphor of Modern Way of Life
- Addition to Max Ernst’s Painting “Monument to the Birds” (1927) – Man (Dad), Woman (Mom) and Two Children (Already Deadly Fighting For Existential Advantage)
- Rembrandt Von Rijn’s “Judas Returning The Thirty Pieces Of Silver”, 1629
- The Various Degrees of Intellectual Qualification and Judicial Objectivity in the Participants in President’s Impeachment Hearing
Recent Comments
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Most Commented
- Constantin Brancusi’s Sculptural Series “The Kiss” (1907 – 1925): To Be Stuck in Personal relations to the Neglect of Understanding of the Public Realm (21)
- Pablo Picasso’s Portrait of Joseph Stalin (1953) – Stalin As An Object of the Artist’s Contemplation – Simpler than Any Painting, Flatter than Any Sculpture, Ruder Than Any Kitsch – (4)
- Mary Cassatt‘s Paintings – Mother and Child: The Mystery of the Disappearance of the Mother’s Face (4)
- Marina Tsvetaeva’s “Ophelia – In Defense of the Queen” (1923) – The Value of Existential Paradox: The Logic of Aesthetic Exception (3)
- Max Ernst’s ‘The Horde’ (1927) provides us with the metaphoric space for better understanding of The Invasion of the Bushmerican Adolfics (2)
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